Truck Turner & Cie.

Truck Turner is an ex-football star, built like a Mack truck. Fortunately his name IS Mac (though why they released it as BLACK BULLET in Australia is beyond me) which makes for a sensible nickname. There is practically nothing else remotely sensible thereon in, when Mac goes head-to-head with a bunch of no-good…well, macks (pimps).

It is a typically paradoxical blaxpolitation film. It serves as both a reminder why the genre were so enjoyable - brazen heroes and villains, loads of sexy chicks for each, a top soul soundtrack - and why it had to die eventually - the burden of uninspired cashing in, here there and everywhere.

BLACK BULLET is as b-grade as they come, and it's surprisingly nasty in places. With a similar cast and crew to the far-superior BLACK BELT JONES (a blaxploitation gem), you expect tongue in cheek, but by the time you've heard the world `bitch' a thousand times, it starts to lose its comic gleam.

But at the end of the day it's all in good fun. It's just a shame the modern gangstas didn't get the joke.

Skip tracer Isaac Hayes tracks down Paul Harris. In the ensuing chase, Harris is killed. His woman, Nichelle Nichols, who runs a stable of prostitutes, offers half her take to whoever kills Hayes.

It's a decent if unexceptional blaxploitation flick, with its strength being performers like Yaphet Kotto -- he was going through a divorce at the time and needed the cash -- and Scatman Crothers, as well as Hayes doing the film score. To someone who doesn't know, it may sound like typical chik-a-boom music that infested every cop show and movie in the era, but there's a flair and drive to it that lifts it out of the ordinary.

Blaxploitation films are so frequently ridiculed and parodied (much of it with reason) these days, that it's easy to forget that some of them were actually pretty good. Shaft (1971) paved the way for the sub-genre with its strutting bad-ass lead who's a sex-machine to all the chicks, and Isaac Hayes' Oscar-winning score (for what he will forever be best remembered for). Hayes himself steps into the lead role here as ex- American football star and bail bondsman Mac 'Truck' Turner, who according to Yaphet Kotto's bad-guy pimp Blue, is "like a bulldog with eyes up his ass!", and displays some surprisingly charismatic qualities that makes it quite a shame he didn't appear in more.

Greasy lawyer Fogarty (the great Dick Miller) employs bounty-hunters 'Truck' Turner and his partner Jerry (Alan Weeks - with the best grin in cinema) to track down a low-down pusher and pimp named Gator (Paul Harris). After an extended chase scene, Turner and Jerry manage to kill Gator, much to the dismay of Gator's lady Dorinda (Nichelle Nichols - Uhura!). Dorinda rounds up the big pimps and offers her valuable collection of whores in exchange for Turner's head, a deal in which Blue accepts. Wanting to settle down with his girlfriend Annie (Annazette Chase), Turner finds his life turned upside when Blue employs a gang of hired killers.

Beginning almost as a buddy-comedy, the witty script and some genuine chemistry serve up some amusing early scenes, showing off Hayes' natural screen presence. But this turns into pure police procedural blaxploitation as the main plot kicks in, with jive-talk, pimps in some of the most delightfully ludicrous dress I've ever seen, car-chases, slow-motion shoot-outs, cocaine, hookers, and of course a tragically neglected soundtrack from Hayes himself. The action scenes are surprisingly good, and Corman protégé Jonathan Kaplan (director of fellow Grindhouse Project feature Night Call Nurses (1972) - review #443) makes sure he includes as much slow-motion men falling off rooftops and gushing fake blood as possible. Bloody good fun, and probably better than Shaft.

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The once-almighty American International Pictures had every bit of success going in the 70s with movies like BLACK CAESAR, BLACULA, COFFY, and many others, that turned the blaxploitation genre into a phenomenon. TRUCK TURNER continues the timeless tradition with style. With Isaac Hayes in his only notable role of a bounty hunter, you can expect this to be the meanest, most wildest, most violent "blaction" flick on celluloid. Aiming the gun close to the camera looked fascinating. The combination of action and exploitation is not just smooth as velvet, but also rough as guts. Apparently, critics wanted to dismiss this film from all the graphic violence it displays, and while that still remains the case, it gave the genre a step forward and was much needed to satisfy its fans. Hayes' music score is pure all the way, and runs along with the plentiful, but simple straightforward action sequences. I felt the piano score was tiringly repetitive for a film that offered more punch. It wouldn't be a blaxploiter without some groove, humor, and soul poured in, and there's a lot here. TRUCK TURNER is one of the finer movies from an era that's been vanished a good long time, but do check out BLACK CAESAR, SUPER FLY, and BLACK BELT JONES for the very best. Great fun for all "blaxplo" fanatics!

Truck Turner and his partner Jerry are bounty hunters for bail bonds men. Turner has a reputation for being an intimidating and confident force and can command top dollar for the jobs nobody else is willing to take. When the job of retrieving pimp Gator Johnson turns sour, Tuner has to kill Gator and invokes the ire of his girl Dorinda. While Dorinda tries to hold her stable of girls together in a male dominated industry, she offers up a significant business share in her girls to the man who is able to kill Turner for her revenge.

I have taken recently to watching some Blaxploitation films mostly because I find the genre to be agreeably trashy and in a way the weaknesses can be accepted and almost enjoyed as part of the experience that you have come for. Trashily made, violent, tough black male leads, gorgeous females with lots of sass, funky soundtrack, solid action and unintentional laughs – all of these things sort of come with the territory. Truck Turner actually stands out as one of the more enjoyable of the genre, while still very much being a genre film with all the staples in place. The film is built on the usual sense of tough cool in the packaging and in the lead character and the plot pretty much does what you expect as a revenge plot provides plenty of gun battles and bright red blood squibs going off – none of it particularly thrilling but none of it dull either.

Where it actually benefits is in the casting. Hayes is not the best actor of course but he does have a lazy cool charm about him and he leads the film well. He is totally out-acted though by Nichelle Nichols who is not only sexy but is convincingly full of murderous rage – as others have said, it is a world away from her character on Star Trek but she really dominates the screen here with a marvellously over the top and driven house-mother harpie. Kotto is not quite as good but he is a very good presence and deserved to be used a bit better than he was. That said he still rocks most of his scenes and is rewarded with a memorable final scene. Weeks is funny, Chase is cute and beyond that everyone is par for the genre course, with plenty of bad hair and overacting in the men and lots of flesh in the women.

Truck Turner is still a genre film of course and it needs to be met on those terms but it does stand out as a good example of the genre – tough, cool, good performances, lots of pimp etc stereotypes and plenty of silly gun action. Far from being a great film, it is still a very good genre piece.