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Trick Baby

  • 1972
  • R
  • 1h 33min
NOTE IMDb
6,7/10
707
MA NOTE
Trick Baby (1972)
Two Phildelphia con men try to evade gangsters they have conned and cops who are trying to put them in jail.
Lire trailer2:26
1 Video
99+ photos
ActionCriminalitéDrame

Ajouter une intrigue dans votre langueTwo Phildelphia con men try to evade gangsters they have conned and cops who are trying to put them in jail.Two Phildelphia con men try to evade gangsters they have conned and cops who are trying to put them in jail.Two Phildelphia con men try to evade gangsters they have conned and cops who are trying to put them in jail.

  • Réalisation
    • Larry Yust
  • Scénario
    • Robert Beck
    • A. Neuberg
    • T. Raewyn
  • Casting principal
    • Kiel Martin
    • Mel Stewart
    • Dallas Edward Hayes
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    707
    MA NOTE
    • Réalisation
      • Larry Yust
    • Scénario
      • Robert Beck
      • A. Neuberg
      • T. Raewyn
    • Casting principal
      • Kiel Martin
      • Mel Stewart
      • Dallas Edward Hayes
    • 12avis d'utilisateurs
    • 17avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:26
    Trailer

    Photos104

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 100
    Voir l'affiche

    Rôles principaux28

    Modifier
    Kiel Martin
    Kiel Martin
    • White Folks
    Mel Stewart
    Mel Stewart
    • Blue Howard
    Dallas Edward Hayes
    • Dot Murray
    Beverly Ballard
    • Susan
    Vernee Watson
    Vernee Watson
    • Cleo Howard
    • (as Vernee Watson-Johnson)
    Donald Symington
    • Morrison
    Don Fellows
    Don Fellows
    • Phillips
    Thomas Anderson
    • Felix the Fixer
    • (as Tom Anderson)
    Clebert Ford
    • Josephus
    Fuddle Bagley
    • Percy
    Ted Lange
    Ted Lange
    • Melvin the Pimp
    Tony Mazzadra
    • Nino Parelli
    David Thomas
    • Frascatti
    Jim King
    • Duke
    Anthony Charnota
    • Bobby
    John Aquino
    • Frank
    Jan Leighton
    Jan Leighton
    • Carlson
    Byron Sanders
    • Parkview Hotel Clerk
    • Réalisation
      • Larry Yust
    • Scénario
      • Robert Beck
      • A. Neuberg
      • T. Raewyn
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    6,7707
    1
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    10

    Avis à la une

    manuel-pestalozzi

    A very good film about the merits and the risks of lying

    Frankly, this film bowled me over. Do not think of blaxploitation but of one of David Mamet's better movies or Federico Fellini's "Il Bidone". It is perfect in every sense of the word. A good, concise story, thrilling from the first second to the tragic ending, unforgettable dialogue, artful location shooting in Philadelphia, interesting editing, fabulous performances by largely unknown actors and a character that should enter the annals of great screen heroes: The hustler and compulsive liar Blue Howard, brilliantly played by Mel Stewart (actors got Oscar nominated for less).

    Trick Baby starts with a beautifully minimalistic setting - a stage really for a con trick: In a dreary hotel room that has seen better days, Blue, an elderly African American, prepares the setting (screwing off light bulbs, distributing full ash trays). Then he receives his young partner White Folks ("he ain't white, he just looks it", insists Blue) who accompanies an old white man. Blue plays the part of a hard pressured hustler who has some stones to sell, White Folks the part of the tough guy representing a possible buyer, keeping the price low by menacing behaviour. The old white man falls for it and buys the stones - actually junk - for 10000 dollars.

    Luck begins to change soon after that, and Blue and White Folks have to use their talents to keep alive. This does not prevent them from pulling a few con tricks in between. It is convincingly shown that they are actually addicted to it and instinctively spot a good opportunity every other minute. Lying by telling stories that are untrue is presented as an art form and as a strategy to get some meaning out of life. This is done in a moving way and less sarcastically than Mamet usually does. Blue does not hesitate to tell a preacher spontaneously an elaborate story about a fugitive from Down South he has to rescue in order to get the preacher's help - and you can observe how the desparate Blue draws life force from his very telling this lie (you need a lot of acting talent to convey this).

    Although Blue and White Folks operate as a pair, Blue is the main character of Trick Baby. He is the leader of the team. He shows fatherly feelings towards his young partner who Blues claims is the son of a black mother. Blue feels responsible for White Folks when things turn ugly. It is Blue who tries to rescue White Folks who got wounded. He cons himself into an optimistic mood up to the tragic end of the movie and does not give up until his heart stops beating - which makes Blue Howard a hero in a twisted sort of way.
    6planktonrules

    Not really a blaxploitation film

    While this movie is set mostly in the Black neighborhoods of Philadelphia, many of the Whites are quite prejudiced and many of the actors are Black, this really isn't a blaxploitation film--though Netflix has categorized it that way on its web site. Instead, it's like a more modern version of THE STING with a multiracial cast.

    Mel Stewart ("Henry Jefferson" from ALL IN THE FAMILY) and Kiel Martin star as con-men who swindle the wrong man. The old guy they cheat out of $10,000 suffers a fatal heart attack when he realizes he was swindled AND he's the uncle of a mob boss--who now has ordered the deaths of these cons. However, unlike THE STING, there is some rough language, nudity and a very, very downbeat ending. I enjoyed the film and appreciated seeing these two lesser name actors getting a chance to play leads, but hate seeing it branded with the label "blaxploitation" because many take this to mean that the film is cheap and formulaic--which it certainly isn't. Hardly a great film, it is still well worth a look for an interesting story.
    8VincentElgar

    Well worth your time

    An interesting, extremely well-performed little movie about a pair of Philadelphia con artists who get more than they bargain for when they cross swords with a corrupt cop and the local Mafiosi.

