Tout, tout de suite

Jimmy Cliff comes to the city with dreams of becoming a recording star. It's a tough racket and he sells the rights to his first record for $20 -- Jamaican dollars. He falls into the ganja trade. When the authorities, at the urging of the United States, bears down, and Cliff withholds the protection money he's been paying. When the higher-ups bear down, he goes on a spree, and the notoriety puts his record on the hit parade.

It's a very good movie, except for a lot of ancillary issues. It was the first movie for Cliff, for the director, and for a Jamaican movie in the patois. It also has a fine musical score, including some hits by Cliff and his band, including the title song and "You Can Get It If You Really Want." It played internationally, and did very well; its view of Jamaica and Jamaicans remains unique to this day.

I had heard about this film long before I ever saw it. I had heard that it was banned in it's home country of Jamaica due to it's possibility of inciting youths to "hooliganism". I had also heard it had great music and so I picked up the movie soundtrack on LP and enjoyed every song on it. It took video for me to finally see this movie years later and I enjoyed it very much. The movie puts you right in the middle of unfamiliar territory from the start, a busload of Jamaican country people coming into town, with their heavy accents, this is one of the few English movies to have been given english subtitles. From this setting you are taken into the life and ambitions of Ivan Martin, a man willing to stop at nothing to achieve success as a reggae star. He makes it, but there is a high cost. Great music, great performances, including a rare look at Prince Buster DJing a party. If you are a reggae fan, particularly early ska, rocksteady and pre-Bob Marley, this is a movie for you.

the harder they come, a jamaican experience in watching this film. A partially true story of a infamous gunman (rygin) being chased all the the way to the sandy shores and cut down in a hail of bullets. Shows also the corrupt side of the music industry. I remember when this movie was at the theaters but was too young to see it then. Score 7 out of 10 as being the first shoot him up movie from jamaica. dialect might be hard to understand if you are not jamaican or aquainted with caribbean accent.

Ivan is a country boy in Jamaica who comes to see his Grandmother and `make it big' by recording a record. However when he finds himself exploited by a record producer he turns to drug running to make money. When he kills a cop who is in on the trade he goes on the run and finds fame as an outlaw standing up against `the man'.

I first saw this in a cinema in 1995 and it was fully subtitled, I watched it again last night and it had no subtitles. It was slightly hard to follow some of the very thick dialogue so I suggest if you have the choice that you go for the subtitles unless patwa is a very familiar dialect to you.

The plot takes swipes at the exploitative music business but also the nature of celebrity and the problems of drugs. However at it's heart it's a reggae gangster movie that is gritty and enjoyable. The story is involving but really it's the detail of the setting that carries the film. The camera allows a great sense of place and really captures the mood and place well, using crowd shots and wandering shots to music. Really the best scenes are all natural as music plays in the fore ground.

The music is one of the strongest aspects to the film – where the gangster element is sprawling and relaxed, the music allows us to accept this whole chilled out vibe as just part of the film. The cast also helps greatly by being very realistic without much effort, not trying to make the accent easier is a brave move if you want to sell the film! Cliff is easily believable and very watchable, likewise almost all the cast are great – many not being actors.

Overall the plot may wander in the way only a Jamaican can! But the music and the vibe more than make this a cult film that is well worth watching whether with subtitles or not!

I was a recent immigrant from the caribbean back in 1973 when this film was released. I was sooo thrilled when it met with such good reviews and commercial success. Years later, as an adult, I had a viewing party for some friends who wanted to see, in general, a different genre of film, and in particular, caribbean films (I highly recommend; "Dancehall Queen, and "The Lunatic" for those interested in island fare.) One friend saw the title and thought it was a "blue" movie. After what seemed like hours of laughter, we settled in to watch. They truly enjoyed it, and I (now grown,) could understand the subtleties and layers sometimes lost on a younger viewer. The gritty look of the film added to and enhanced the entire project. I have had occasion to view it a few more times since then, and it never loses its appeal. I also cry every time I hear Jimmy Cliff sing "White Cliffs of Dover." 'Cross many rivers' if you have to, but see this film.