NOTE IMDb
5,8/10
1,5 k
MA NOTE
Slaughter, un ancien béret vert, venge le meurtre d'êtres chers par la mafia et, ce faisant, est contraint par les autorités fédérales de se rendre au Mexique pour en finir avec les gangster... Tout lireSlaughter, un ancien béret vert, venge le meurtre d'êtres chers par la mafia et, ce faisant, est contraint par les autorités fédérales de se rendre au Mexique pour en finir avec les gangsters survivants.Slaughter, un ancien béret vert, venge le meurtre d'êtres chers par la mafia et, ce faisant, est contraint par les autorités fédérales de se rendre au Mexique pour en finir avec les gangsters survivants.
- Réalisation
- Scénario
- Casting principal
Marion Brasch
- Jenny
- (as Marion Brash)
Eddie Lo Russo
- Little Al
- (as Eddie LoRusso)
Roger Cudney
- Gio
- (as Roger C. Cudney)
Lance Hool
- Intern
- (as Lance Winston)
Juan José Laboriel
- Uncle
- (as Juan Jose Laboriel)
Francisca López de Laboriel
- Aunt
- (as Francisca Lopes De Laboriel)
Ricardo Adalid
- Hood #2
- (as Ricardo Adalid B)
Avis à la une
Jim Brown is one cool dude, even when he's making a typical 70s blaxploitation flick.
Here, he is an ex-Green Beret home from 'nam going after the mob thugs that killed his father.
First, he has to get by their secret weapon, Stella Stevens, girlfriend of #2, Rip Torn, a racist that is just seething at the thought of Stevens between the sheets with Brown. And, boy, do they steam up those sheets! That must have been a shock to 70s audiences.
Now, the thugs are not too bright as they try to run Brown down with a Mustang. Don't they know that this former fullback is one of the all time greats in NFL history? Their efforts to catch him in the casino meets with equal disaster as he runs right through them.
Of course, you know Slaughter wins in the end because there is a sequel.
One interesting aspect for the younger folks is the IBM punch card that figures prominently in the film. They probably have never seen one.
Here, he is an ex-Green Beret home from 'nam going after the mob thugs that killed his father.
First, he has to get by their secret weapon, Stella Stevens, girlfriend of #2, Rip Torn, a racist that is just seething at the thought of Stevens between the sheets with Brown. And, boy, do they steam up those sheets! That must have been a shock to 70s audiences.
Now, the thugs are not too bright as they try to run Brown down with a Mustang. Don't they know that this former fullback is one of the all time greats in NFL history? Their efforts to catch him in the casino meets with equal disaster as he runs right through them.
Of course, you know Slaughter wins in the end because there is a sequel.
One interesting aspect for the younger folks is the IBM punch card that figures prominently in the film. They probably have never seen one.
Yes, the film stars Jim Brown and yes he kicks a lot of butt. However, I don't think I'd classify this as a 'blaxsploitation film'. That's because the film is mostly set in Mexico and the good guys are the government. This is definitely NOT a battle between Black and White America, but our hero, Brown, is solidly on the side of 'the Man'; i.e., the government.
The film begins with the family of former Green Beret, Brown, being killed by mobsters. As a result, he goes on a one-man mission to kill mobsters. However, this ends up causing problems because he blunders into a covert government operation and the real bad guy gets away. So, Brown agrees to go to Mexico and work with the feds to settle the score. The plot ends up being rather mindless--with Brown shooting and punching as well as mobsters killing each other off like mad. However, it's enjoyable and time-passing mindless.
This film is blessed with a very good supporting cast. The seldom recognized Don Gordon (star of countless TV shows), Cameron Mitchell, Stella Stevens and Rip Torn are all on hand to give the film some good acting, so that all the weight of the film doesn't rest on Brown just killing people! Worth watching but not life changing.
The film begins with the family of former Green Beret, Brown, being killed by mobsters. As a result, he goes on a one-man mission to kill mobsters. However, this ends up causing problems because he blunders into a covert government operation and the real bad guy gets away. So, Brown agrees to go to Mexico and work with the feds to settle the score. The plot ends up being rather mindless--with Brown shooting and punching as well as mobsters killing each other off like mad. However, it's enjoyable and time-passing mindless.
This film is blessed with a very good supporting cast. The seldom recognized Don Gordon (star of countless TV shows), Cameron Mitchell, Stella Stevens and Rip Torn are all on hand to give the film some good acting, so that all the weight of the film doesn't rest on Brown just killing people! Worth watching but not life changing.
...because I've been able to watch this film and other great blaxploitation classics.The plot is pretty basic for this genre(the tough black hero avenges the death of his loved one and kick some "whitey" butt in the process).Although the film seems dated,the action pieces more than make up for it.Jim Brown shows a limited range as an actor,but Rip Torn is great as the slimy mobster & Stella Stevens is hot as always as the girlfriend.