    Trick Baby begins well and builds up midway to a terrific foot-chase through the seamier side of the city. In the second half it starts to run out of steam and becomes a little predictable. Things are bogged down especially by a lengthy scene involving a preacher, who is the only character that strikes a false note. In spite of this the movie never loses one's attention completely. The cast down to the supporting players is excellent: Beverly Ballard particularly shines as a woman used and abused by slick operator White Folks (Kiel Martin) and Dallas Edward Hayes does terrific work as the ruthless and relentless cop.

    The use of locations is terrific, and the movie has a rawness and immediacy utterly missing from thrillers today. Minor reservations aside, Trick Baby is well worth a look – 8/10.
    Michael_Elliott

    Different Type of Blaxploitation

    Trick Baby (1972)

    ** 1/2 (out of 4)

    Minor blaxploitation movie about black man "Blue" Howard (Mel Stewart) and white man "Folks" O'Brien (Kiel Martin), a couple con men who work well together because of their different race. Blue has been teaching Folks the business from an early age and both are onto a major score but soon they have a dirty cop and the mob on them. Those expecting exploitation might walk away disappointed because this film is more drama than anything else. While watching the film you might be thinking of THE STING but it's important to note that this movie did come first but don't expect the same type of quality. I think the biggest problem with this movie was the screenplay that just doesn't do enough for the actual sting. The first scam the guys pull is a pretty nice one but the main one just didn't draw my attention too much. The screenplay didn't seem to know what direction it wanted to go into and we get a couple side stories that are never really explored and this includes a female that Folks hooks up with and she pretty much becomes obsessed with him in a weird scene inside a hotel room. I'm still trying to figure out how and why she got so obsessed with him but that's just something that was never explained. Blue also has a relationship going on but it adds up to very little. What makes the film worth viewing are the two lead actors. Neither man got to play the lead too often in their careers but both take the opportunity and run with it. Most will remember Stewart as Henry Jefferson in ALL IN THE FAMILY and he turns in a wonderful performance here. I thought he was quite charming and really played that wiser old guy perfectly. Martin also turned in a very good performance and the two really do work magic together as you believe they're really intelligent enough to pull this stuff off and we believe that they know what to work with each other. The film has the unique situation of Folks being half-black but he looks so white that no one believes it. The way the race tensions are shown here are pretty interesting and added a few nice situations. TRICK BABY is one of those films that contains some very good things but at the same time you can't help but wish you had enjoyed it more.
    7brefane

    Good enough to make you wish it were better.

    This is not a blaxploitation film. Based on the novel by Iceberg Slim(apparently a "trick baby" himself),this is an interesting and original twist on the con man theme. And yes,it could have influenced Mamet. The con men, their relationship with Dot(Dallas Edward Hayes) and the real estate swindle bring to mind Mamet's House of Games and Glengary Glenross. Trick Baby contains serious social and moral implications that make it more akin to Felini's Il Bidone(The Swindlers)than to either Skin Game(71) or The Sting(73). The basic problem for me is that the plot doesn't build from the character and milieu established in the first half of the film. The second half becomes somewhat typical,sacrifices characterization for action,and meanders. The scene with Reverend Josephus, goes on too long and kills the momentum. One of the stings, involving a man and a deliberately dropped wallet is confusing because it's not clear how the con works. Kiel Martin and Mel Stewart never break character,work well with and against each other, and Hayes is terrific. The rest of the cast varies in quality. The settings and locations are evocative and well-chosen. Larry Yust's direction, like the editing, is not consistently good. An interesting and watchable film that deserves more attention. Let's hope for a DVD release.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      All the extras in the bar were regulars who patronized said bar.
    • Gaffes
      When Blue looks out the window & sees the cop walking into the building, it's still daylight. When the camera moves to street level with the cop, it's suddenly nighttime.
    • Citations

      Phillips: You never should have lifted them up Howard.

      Morrison: Paul you conservatives make a mistake, you can't afford to strangle hope in people. Without Hope people will become dangerous.

      Phillips: No Howard you liberals have let them invade our society, you give them jobs, political jobs.

      Morrison: Paul you miss the point, it's only the smart ones they move up.

      Phillips: Ha! That makes it even worse.

      Morrison: You know we have to move them up, if we leave a smart one in the ghetto, he might develop into a leader against us. If we raise him up into white society we neutralized. He feels compelled to try to act like us, he loses his identity, and uh, his racial anger if he has any. He becomes alien to his brothers, and they realize he sold them out and they grow to hate him. He becomes worthless to them and safe for us. In fact in his love for the creature comforts, except for his color, he become one of us.

    • Connexions
      Featured in Trailer Trauma Part 4: Television Trauma (2017)

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    FAQ16

    • How long is Trick Baby?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 16 novembre 1973 (Danemark)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Geh zur Hölle
    • Lieux de tournage
      • 3rd Base - 52nd & Spruce Streets, Philadelphie, Pennsylvanie, États-Unis(nightclub scenes)
    • Sociétés de production
      • Universal Pictures
      • Cinema Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 600 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33min(93 min)
    • Rapport de forme
      • 1.85 : 1

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