Capitaine Kronos: Tueur de vampires

I've only seen a couple of Hammer horror films, but I'm impressed. They seem to be subtly effective if you're looking for a few thrills and chills, not overdoing the gore, being mild on the language but yet having a definite edge to them.

"Captain Kronos" isn't super but it's enjoyable. The direction is excellent, the DVD transfer looked nice, and - like a good mystery - there's a good twist at the end regarding the murderer, er.....vampire. For us guys, there are also a lot of pretty women in here, too. The acting isn't the best but who cares? It's entertaining, and not made to be taken seriously.

I enjoyed the team of "Captain Kronos and Professor Hieronymous-Grost," and I'm surprised there wasn't a sequel. These two guys make a good team: Horst Janson as the younger, dashing swordsman, and John Cater as the older assistant. The latter provides a little comic relief, too. Their relationship reminded me a bit of Basil Rathbone and Nigel Bruce at "Holmes and Watson."

The good captain is not your normal vampire hunter. He's just as anxious to get it on with the ladies, and he has a sexy one for a partner in Caroline Munro as "Carla." Kronos also smokes "herbal" cigars! The brief touches of comedy, western, swashbuckling, horror, mystery, romance, sex, supernatural, and who-knows-what else all make it an inventive and fun hour-and-a-half. Hey, it even gives God several good plugs! This horror movie is different, all right.

I'm a big Hammer fan and have been wanting to see 'Captain Kronos: Vampire Hunter' for a long, long time. Now finally I own it on DVD and after watching it four times I think it could very well be my favourite from the studio. It's definitely without a doubt THE most underrated Hammer movie. It did poorly at the box office but it now has one of the most enthusiastic cult followings of any Hammer film. Quentin Tarantino is reportedly a big fan of this movie and seeing how it inventively draws upon several genres (e.g. Westerns) it's really no surprise. Hammer's long running Dracula franchise was running out of steam by the early 70s, and they were looking for a new series. Enter Brian Clemens of 'The Avengers' fame, who had previously written 'Dr. Jekyll And Sister Hyde' for the studio. He came up with some innovative ideas and he thought that this would be the first of many movies to feature the Captain Kronos character. Sadly it wasn't to be, and attempts to spin off a TV series also fell through. Watching it thirty years later I just can't understand why! Anyway, German actor Horst Janson plays Captain Kronos, the enigmatic, sword wielding, dope smoking action hero, and John Cater ('The Abominable Dr. Phibes') is his hunchback assistant Professor Grost. These are two fantastic characters, and I would love to have seen further adventures by them! Horror buffs will also get a kick out of the rest of the cast. The gorgeous Caroline Munro ('Maniac') is a gypsy girl who falls for Kronos, John Carson ('The Plague Of The Zombies') is Kronos' old doctor buddy, Shane Briant ('Frankenstein And The Monster From Hell') is a local young gentleman, and Wanda Ventham (Colonel Virginia Lake in the cult series 'UFO') plays Briant's invalid mother Lady Durward. On top of that there's a fantastic cameo by Ian Hendry ('Repulsion', 'Theatre Of Blood'). Hendry had been one of the original stars of 'The Avengers' playing John Steed's first partner in the little seen early episodes. A hard drinker, his career eventually suffered because of his vices, but he is terrific confronting Kronos in one of the best scenes of the movie. I really find it hard to fault this film. I think it's a forgotten horror classic, and why anyone would even bother contemplating watching the likes of 'Blade' or 'Van Helsing' when 'Captain Kronos: Vampire Hunter' is sitting on the shelf waiting to be rediscovered is beyond me! I wholeheartedly recommend this movie to every horror fan. I can't see how any fan of the genre couldn't help but love this unfairly overlooked Hammer gem!

Wow, was Hammer Studios going in a different direction with this film! While it is once again a horror film (the bread & butter for this film company), it's so unlike all their other films! While it's a vampire film, you see no trace of Christopher Lee or even Peter Cushing--and the style is so totally unlike their films. Instead, the film stars a very hot guy (Captain Kronos) and he always seems to have a hot lady in tow. This vampire hunter, however, is NOT to be confused for Dr. Van Helsing. Not only does he look nothing like Cushing, but how he kills the vampires and the types of vampires are all-new! These vampires are not so much blood drinkers but creatures that suck the youth out of people--and you then see them age rapidly when they fall prey to these new vampires. And, since the vampires are different, so is killing them. Many different ways are used--some of which are wacky and new--such as impaling, hanging and burning one (wow--he was tough to kill!!). And, finally, the story is just so very different.

According to IMDb, Hammer was planning on a new series of Kronos films but canceled it due to the poor reception this film received. I can't really understand it, as the film was quite good and sexy--and an invigorating change--with a wild ending!

