Les entrailles de l'enfer

I am going to disagree with most of the reviewers in here and say that I found the story to be quite intriguing. Some of it was a little out there but the crux of it ( the town conspiracy ) was quite well done. What wasn't so great was some of the acting and some of the things people do to get themselves in trouble.

The film starts off with Ronny Cox and his wife traveling down some lonely Mississippi road in the dead of night. They spin off the road and the front of his car ends up on some moist land. His tires spin and spin but they will not respond. The car is stuck there. Now instead of A) trying to push the car out or B) both of them walking back to the gas station for a tow, Cox tells his wife that he is going back to that gas station for a tow. He playfully tells her to stay there and to lock the door ( he says it as though nothing bad could have ever happened on the side of the road in Mississippi. Does anyone ever remember MISSISSIPPI BURNING?)

Okay, we have all seen too many horror movies but that is just dumb, horror movie or not. You never leave someone alone, on a deserted road while you are surrounded by the dense bush. Anything could happen. Bigfoot could jump out. Jason could be close by. The thing from THE PREY could pop and get you or more realistically you would just be too afraid to stay by yourself because it is dark. But she does and of course something attacks her and rapes her and then the film jumps ahead 17 years where of course she had the baby. This is another part when we all go " Oh Come ON!!! What are you, stupid?" If some big disgusting swamp thing with calves the size of the Caveman in Scooby Doo episodes raped you, you get an abortion, right away. But again, this is a horror movie and people have to do stupid things to get themselves into the prediciments that they are in. If you can get past some of this sheer idiocy, the rest of the story is quite good. It is not on par with some of the greats but it is a worthy addition to the early 80's horror.

One by one, the slimy town folk are being attacked and devoured by a beast. