Truck Turner & Cie.

Blaxploitation films are so frequently ridiculed and parodied (much of it with reason) these days, that it's easy to forget that some of them were actually pretty good. Shaft (1971) paved the way for the sub-genre with its strutting bad-ass lead who's a sex-machine to all the chicks, and Isaac Hayes' Oscar-winning score (for what he will forever be best remembered for). Hayes himself steps into the lead role here as ex- American football star and bail bondsman Mac 'Truck' Turner, who according to Yaphet Kotto's bad-guy pimp Blue, is "like a bulldog with eyes up his ass!", and displays some surprisingly charismatic qualities that makes it quite a shame he didn't appear in more.

Greasy lawyer Fogarty (the great Dick Miller) employs bounty-hunters 'Truck' Turner and his partner Jerry (Alan Weeks - with the best grin in cinema) to track down a low-down pusher and pimp named Gator (Paul Harris). After an extended chase scene, Turner and Jerry manage to kill Gator, much to the dismay of Gator's lady Dorinda (Nichelle Nichols - Uhura!). Dorinda rounds up the big pimps and offers her valuable collection of whores in exchange for Turner's head, a deal in which Blue accepts. Wanting to settle down with his girlfriend Annie (Annazette Chase), Turner finds his life turned upside when Blue employs a gang of hired killers.

Beginning almost as a buddy-comedy, the witty script and some genuine chemistry serve up some amusing early scenes, showing off Hayes' natural screen presence. But this turns into pure police procedural blaxploitation as the main plot kicks in, with jive-talk, pimps in some of the most delightfully ludicrous dress I've ever seen, car-chases, slow-motion shoot-outs, cocaine, hookers, and of course a tragically neglected soundtrack from Hayes himself. The action scenes are surprisingly good, and Corman protégé Jonathan Kaplan (director of fellow Grindhouse Project feature Night Call Nurses (1972) - review #443) makes sure he includes as much slow-motion men falling off rooftops and gushing fake blood as possible. Bloody good fun, and probably better than Shaft.

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Isaac Hayes provides whole new dimensions to the term "Coolness" in his own and first Blaxploitation highlight "Truck Turner" (not counting the Italian Blaxploitation-Crime thriller crossover "Three Tough Guys"). Prior to this movie Hayes was only known as the performer of the legendary Shaft theme, but God bless the person who came up with the idea of giving him his very own movie-franchise! Hayes is brilliant and much cooler & tougher than all the other Blaxploitation heroes together, in my humble opinion. If I were to be stuck in a dark alley late at night, I would rather run into a combination of Richard Roundtree, Fred Williamson and Jim Brown than facing the gigantically postured and naturally petrifying Hayes. The plot of "Truck Turner" is rudimentary but nevertheless engaging and literally stuffed with awesome characters, witty comical undertones and phenomenal action sequences. I truly adore how each and every character that walks through the screen, even including Truck and his lovely wife, is a bit of a "badass" and living on the edge of the law him/herself. Mack 'Truck' Turner is a former football player who now works as a feared bounty hunter since an injury ruined his career. Truck loves his wife, even though she's a recidivist shoplifter and all the women in the neighborhood crave him, and there isn't a single thug on the streets who doesn't fear and respects him. Together with his partner Jerry he's tailing the fugitive big shot pimp Gator, but when the latter gets killed during a spontaneous bust, all hell breaks loose. Gator's main bi-atch Dorinda (Nichelle Nichols, acting like the black version of Ilsa Harem keeper of the Oil Sheiks) gathers all the city's most prominent pimps and promises the ownership of all her top-class prostitutes to whoever succeeds in killing Truck. Seeing the main story lines are so thin, "Truck Turner" mostly benefices from its 'shoot first ask questions later' action sequences, the splendid soundtrack and multiple stellar performances. Hayes receives great support from Yaphet Kotto (as a really creepy super-pimp), Alan Weeks (as the sidekick) and Sam Laws (as their employer). There are also excellent cameos for prominent B-actors like Scatman Crothers and Dick Miller. The violent climax in the hospital is simply awesome and has an original and tense anti-climax. Another downright brilliant and unforgettable scene takes place during the pimp's funeral. Pure 70's goodness!