Somehow, in even the most sleazy, tacky and sordid surroundings, Brown was able to retain a level of dignity and appeal in his movies. This film revels in the various hallmarks of the Blaxpoitation genre, but Brown comes out of it unscathed. He plays a former Green Beret whose parents are killed by the Mob (his father was heavily involved with them.) When he tries to exact revenge, he winds up recruited by Treasury Department official Mitchell to work together in bringing down several mobsters in Mexico. Here, he is aided by Gordon and, to a lesser degree Clark. Alfe is the primary fat cat with Torn as his second in command. Things get complicated and very ugly when Alfe sends Torn's ex-hooker girlfriend (Stevens) to soften up (or harden?) Brown. Brown, though very low-key through most of the film, presents such an amiable presence despite the tawdriness of the material that he makes this film worth watching. His "shoot first, ask questions later" character is somewhat ill-defined, but he gives the film some honor. Gordon does an admirable job as his short, adoring sidekick who wishes he had even a tenth of Brown's magnetism and ability. Torn gives a brooding, slimy, but interesting performance as a racist, vicious thug. Stevens gets a showy dress (and undress!) rehearsal for her memorable role as an ex-prostitute in "The Poseidon Adventure" (filmed just after this.) Her look in this film is precisely the same, though she has some far more adult scenes in this one. Brown's sex scenes with Stevens had to have been quite the eye-openers in 1972 as they still are even today! It's clear that the two had chemistry together and clearly enjoyed their relationship as actors. Alfe (who, oddly, has not one other screen credit to his name) is distinctive and memorable (if, at times, unintentionally funny.) With a Mr. Roarke hairdo and with a voice that may not be the actor's own, he nonetheless does a decent job of presenting a man with power and influence. Mitchell hardly appears and Clark's role is an almost total throwaway (though she has one memorably hilarious exit from an apartment doorway!) This film is not for everyone as it is decidedly politically incorrect with plenty of the "N" word flying around. However, it is filled with interesting lead actors who give their all to their roles and help it to rise above cheaper variations on the genre. A few of the bit players are bad, but they aren't around long in most cases. Only some of the interior shots in hotel rooms or offices betray a lack of budget (with rotten sound and lighting.) There is definite overuse of a fish-eye lens which becomes distracting and is a by-product of the era. Much of the film, though, comes off as pretty slick with a terrific title song, some well-handled action scenes and enough spark in the dialogue to hold one's interest. It's the type of flick where the men refer to each other as "baby" and even "sweetheart" all in the name of that inimitable 1970's funk. It was followed by an even more lurid, but entertaining, sequel.
Slaughter (1972)
** (out of 4)
Ex Green Beret Slaughter (Jim Brown) seeks vengeance against the Mob who killed his father and soon teams up with some Feds to track down the gang and take them out one by one including the head guy (Rip Torn). This AIP blaxploitation flick has a lot going for it but I found the direction to be all over the place and there were a few too many slow spots to be a complete winner, which is a shame because there's a terrific cast on display here. The screenplay is your typical revenge tale but I think the film could have benefited from a small re-write because what we have here isn't all that interesting because the script really lets us down in terms of the bad guys. We have a couple different bad guys but neither of them are very interesting and I think the film would have benefited by touching them up a tad bit more especially since you have an actor like Torn eating up the scenery and turning in a fine performance. Brown, not the greatest actor out there, but he still manages to be quite cool in the role and he's got some funny comic timing as well. The sequence where he crashes into a party and the servant asks if he has an invitation and Brown slowly pulls out his gun and says "yep" is certainly one of the highlights of the film. We also get Cameron Mitchell in a couple brief scenes and it's always fun seeing him. Even though all the guys do a good job it's the beautiful Stella Stevens who steals the film. It's not her acting that steals the movie but her chest, which is constantly coming out of no matter what type of outfit she's wearing.
** (out of 4)
Ex Green Beret Slaughter (Jim Brown) seeks vengeance against the Mob who killed his father and soon teams up with some Feds to track down the gang and take them out one by one including the head guy (Rip Torn). This AIP blaxploitation flick has a lot going for it but I found the direction to be all over the place and there were a few too many slow spots to be a complete winner, which is a shame because there's a terrific cast on display here. The screenplay is your typical revenge tale but I think the film could have benefited from a small re-write because what we have here isn't all that interesting because the script really lets us down in terms of the bad guys. We have a couple different bad guys but neither of them are very interesting and I think the film would have benefited by touching them up a tad bit more especially since you have an actor like Torn eating up the scenery and turning in a fine performance. Brown, not the greatest actor out there, but he still manages to be quite cool in the role and he's got some funny comic timing as well. The sequence where he crashes into a party and the servant asks if he has an invitation and Brown slowly pulls out his gun and says "yep" is certainly one of the highlights of the film. We also get Cameron Mitchell in a couple brief scenes and it's always fun seeing him. Even though all the guys do a good job it's the beautiful Stella Stevens who steals the film. It's not her acting that steals the movie but her chest, which is constantly coming out of no matter what type of outfit she's wearing.
Le saviez-vous
- AnecdotesOne of Jim Brown's three favorite films he starred in: the other two are Les douze salopards (1967) and Mars Attacks! (1996).
- GaffesA character uses a revolver with a suppressor attached. Revolvers cannot be suppressed (other than a specially manufactured Russian model) because most of their noise comes from the cylinder gap before the barrel which is behind the suppressor.
- ConnexionsFeatured in Adam & Yves (1974)
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- How long is Slaughter?Alimenté par Alexa
Détails
Box-office
- Budget
- 750 000 $US (estimé)
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