Les déchets d'une scierie affectent l'environnement, créant un monstre tueur, ressemblant à un ours géant.Les déchets d'une scierie affectent l'environnement, créant un monstre tueur, ressemblant à un ours géant.Les déchets d'une scierie affectent l'environnement, créant un monstre tueur, ressemblant à un ours géant.
- Réalisation
- Scénario
- Casting principal
- Kelso
- (as Everett L. Creach)
- Black Woman
- (as Lyvingston Holms)
Avis à la une
This is a big budget B-movie that is expertly made. Director John Frankenheimer, always a professional, handles the material perfectly. The actors act their asses off and Leonard Rosenman's score is so intense that it is instrumental in creating much of the tension. There is some really smart writing and great scenes: a sequence where a family is killed in the forest is unexpected and shocking; an exposition scene involving a tape recorder is clever in its efficiency; some nice setups involving the wife being pregnant that are paid off nicely. Just watch all the cinematic tricks on display as a group of characters are hiding underground after a brutal attack. Not something you would get in a lesser film.
A main source of criticism seems to be the monster itself. Created by The Burman's Studio who did the effects for such classics as 'Planet of the Apes' and 'Star Kid.' The monster is a bit goofy but is mostly shot to hide that fact and is pretty effective. The parts where it's clearly a guy in a suit are silly to be fair, even though the creature is played by Kevin Peter Hall who would go on to be a different Predator a few years later. The monster in 'Prophecy' is fun and certainly not the worst ever committed to film. Another problem is the casting of non-Native American actors to play members of the Indian tribe. I mean Armand Assante, really?
So as Halloween approaches, I'll try to throw out some largely unseen horror films to add to the scares. 'Prophecy' is a good example of a slick monster movie, very well done by talented people in front of and behind the camera. It's not great but is more entertaining than it has any right to be. 7/10.
Starring Talia "Adriiiieeennne" Shire & Armand "One facial expression" Assante this tells the story of a doctor and his girlfriend who venture to the forests of Maine to bring peace between loggers and native Americans.
Trouble is something's out there killing folk and the loggers believe its the native Americans! Well it's not in fact it's a great big creature that I'm sure must have been Trey Parker & Matt Stones influence for South Parks very own Manbearpig. The likeness is truly uncanny.
Essentially a mystery film with a creature feature addition this is actually a perfectly watchable film and looks great. Practical effects, memorable story though a bit of a lackluster finale.
If you like your beastie films you can do worse and Al Gore is super serial about this one.
The Good:
Looks great
Manbearpig
An excellent though ridiculous death scene
The Bad:
Couple of weird writing decisions
Assante is just terrible
Lead was very lifeless as was Shire
I was rooting for the monster
It starts out nicely with a violent sequence that proceeds to set up the main characters and plot; Native Americans are demonstrating against loggers working on a paper mill and taking away their land. The protagonist is a doctor who is called to the affair as an adviser and soon finds out that the plant is poisoning the water, the fish and the people who live of the land. To make matters worse there's something in the woods feeding on loggers and campers.
Now, I know this is a creature feature and the monster deserves a fair amount of screen time. It is kept in wraps throughout the film, making up for some genuinely suspenseful scenes. At first it's a mere side effect of the much bigger tragedy that the land and people are suffering. But by the end it takes over the movie, turning it into a gore fest and depriving it of its original atmosphere. All the subplots are dropped, characters vanished and the movie abruptly ends.
All in all, as far as echo-horror goes this is one of the most decent and fans of b movies will certainly be entertained. More stuff to look out for is the gorgeous Victoria Racimo, a young Armand Assante, those adorable mutated bear cubs and of course, the exploding sleeping bag scene.
I first saw the film as a kid because I was intrigued by the 15-foot grotesque monster. As it turned out, I thought the film was merely okay. I decided to see the picture again in the mid-90s and, I don't know if it was nostalgia, but I thoroughly enjoyed "Prophecy" as an adult. I've seen it a few times since then and enjoyed it every time. As far as comparing it to "Alien," I fully admit that "Alien" is technically a much better film and way more innovative & influential, but through the years I've seen "Prophecy" about twice as often as "Alien." This proves, if nothing else, that "Prophecy" has re-watchable merit.