The once-almighty American International Pictures had every bit of success going in the 70s with movies like BLACK CAESAR, BLACULA, COFFY, and many others, that turned the blaxploitation genre into a phenomenon. TRUCK TURNER continues the timeless tradition with style. With Isaac Hayes in his only notable role of a bounty hunter, you can expect this to be the meanest, most wildest, most violent "blaction" flick on celluloid. Aiming the gun close to the camera looked fascinating. The combination of action and exploitation is not just smooth as velvet, but also rough as guts. Apparently, critics wanted to dismiss this film from all the graphic violence it displays, and while that still remains the case, it gave the genre a step forward and was much needed to satisfy its fans. Hayes' music score is pure all the way, and runs along with the plentiful, but simple straightforward action sequences. I felt the piano score was tiringly repetitive for a film that offered more punch. It wouldn't be a blaxploiter without some groove, humor, and soul poured in, and there's a lot here. TRUCK TURNER is one of the finer movies from an era that's been vanished a good long time, but do check out BLACK CAESAR, SUPER FLY, and BLACK BELT JONES for the very best. Great fun for all "blaxplo" fanatics!

A fan of 70s Blaxploitation cinema, I've had "Truck Turner" of 1974 sitting on my DVD shelf for some time now, always eager to watch it, and the recent death of Isaac Hayes (R.I.P. big man) was reason enough to finally do so. And I was not disappointed. Isaac Hayes is probably most prominent in Blaxploitation cinema for composing and performing the theme song for the sub-genre's most famous film, Gordon Parks' "Shaft" of 1971, and he also starred as the super-tough and super-cool eponymous hero in a flick that ranges among the most entertaining of its kind - namely this, "Truck Turner". The bald and bearded Mac 'Truck' Turner is a former football player turned bounty hunter and Hayes is supremely bad-ass in the role. Inbetween crime-busting and drinking sessions with his colleague Jerry (Alan Weeks), Truck, who sleeps with his holster on and whose mere name makes the bad guys shake in fear, pays visits to his sexy girlfriend who tends to get jailed for her quick temper...

The film basically has everything good blaxploitation cinema needs: A super-tough bad-ass of a hero as you will only see them in 70s cinema, a cool sidekick, eccentric villains, violent shootouts, funky music, delightfully vulgar slang dialogue including many unforgettable lines and, last but definitely not least, dozens of sexy and dangerous women. None other than Star Trek's Nichelle Nichols plays the beautiful and lethal crime-madame and prostitution-mastermind Dorinda, and Yaphet Kotto (Alien) makes a perfect crime-boss in his role of Harvard Blue. Alan Weeks makes a good sidekick for Truck Turner and beautiful Annazette Chase fits greatly in the role of Truck's girlfriend. Isaac Hayes himself is great, simply the definition of Bad-Ass in his role. Every line he says is the epitome of coolness, and so is everything he does. The funky theme-song, which was, of course, composed and sung by Hayes himself, is great and contributes a lot to the unique blaxploitation feeling. The film furthermore profits from great camera work - Truck blows them baddies away from some very cool angles. All in all, "Truck Turner" should not be missed by a fan of 70s Exploitation cinema. Highly Recommended!

Skip tracer Isaac Hayes tracks down Paul Harris. In the ensuing chase, Harris is killed. His woman, Nichelle Nichols, who runs a stable of prostitutes, offers half her take to whoever kills Hayes.

It's a decent if unexceptional blaxploitation flick, with its strength being performers like Yaphet Kotto -- he was going through a divorce at the time and needed the cash -- and Scatman Crothers, as well as Hayes doing the film score. To someone who doesn't know, it may sound like typical chik-a-boom music that infested every cop show and movie in the era, but there's a flair and drive to it that lifts it out of the ordinary.