Was Horst Janson really forty years old when he made this? Damn, the man looked good!

Horst plays Captain Kronos, a man who wears a snappy uniform and hunts youth-draining vampires in the company of an affable hunchback. He also wears a bag on his head as part of some bizarre meditative ritual. Aside from the bag-wearing part, he's a solid action hero, and it's a shame that Hammer never turned this good little movie into one of its long-running franchises.

The acting is a highlight: John "don't call me Johnny" Carson gives one of his typically likable and neurotic performances as Doctor Marcus, Wanda Ventham makes a lovely villainess, and Ian Hendry has an amusing cameo as an obnoxious thug (how the mighty had fallen, though -wasn't he a star at one point?). There's also great lines aplenty and some nice choreography for the sword-fights.

This is the kind of movie that Full Moon - or for that matter, Dimension films - wishes it could make. Alas, modern horror is usually too gross and uninventive to match the charm and creativity of a Hammer "classic" such as "Captain Kronos."

Among the least known of the Hammer Studios horror output, Captain Kronos: Vampire Hunter is also one of its most interesting and unusual productions. As opposed to the more in-your-face Dracula series that immortalized Christopher Lee, CK:VH knows that it is just a cinematic comic book and works with itself in a restrained, somewhat lighthearted way that is, off and on, quite effective. This film never really tries to outright scare you which, I think, is extremely cool. Instead, it sets an atmospheric table at which your imagination is invited to partake. This suave slant is the work of Director Brian Clemens who was largely responsible for the legendary '60's British TV series, The Avengers; the original, with Patrick Macnee and Diana Rigg. If you remember that series, you'll recognize some of its essential look and feel in this film. Viewed from one azimuth, CK:VH is nonsense but, if you lighten up a bit and just get into the story, the movie takes on a dreamy quality against which its more `horrific' elements play in a most interesting way.

The setting, never precisely defined, seems to be central Europe during or just after the Napoleonic Wars (from the clothes). Let's call it early 19th century. Captain Kronos himself appears to be a former officer of Dragoons, separated from service although still in uniform. The implication is that, while away in the wars, he lost his wife, and possibly his child, to vampires. Now, in the company of his good friend, a hunchbacked academic and authority on vampire lore who drives a wagon loaded with tools of the vampire-killing trade, the Captain roams the region hunting the undead.

Captain Kronos is played by the German actor Horst Janson who, with his grave, nearly too-nordic features, balanced by eyes that seem to constantly smile, brings a nice sense of mystery to the role. Kronos is aloof and taciturn, though never unpleasant. He smokes long cheroots and carries a Samurai sword that he, evidently, did not acquire at a flea market. We don't learn the history of the sword, but we see that he can definitely wield it, as does a trio of toughs fronted by the local alpha-blade (the late Ian Hendry, a prominent British character actor of the period who, interestingly, was a regular during the Avengers' first season.) Actually, they don't really see the sword. They just feel it, sort of, before collapsing in a heap. Janson plays the Captain with a certain Playboy Magazine, lady's man sense of cool, echoing a time when people were just finishing up talking about sex and beginning to actually do it. If you were around then, you'll recognize the spin. It's a nostalgia hit, for sure. You might even recognize Janson's face, which was seen in full page ads in American magazines during that period; men's apparel, liquor, etc.

The Captain and his trusty companion have arrived in the film's locale in response to rumors of bad happenings. Young women of the area are undergoing drastic reverse-makeovers, emerging from them as exsanguinated centenarians. The locals, rather superstitious rural types, are in a tizzy. Could the recently-deceased head of the local, reclusive aristocratic family, whom some suspect of not being completely dead, be involved? It's an angle definitely worth investigating. The Captain makes contact with the only person in the area still in possession of his wits - the local physician - and the hunt begins.

If most Hammer films tend to be hissing fastballs down the middle, CK:VH is an off-speed slider on the corner. There's nothing fancy here, no baroque sets or sophisticated effects. In fact, the film overall has a sparse look and feel that enhances its credibility. The hunt for the vampire proceeds as a believable combination of scientific method and lore. Much of what transpires does so in daylight which, to me, carries significant implications. Evil that does not fear sunlight carries a big stick. We, as its prey, have no real hiding place. The film balances its occasionally goofy moments by never sacrificing its dignity and, at times, is quite poignant. It also features one of the most brilliantly effective sequences ever seen in this genre, illustrating how much can be accomplished with the simplest of cinematic means. I think you'll know it when you see it. This film was produced as the first in what was hoped to be a series of Captain Kronos adventures but the concept failed to grab the required audience. Pity, but at least we have this one. It's fun, stylish, and a perfect rainy-day diversion.