La main de fer

This is truly a kung fu classic. This film appears to have influenced martial arts films for decades. The Spanish guitar background music, the competing schools, the impossibly high leaps onto the edges of rooftops, catching thrown spears, cheating in tournaments, the secret training for an exotic karate technique, themes of patience and perseverance, and more were copied by many later films such as "The Karate Kid" (1984), "Hero" (2002), "Kill Bill Volume 2" (2004), and "Kung Fu Hustle" (2004).

I feel lucky to have first seen this film in 1972, shortly after it was released, just before kung fu films became mainstream and before Bruce Lee became a household name. I saw it with two buddies of mine in a downtown San Diego theater frequented by sailors, and although the scenes of the glowing red hands and gouged eyeballs got some laughs, clearly the audience was getting into it, as was our little group. It was a very memorable movie for me. Decades later I could still recall several specific scenes, even after I had forgotten the film title. This film is extra special to me now because one of those two buddies with whom I first saw it (sailor Kenneth Lee Hines of the Kitty Hawk) has since passed away, so this film serves as a memento of that day together before we took judo and karate lessons in subsequent years.

Relative to kung fu films, I'd rate this film as 10/10. But since I have to keep the larger film audience in mind, I'll more objectively rate it as 8/10, due to obvious technical flaws. I just recommend that neophyte viewers consider those technical flaws to be proof of its vintage nature and of its authenticity, and then merrily proceed to enjoy its testosterone-charged mayhem.

This is my favourite kung fu movie. It has a very authentic flavour, seasoned by an eerie music score (of tradition chinese instruments, I think), and some wonderfully over-acted melodramatic moments contrasted by heavily affected comedy. Indeed, while attempting to create their own "Western" (i.e. Cowboy film) genre, the Chinese concocted a whole new animal, marked by kung fu fighting and its associated sound effects.

The story of Five Fingers of death is simple, a story of revenge (for killing a loved one) and the pursuit of the main character to master the "iron-fist-technique" that will enable him to wreak holy vengeance on his enemies. There is even a love interest, though the awkward, polite kind (found in most Chinese films of the period). The end result however is great and much more authentic than any Bruce Lee movie.

"Five Fingers of Death" is a classic of 70's kung fu cinema. As the film that "broke out" HK cinema to the west, this is a must see for any serious fan of the genre. It's also a damn entertaining film, with hard-hitting, non-stop action, solid and mostly believable fight choreography and great over-the-top 70's era dubbing ("Oh I see ... so you want it THE HARD WAY!! HWAA!!").

"Five Fingers" is an eye-for-an-eye revenge tale ... and I mean literally, eye for an eye! It's great to see Lo Lieh portraying a hero. He played so many great villains later in his career - including Pai Mei in the classic FIST OF THE WHITE LOTUS, which was one of the characters Tarantino used in creating the Pai Mei of KILL BILL.

My only complaint is that I wish there was a better quality DVD - mine looks like it was a VHS transfer. Overall this is a great film - don't miss it!

Bart Blackstone Film Club - Hollywood, CA

Hong Kong filmmaker Chang Chang Ho's 1972 martial arts movie epic "Five Fingers of Death" is widely considered by a great many film experts and kung-fu movie fanatics to be the martial arts movie that started it all.

Being released in 1972, it was phase-two of the three-step process that would lead to the explosion of martial arts movies in the West - "Billy Jack" (1971), with its famous Hapkido showdown in the park, was released the year before, and Bruce Lee starred in "Enter the Dragon" (1973) two years later, thereby solidifying martial arts movies' place in Western cinema.

But what is all the hoopla about regarding "Five Fingers of Death"? The movie, with its terrible dubbing, explosive (if not highly improbable) action sequences and technical flaws and all, has a plot, albeit a very thin one. Chih-Hao (the late Lo Lieh) is a young and dedicated student of Chinese gong-fu who is selected to represent his school in an upcoming martial arts tournament. His teacher offers to allow him to self-train in the "Iron Fist" style of fighting, a style so deadly that it could very easily kill a man with only one blow.

Additionally, Chih-Hao's arrival at the school coincides with a violent conflict with a rival school, its students, and a trio of murderous heavy hitters from Japan. Before you know it, a major setback threatens Chih-Hao's training, and his ability to represent his beloved school in the upcoming tournament.

Let me just say that "Five Fingers of Death" is in fact the movie that started it all. As another viewer mentioned, "Five Fingers of Death" helped to set a lot of standards in martial arts movies over the next three decades - Asian, European, and North American martial arts movies. Such standards include the dedicated student, the learning of patience and endurance, conflicts between rival schools, the intense ethnic animosity between the Chinese and Japanese, and learning a system of fighting for that good old-fashioned action movie motive: revenge. "Five Fingers of Death" would also serve as a major influence on American filmmaker Quentin Tarantino's "Kill Bill" movies (Tarantino borrows quite liberally from this project, among many others, just so you know).

The acting is pretty good, considering the fact that this is a martial arts movie from the early 1970s, the best of which is Lo Lieh. As the atypical student of the martial arts, his performance is quite groundbreaking, though upon first glance at this movie you wouldn't really know it because of how that particular character arc has been done to death so many times over the years. He's quite humble in his acting, doing anything he can to persevere over his enemies and not fight them in anger or stoop to their level of stupidity or arrogance. Also, when he suffers his major setback, it does make your heart sink a little bit because it's so brutal and you wonder if he's going to recover enough to realize his life-long ambition.

"Five Fingers of Death" is a classic in every sense. It's by no means perfect, and viewers would be crazy to expect something on the caliber of the "Godfather" of martial arts movies. What it does offer you is the ultimate example of Eastern hand-to-hand combat from the time before Eastern cinema was a major fixture in the West.

7/10

P.S.: "Enter the Dragon" Bolo Yeung also appears as the Mongolian street fighter near the beginning of the film.

Released as KING BOXER in the U.K.

This film was essentially the FIRST kung fu film to go on general release in the U.K. Many of us had ratcheted through Kurosawa's astonishingly gritty and involving dramas and were used to oriental film being beautifully shot and lit, with somewhat restrained pacing, all in all like leafing through an album of very fine still photographs that just happened to be moving.

Along come Run Run Shaw and co. with their widescreen "home movie" production values, and astonishing ripe-for-parody dubbing and all the rules have changed. KIng Boxer was the first in through the door, leaving a clearly marked trail for others to follow with their feet planted firmly on top of the blazed footsteps.

In spite of hokey plots, pantomime acting, cheesy jump-cuts and spaghetti western style snap-stepped zooms, this film was marvellous. Gorgeous without being opulent and with the most brilliant fight choreography ever to grace a screen. We loved the sickening violence, the anguish, the testosterone. The martial artists among us found some of the techniques fascinating, if flamboyant and oftentimes silly. It was so very different from the Japanese stuff we all knew, and it had lovely acrobatic grace that perfectly complemented the sickening violence and bloodstained floors. Delightful.

The "KIng Lear" scene was, at the time, quite a milestone in schlock "You cruel bastards.. My **** !!" Now it's rather less shocking, but still a bit of a gut-churner

We didn't notice that any females in sight were absolutely one-dimensional. After seeing more films of the genre, it now stands out like a sore thumb, but at the time it didn't matter

This film defined what would rapidly become the kung-fu movie clichés. All of them. Watch it and remember that until this burst onto the western screens, there was no genre for it to slot into. It was unique and awesome. It was the first kung fu movie and it still is, for me and many others, the best.