Le Casse de l'oncle Tom

This is an early blaxploitation flick, that would had probably been considered to be very racist, was it not directed by an African American director and not been a part of the early blaxploitation era.

I mean seriously, just think about it. Here we have a bunch of African American persons who are searching for a bale of cotton, at one point two characters crash into a cart of melons and in an attempt to control a large crowd, one of the characters throws a bunch of chickens into the crowd. But of course the movie isn't racist and is simply a silly black urban comedy, that pokes fun at lots of the prejudices against black society. And as a silly entertaining movie, this movie really works out well.

It by no means is a great movie though. The movie just doesn't always makes sense with its story and also the way it ends seems very random, though the characters all pretend like it was something they planned out. The movie is also often too silly for its own good and the movie really goes over-the-top with its comedy at times.

But luckily this all hardly goes at the expense of its entertainment value. I can definitely see a large crowd having tons of fun with watching this movie.

The movie really has some good characters in it and the two lead cops Gravedigger Jones and Coffin Ed Johnson are great charismatic leading characters. I would had loved to see more movies featuring those two but only one sequel starring Godfrey Cambridge and Raymond St. Jacques in those roles got made. Just imaging Shaft times two and you have Gravedigger Jones and Coffin Ed Johnson. Not that the actors playing them are very impressive but they are just some two very charismatic and entertaining characters, who don't necessarily always play by the rules. Calvin Lockhart as the main villain of the movie is also a very good and entertaining villain and Calvin Lockhart is probably also being the best actor of the movie and about the only one who also had a decent acting career before and afterward.

But still biggest name involved with this movie was Ossie Davis, who directed this movie. It actually was his directorial debut and you could tell that this movie was low-key and fairly cheaply made. Considering those circumstance, this movie is even more an accomplishment from Davis. He actually directed a bunch of other blaxploitation flicks, that nobody has ever heard off and are even more obscure and hard to get than this movie already is. A bit of a shame, since he really seemed to be a director who understood and embraced the genre. But oh well, at least he still had an all the more impressive career as an actor though, so you don't have to feel bad for him.

By no means a great movie but it's a very entertaining one!

6/10

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Based on a novel by Chester Himes, Cotton Comes to Harlem boasts sharp dialogue and super performances from top to bottom. Cult favorites Calvin Lockhart and Redd Foxx are great, but the real fire belongs to the sublime Godfrey Cambridge as wise police detective Gravedigger Jones. The colorful story follows Gravedigger and his partner Coffin Ed Johnson (Raymond St. Jacques) as they keep tabs on charlatan evangelist Lockhart during his high-octane revival campaign. The film has solid action, but is also very funny. Upon seeing it, one will wonder why Cambridge never became a much bigger star.

Cotton Comes To Harlem is a good movie. The actors and actresses are good plus redd foxx who plays uncle budd he's funny. I'm a big redd foxx fan! the movie and story line is ok!

COTTON COMES TO HARLEM is the adaptation of Chester Himes' 1965 novel of the same title and stars Godfrey Cambridge and Raymond St. Jacques as his two Harlem police detectives "Gravedigger" Jones and "Coffin" Ed Johnson respectively. Their motto: "[We] may have broke some heads, but we ain't never broke no promise." Jones and Johnson are on the trail of "Reverend" Deke O'Malley (Calvin Lockhart. O'Malley is funding a "Back to Africa" cruise by taking donations from the good people of the 'hood. However, before he can make his getaway, a robbery breaks out and the money, hidden in a bale of cotton, gets lost in Harlem. This sends the cops, O'Malley and the robbers on a wild search through the New York area for the stolen loot. Redd Foxx appears as a junk dealer (two years before SANFORD AND SON) who holds the key to the fate of the money.

Oddly enough, the movie is less rough then Himes' novel (which had quite a bit of rough language and sex in it), yet received an R rating back then. It would hardly register as a PG-13 today. COTTON COMES TO HARLEM should be seen to see the true origins of the genre known as "blaxploitation" (black exploitation movies).

COTTON is quite an enjoyable action romp. It is especially light compared to the later "blaxploitation" films that followed it.

One of the most influential pictures ever to shoot onto the screen, "Cotton Comes To Harlem" spawned the beginning of the blaxploitation action boom in 1970 by delivering a refreshingly different detective action yarn with a lot of humor,a lot of hard-hitting drama with a lot of black soul(It was know as SOULPOWER!). An unbeatable mix of fastpaced adventure and sheer comic having spiced with spectacular shootouts and chases with a lot of fast talking and tough repartee with solid performances by Godfrey Cambridge,Raymond St. Jacques and Calvin Lockhart no to mention to comedic timing of Redd Foxx. This picture became a milestone for a genre of action movies that would remain throughout the rest of that decade(including its sequel "Come Back Charleston Blue" two years later).