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Wattstax

  • 1973
  • Tous publics
  • 1h 43min
NOTE IMDb
7,6/10
1,1 k
MA NOTE
Wattstax (1973)
Documentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.
Lire trailer3:14
1 Video
23 photos
ConcertComedyDocumentaryMusic

Ajouter une intrigue dans votre langueDocumentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singe... Tout lireDocumentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.Documentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.

  • Réalisation
    • Mel Stuart
  • Casting principal
    • The Dramatics
    • The Staple Singers
    • Kim Weston
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    1,1 k
    MA NOTE
    • Réalisation
      • Mel Stuart
    • Casting principal
      • The Dramatics
      • The Staple Singers
      • Kim Weston
    • 20avis d'utilisateurs
    • 21avis des critiques
    • 81Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Vidéos1

    Trailer
    Trailer 3:14
    Trailer

    Photos23

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 17
    Voir l'affiche

    Rôles principaux64

    Modifier
    The Dramatics
    • Themselves
    The Staple Singers
    • Themselves
    Kim Weston
    • Self
    Jimmy Jones
    • Self
    Rance Allen
    • Self
    The Emotions
    • Themselves
    William Bell
    • Self
    Louise McCord
    • Self
    Deborah Manning Thomas
    • Self
    • (as Debra Manning)
    Eric Mercury
    • Self
    Abu Talib
    • Self
    • (as Freddy Robinson)
    Lee Sain
    • Self
    Ernie Hines
    • Self
    Sonny Warner
    • Self
    • (as Little Sonny Warner)
    The Newcomers
    • Themselves
    Eddie Floyd
    • Self
    The Temprees
    • Themselves
    Frederick Knight
    • Self
    • Réalisation
      • Mel Stuart
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs20

    7,61.1K
    1
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    10

    Avis à la une

    9nuport

    The Black folks Woodstock

    After realizing Richard Pryor was in this ,I have spent about 2 years trying to track down a copy ,as I am collecting and have most of his body of work (audio & video).This picture is very seldom seen and a true picture Of us in the early 70's.The beauty of this film is in the impact of seeing real people in the so called 'hood at that time. It was a simpler time, and we still had alot of soul and pride in being what we were.We were one with the music and able to express our individuality. The civil rights movement had just begun to show some gain .But for most of us,it was about sex ,drugs ,and funky soul music .Seeing the young radical looking Rev. Jesse Jackson was incredible and its a shame we recently lost Rufus Thomas ,Johnny Taylor ,Pop Staples .I think in retrospect there is much truth in this film ....
    avantassel

    straight from the source- release set for September 04

    I heard it straight from the source. I just had the privilege to see this film with Mel Stuart at the James River Film Festival in Richmond VA and he says it's coming to DVD in September 2004 with the original ending of the Isaac Hayes performance. Stuart said that it will also be aired on PBS in September 04 so look for that. This great documentary has life of the black experience as it was in the early 70's even has Richard Pryor giving some insight. Has some other good footage of Albert King, the Staple Singers, Rufus and Carla Thomas, Johnnie Taylor, Little Melvin, the Bar-Kays and Jesse Jackson. Some other interesting facts about the filming of the movie. Stuart specifically hired an all black film crew to capture the feel of this event by interviewing people in the streets and around the festival.
    Sargebri

    Relevant Even Today

    This is one great film not only because of the classic concert footage, but because of the fact that the cameras went out into the community and showed how life was and, for the most part, still is in the inner city. Of course, I am a little biased due to the fact that I live in Los Angeles. In fact, the non concert footage could stand alone as a separate film due to the fact that they show various aspects of African-American life. Also, it is quite sad to see Richard Pryor in this film. This was before the years of abuse began to take their toll and probably helped contribute to the Multiple Sclerosis, which would contribute to his death years later. However, the concert footage is what pushed this film over the top, especially the footage of Issac Hayes. You pretty much could see why he was inducted some 30 years later into the Rock and Roll Hall of Fame. This not only a great concert film, but a great commentary Black America.
    8mobyvicp71

    Only 12 Comments for This Movie???

    I only heard of this movie recently, bought it yesterday, and watched it this evening. Wow! I'm old enough to remember 1972, but I was very removed from the feel of this film at the time.

    The musical performances are magnificent, and the attempt to capture the feel of the people in the audience is admirable, but I wonder if "Isaac the Bartender" from "The Love Boat" was actually a Watts resident or if he was an actor hired to evoke a mood (same deal for "Woodrow" from "Sanford and Son").

    I suppose it's good that we would consider the Reverend Jesse Jackson enticing 100,000 black people to shout "I am somebody!" not so significant today, but in 1972 it was probably considered radical.

    Rufus Thomas is an absolute gem. It's amazing to see how smoothly he works crowd control, completely eliminating the need for police intervention, by appealing directly to the masses. And of course it's always a treat to see the Staple Singers perform.

    I recommend this movie first for the fabulous musical performances, and second for its capturing of the feel of the time and place. I give it an 8 instead of a 10 simply because I wish I could have seen ALL of the performances in their entirety.
    nomi338

    Loved it, loved it, loved it!

    Not only was I at the colliseum to witness this incredible event from the beginning to the end, but my wife my nephew and I appear briefly on camera. To say that I enjoyed the beautiful expressions that I observed that day is to put it mildly. To see such a large crowd of beautiful, proud and peaceful African Americans celebrating our musical heritage was an event that I will cherish to my grave. I can only give thanks to everyone who participated in making this such a seminal event in my life. I was fortunate enough to be able to tape the movie when it came on cable TV but of course I am anxiously waiting for it to come out on DVD. You know the thing that really impresses me is that this came about as the aftermath of a very violent occurrence and there were, at least to my knowledge, no acts of violence during this event. What a great testament to us. Be proud black folks, be very, very proud.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Originally The Bar-Kays were going to enter the L.A. Coliseum riding in horse-drawn chariots. However, when the executives of Stax Records heard what the group had planned they ordered them not to do it. It turned out that the reason they didn't want the group to do it was so that they wouldn't upstage the concert's headliner, Isaac Hayes.
    • Versions alternatives
      The 2003 restoration includes the original ending; Isaac Hayes performing the songs "Theme From Shaft" and "Soulsville", which were removed from the film following the 1973 Los Angeles premiere due to the threat of a lawsuit from Metro-Goldwyn-Mayer (MGM) over the use of those songs in a motion picture. The replacement ending, Isaac Hayes performing "Rolling Down A Mountainside" (recorded on a Los Angeles soundstage months after the concert) has been removed and is included as extra material on the 2003 DVD release.
    • Connexions
      Edited into Richard Pryor: I Ain't Dead Yet, #*%$#@!! (2003)
    • Bandes originales
      What You See Is What You Get
      Written by Tony Hester

      Performed by The Dramatics

    Meilleurs choix

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    FAQ16

    • How long is Wattstax?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 juillet 1974 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • PBS (United States)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • ワッツタックス スタックス・コンサート
    • Lieux de tournage
      • Los Angeles Memorial Coliseum - 3911 S. Figueroa Street, Exposition Park, Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Stax Records
      • Wolper Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 16 000 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 16 000 $US
      • 8 juin 2003
    • Montant brut mondial
      • 16 155 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 43 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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