Ajouter une intrigue dans votre langueIn Greece, a stewardess is murdered by a masked maniac. Suspicion falls on a drunken American playboy (George Hamilton) and a murderous gangster (Cameron Mitchell).In Greece, a stewardess is murdered by a masked maniac. Suspicion falls on a drunken American playboy (George Hamilton) and a murderous gangster (Cameron Mitchell).In Greece, a stewardess is murdered by a masked maniac. Suspicion falls on a drunken American playboy (George Hamilton) and a murderous gangster (Cameron Mitchell).
- Réalisation
- Scénario
- Casting principal
Luciana Paluzzi
- Sarah
- (as Lucianna Paluzzi)
Thodoros Roubanis
- Nikos
- (as Theodore Roubanis)
Alana Stewart
- Eleana
- (as Alana Hamilton)
Paris Dimoleon
- David
- (as P. Christian Dimoleon)
Avis à la une
George Hamilton shows why he became more popular for his tan than acting ability with "Medusa," a terribly insipid attempt at a crime thriller with would-be supernatural undertones. The plot...ummmmm...doesn't really make any sense (and not in the good David Lynch way). Okay, imagine Andrezej Zulawski's "Possession," with made-for-TV production values, none of the surreal sh1t, and a bunch of cop-thriller baloney. Set against a Greek backdrop, George (our hero?) plays a character more obnoxious and muggy than what you'd find in a typical "Saturday Night Live" sketch; anyway, he runs afoul of scenery-chewing gangster Cameron Mitchell (whose presence in any movie is like the official stamp of bad taste) who is whacking a bunch of guys(?); George spends the rest of the film running around Greece, wooing (and killing) random females, and finally fleeing to 'Atlantis' on a boat with his unusually devoted sister. Some existential hokum about the body dying, but the soul living forever is tossed in like an afterthought. Blandly directed by Gordon Hessler, "Medusa" is a slow-moving bore, its only amusing moments belonging to Mitchell ("The Toolbox Murders"), who gives an epic bath-house speech that is brilliant in its own head-scratching incoherence.
According to what I've read about Medusa it was partially produced by "star" George Hamilton which puts it into the category of vanity projects that tend to become tedious stories that overexpose the actor who in some way feel that their particular talents aren't utilized more. Clocking in at a whopping 103 minutes, Medusa, a title that bares no significance whatsoever to the plot, delivers a dagger to any possibility of Hamilton seen as anything other than a hammy, Warren Beatty clone.
George Hamilton plays the role of Jeff an American playboy, drunk, gambler, screwup delux that is purportedly in line to inherit millions through a will. Jeff has a very unhealthy relationship with his sister, here played by Luciana Paluzzi who has been betrothed to financially successful Theodore Roubanis as Nikos. The fact that Jeff and Sarah are brother and sister when Hamilton is unabashedly American and Italian Paluzzi, thick accent and all, seem so odd that it would have been better to say that perhaps they were former lovers than siblings. They certainly act the lovers part anyway. Jeff desperately needs to be included in the will because he owes money to friend and gangster loan shark Angelo, ( Cameron Mitchell) who in turn owes money to his bosses. Mitchell is the loan bright spot as he appears to have fun as the tough-talking wise ass who seems conflicted with what to do with Jeff. The rest of the film is about Jeff's decline into the depths of darkness as he and a "mysterious" accomplice go on a murder spree in order to extract information about the will. Takis Kavouras rounds out the cast as a Greek inspector with the hairiest hands I've every seen!
Between Hamilton's mugging to the camera and the dragging plot it truly is a task to watch this in its entirety. George even manages to cast his wife, Alana Stewart, in a pointless role as Eleana. Gordon Hessler of MST3K's Master Ninja fame directs this made for television clunker that provides no surprises whatsoever. There is a Greek musical score that is bashed over your skull repeatedly. If a viewer drank a shot of ouzo every time it blares onto a scene you might actually be drunk enough to make it through Medusa in one sitting. I did not succeed.
George Hamilton plays the role of Jeff an American playboy, drunk, gambler, screwup delux that is purportedly in line to inherit millions through a will. Jeff has a very unhealthy relationship with his sister, here played by Luciana Paluzzi who has been betrothed to financially successful Theodore Roubanis as Nikos. The fact that Jeff and Sarah are brother and sister when Hamilton is unabashedly American and Italian Paluzzi, thick accent and all, seem so odd that it would have been better to say that perhaps they were former lovers than siblings. They certainly act the lovers part anyway. Jeff desperately needs to be included in the will because he owes money to friend and gangster loan shark Angelo, ( Cameron Mitchell) who in turn owes money to his bosses. Mitchell is the loan bright spot as he appears to have fun as the tough-talking wise ass who seems conflicted with what to do with Jeff. The rest of the film is about Jeff's decline into the depths of darkness as he and a "mysterious" accomplice go on a murder spree in order to extract information about the will. Takis Kavouras rounds out the cast as a Greek inspector with the hairiest hands I've every seen!
Between Hamilton's mugging to the camera and the dragging plot it truly is a task to watch this in its entirety. George even manages to cast his wife, Alana Stewart, in a pointless role as Eleana. Gordon Hessler of MST3K's Master Ninja fame directs this made for television clunker that provides no surprises whatsoever. There is a Greek musical score that is bashed over your skull repeatedly. If a viewer drank a shot of ouzo every time it blares onto a scene you might actually be drunk enough to make it through Medusa in one sitting. I did not succeed.