THE STORY: There are problems in Maine (although the film was actually filmed in the Great Northwest) between the paper mill and the local Indians. The Natives argue that they are somehow being contaminated by the industry. Robert Foxworth and his pregnant mate Talia Shire fly up to investigate and discover that mercury poisoning from the mill is the problem. They witness a handful of loony, overgrown or hideously mutated animals that verify their findings, most notably a mutated grizzly bear that looks like it's been turned inside out (speaking of which, I didn't realize they had grizzly bears in Maine; although I suppose it could be a mutated overgrown black bear).
The tone of the story is completely serious so don't expect any camp like in the similar "Lake Placid." Robert Foxworth is excellent as the protagonist; I'm surprised he didn't have a more stellar career. Talia Shire ("Rocky"), the sister of Francis Ford Coppola, is meek and likable. Armand Assante ("Odyssey") is robust and determined as the Native protagonist and Victoria Racimo is fabulous as his wife (squaw?).
There are quite a few memorable scenes, like when the Natives block a forest road culminating in an intense stand-off with the paper mill personnel, chain saw and all. Another potent sequence is when Foxworth investigates the paper mill and has an intense discussion/argument with the mill boss. The manager powerfully points out that the mill simply provides what the consumers demand and that Foxworth's actual report is going to use up thousands of sheets of paper; hence, he shares responsibility.
BOTTOM LINE: For the first hour and 15 minutes or so "Prophecy" expertly unveils the mystery while capturing the viewers attention with mounting interest. It's the last 25 minutes where the film partially stumbles. The mutated creature is fully revealed and chases the group through the forests. There's a lot of running & screaming and many die. This should be a powerful pay-off but for some reason it's not. It's merely okay, and almost boring. Still, there are some memorable visuals, like the moonlit chase through the fog-laden lake.
"Prophecy" may not be great like "Jaws" or "Alien," but it's quite a bit better than flicks like "Grizzly."
I saw "Prophecy" on a double bill with the original "Friday the 13th," another bloody romp in the forest. The Jason film was second on the bill, and would've been unimpressive on its own, but was rendered especially impotent to this viewer after having all the bejeezus scared out of me by "Prophecy."
Highly recommended!
Le saviez-vous
- AnecdotesKatahdin, the mutant bear-monster, is portrayed by 7"2' actor/stuntman Kevin Peter Hall who went on to play other memorable man-in-a-suit monsters of the 80s including the giant egg-headed alien in Without Warning (1980), the titular creature in Predator (1987) and Predator 2 (1990), and Bigfoot in Harry and the Hendersons (1989).
- GaffesWhen Maggie Verne is seen leaving the helicopter during the rain storm there is a wire visible holding her handkerchief in place so it doesn't get lost in in the winds when she purposely lets it fall out of her pocket
- Citations
Maggie Verne: Rob, what is it?
Dr. Robert Verne: It's methylmercury poisoning, that's what it is. This whole place has been contaminated.
Maggie Verne: How do you know?
Dr. Robert Verne: The Indians eat the fish, and they behave like they're drunk when they haven't had a drop of liquor. That raccoon convulsing and turning vicious, its brain turned to mush. Even that old man, that Indian, you saw the burns on his fingers.
Maggie Verne: Is that from mercury?
Dr. Robert Verne: It's from cigarettes; the reason he didn't feel it is from mercury. You see, it acts on the nervous system; it destroys the brain.
- Versions alternativesUK cinema and video versions received 8 secs of mandatory cuts by the BBFC to remove the shots of the raccoon writhing on the floor outside the cabin before the attack scene (the animal had been genuinely poisoned).
- ConnexionsFeatured in Sneak Previews: Prophecy/Bloodline/Moonraker/Dracula/Nightwing (1979)
- Bandes originalesSweet Ride
Written by Lionel Job and Delwin Gillman
Performed by Southroad Connection
Courtesy of Fourth World Productions
Meilleurs choix
- How long is Prophecy?Alimenté par Alexa
Détails
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 18 389 402 $US
- Montant brut mondial
- 18 389 402 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1