Le mystère de la bête humaine

Others commenting here seem to have been distracted by the "game" aspect of the movie, which was, of course, a gimmick added after the movie was finished.

Although the story really required a larger budget, this well-cast, intelligent horror thriller is well worth watching. The story is reasonably suspenseful, the direction good enough most of the time, and it is unusual in depicting the central villain as someone who LOVES being a werewolf. It's based on a good novel, which was given reasonably respectful treatment.

An odd little horror flick-slash-whodunit that is part "Ten Little Indians," part "The Most Dangerous Game," part haunted house thriller, and all low-budget (but supremely entertaining) fun. An eccentric millionaire harboring a fascination for werewolves invites guests to his countryside mansion, where he intends to prove that one of them is, indeed, a werewolf. There are plot holes galore, but the excellent British cast, the William Castle-esque "werewolf break" (during which the audience is asked to guess wolfie's identity), the unexpected triple-whammy (and deeply ironic) ending, and the use of the "Jeopardy" theme (!) make up for it. The "clues" aren't nearly as plentiful or as clear as advertised, and the soundtrack is straight out of a 70s-era action flick, but no matter. A little-known gem that is most definitely worth seeing.

"This is a murder mystery in which you are the detective ... but instead of 'who is the murderer?', the question is 'who is the werewolf?' ..." And so we have an eccentric millionaire who gathers together a group of six people, including his wife, in his mansion and states that one of them is a werewolf. How does he know this? Well, we don't question such things. There is a newly-reunited couple, an ex-United Nations delegate, an eccentric biologist, and an expert on werewolf folklore. Over a period of three terrifying nights, he narrows down the list of suspects to discover who the beast is ...

The movie opens with Calvin Lockhart running through his estate, being pursued by commandos and monitored by the new high-tech security system which he is testing. That opening sequence goes on and on, and there are many such tedious 'chase' scenes in the movie which make it something of a chore to watch. Ultimately it took me three attempts to finally get through this whole movie, and that's never a good sign. It's a shame, because there are some really great scenes as well ... the climax inparticular is suitably thrilling. We have pretty much an all-star cast in this movie, so if you're a fan of Peter Cushing, Sir Michael Gambon (currently playing Dumbledore), Charles Gray or 'blaxploitation' actors Calvin Lockhart and Marlene Clark, then you'll probably want to see this. Thanks to this casting, the acting is slightly above average for a B-movie, but nothing spectacular. It almost fits into the blaxploitation category itself, thanks to the jazzy, funky soundtrack and the alternative marketing title "Black Werewolf".

As for the 'guess the werewolf' element, as far as I can tell you can only narrow it down to three characters before the 'werewolf break' comes along, and then it's just a case of guessing between them. I guessed wrongly (although the character I chose would have made for a better ending), but as I suspected, the werewolf break was something that was added later by the producers and it wasn't the director's idea. The film wasn't made with this in mind, so it's actually impossible to guess for sure who the werewolf is. In fact, Paul Annett hated the idea of the 'werewolf break'.

Overall this is a fairly entertaining werewolf B-movie, and werewolf enthusiasts will probably enjoy it, but it could have been better.

This movie is OLD, and not because it came out the month after I was born. Peter Cushing actually ran in this movie!

This plot isn't new - as it's been used since in The Incredible Hulk series and most famously in John Carpenter's The Thing, but it's still entertaining. Several guests are invited to a rich hunter's secluded home and almost immediately he springs his motives: One of the guests is a werewolf and the Host intends to make sure, by the third Moonlit night...the Beast Must Die!

But, whodunnit? I'm sorry, I meant, who is it? Don't worry about answering - there's an actual "Werewolf Break" for you to think about your answer. You think I'm joking?

(And, I still totally guessed wrong!)

I saw this as a kid and while I do recall liking it, I haven't seen it since. I placed it in one of my October Lineups one year as I select as rare to me horror movies for each day of October. This WAS available for streaming when I made my October list that year, but by the time October rolled around, it vanished. Recently, one of my favorite YouTubers covered this movie, so I decided to search for it again as it's been probably 40 years since I've seen it and thankfully, it returned!

Well, before I thank the stars, it was just alright. Mercifully, while it feels slow at times and oh-boy that 70s disco soundtrack is annoying, it's only 87 minutes. And I never cared for the werewolf movies where they turn into dogs. The standup, menacing kinds like in The Howling is more my jam.

It has a good premise, I've always loved the poster and it contained some surprisingly decent actors portraying some interesting characters. Plus, it has a wonderful and suspenseful climax. It gets a recommendation out of me.

Now that it's fresh in my head, I'll go watch Fanboy's review of this on YouTube. And sometime soon, I just gotta, ah-hem, track down the other Werewolf movie I recall seeing only as a little kid: The Boy Who Cried Werewolf.

***

Final Thoughts: So, this movie got me thinking and I had to consult my lawyer friend. If this man brings people to his secluded home, makes sure they stay there while he tries to pinpoint the werewolf and the beast starts making everyone else die...isn't that Host an accessory to murder after the fact? And I WAS RIGHT!

Of course, asking a real lawyer such a bizarre question might have lost my credibility for further legal advice, so I may need to keep myself out of trouble for a while.

This low-budget horror film had an innovative concept, mixing rather successfully a traditional Agatha Christie-type murder mystery with a "gory" werewolf flick; the result does hold your attention but is marred by wooden acting (except for the excellent Peter Cushing) and a few overextended chase scenes. As another reviewer noted, no real clues are given to us to help us figure out the identity of the werewolf, so it's strictly a matter a guessing, but there is some fun in the game... (**1/2)