Confusing tale of hell-raising playboy (Hamilton), a rogue mercenary thief based in Greece and living a bizarre double life as a cold blooded murderer. Enchanting though she may be, Paluzzi's Medusa connection is tenuous, instead the film focuses on Hamilton's bloody conquests with a succession of exotic imports, among them, Alana Stewart and the beautiful (and unknown) Nora Valsami. The rub of course is that Hamilton never actually recalls doing the deeds, while the manipulative Paluzzi disposes of the evidence (complete with mop and bucket) before suspicion is aroused.
Takis Kavouras is effective as the no-nonsense, yet ineffectual police inspector, while Cameron Mitchell is wasted as a local mobster who ends up, literally, swimming with the fishes in a sadistic demise. Hamilton is suitably hammy as he feigns drunken stupor one moment, fractured lunatic on the edge the next. The relationship between Paluzzi and his character is complex and, to my mind, never properly revealed (there's an implied incestuousness never realised). Paluzzi, for her part is assured and suitably sinister as the title character, with just a hint of the mythology to make the title linkage (revealed in the film's final act).
Authentic and attractive location work, combined with some effective chills and suspense are hampered by the convoluted storyline, making for a very uneven thriller. "Medusa" seems to dramatically change track at intermission, switching from a routine crime drama to a twisted "Bonnie & Clyde". Director Hessler's plot is full of sadism, lust and jealousy - just the ingredients necessary for a Greek tragedy of this ilk, but it ultimately lacks cohesion and sense.
Takis Kavouras is effective as the no-nonsense, yet ineffectual police inspector, while Cameron Mitchell is wasted as a local mobster who ends up, literally, swimming with the fishes in a sadistic demise. Hamilton is suitably hammy as he feigns drunken stupor one moment, fractured lunatic on the edge the next. The relationship between Paluzzi and his character is complex and, to my mind, never properly revealed (there's an implied incestuousness never realised). Paluzzi, for her part is assured and suitably sinister as the title character, with just a hint of the mythology to make the title linkage (revealed in the film's final act).
Authentic and attractive location work, combined with some effective chills and suspense are hampered by the convoluted storyline, making for a very uneven thriller. "Medusa" seems to dramatically change track at intermission, switching from a routine crime drama to a twisted "Bonnie & Clyde". Director Hessler's plot is full of sadism, lust and jealousy - just the ingredients necessary for a Greek tragedy of this ilk, but it ultimately lacks cohesion and sense.
Jeffrey (George Hamilton) is a frivolous, quite possibly psychotic playboy. He and his sister stand to inherit the family fortune through their zillionaire father's will. It's not long before those involved with the will begin dying at the hands of a mysterious strangler.
Not even fellow psycho and loan shark, Angelo (Cameron Mitchell) is a match for this shadowy figure!
MEDUSA is a semi-dark, somewhat twisted tale of greed, violence, and murder. There are a few memorable scenes, like Angelo's swimming sequence. Though kooky and dull, this movie is worth watching to witness Hamilton and Mitchell face off in their dueling histrionics. Hamilton is his usual smirking self. So, if you're a big fan of "The Man With The Tan", that'll bump this one up a couple of notches...
Not even fellow psycho and loan shark, Angelo (Cameron Mitchell) is a match for this shadowy figure!
MEDUSA is a semi-dark, somewhat twisted tale of greed, violence, and murder. There are a few memorable scenes, like Angelo's swimming sequence. Though kooky and dull, this movie is worth watching to witness Hamilton and Mitchell face off in their dueling histrionics. Hamilton is his usual smirking self. So, if you're a big fan of "The Man With The Tan", that'll bump this one up a couple of notches...
With a bow to Sunset Boulevard with the late George Hamilton narrating as William Holden did in that Billy Wilder classic just how it came that he got himself dead, Medusa did an impossible thing. It has the beautiful scenery of the Grecian Isles, photographed in color and it's in one dull and confusing picture.
When Hamilton and his sister Luciana Paluzzi are not living totally useless lives as international playboy and playgirl, he's got a very interesting sideline killing people just for the thrill of it and he's got Luciana cleaning up after him.
One of the folks he kills is a guy who does a little of it himself in his line of work, gangster Cameron Mitchell. That one might have had some rational basis because Hamilton's in deep and he's been cut out of his late father's will so no payback money from that source. Truth be told Mitchell's on the hook for that particular bad investment with his bosses.
In the end one really doesn't care one way or the other how Geroge got dead.
When Hamilton and his sister Luciana Paluzzi are not living totally useless lives as international playboy and playgirl, he's got a very interesting sideline killing people just for the thrill of it and he's got Luciana cleaning up after him.
One of the folks he kills is a guy who does a little of it himself in his line of work, gangster Cameron Mitchell. That one might have had some rational basis because Hamilton's in deep and he's been cut out of his late father's will so no payback money from that source. Truth be told Mitchell's on the hook for that particular bad investment with his bosses.
In the end one really doesn't care one way or the other how Geroge got dead.
Le saviez-vous
- AnecdotesAccording to screenwriter Christopher Wicking, this film was made because George Hamilton was willing to do it. He was about to marry Alana Stewart and thought it would be nice to have a honeymoon in the sun with all expenses paid by the film company and an acting salary to go with it.
- GaffesGeorge Hamilton and Luciana Paluzzi are supposed to be brother and sister. She speaks with a thick Italian accent and he speaks like an American.
- ConnexionsReferences Autant en emporte le vent (1939)
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Détails
- Durée
- 1h 43min(103 min)
- Mixage
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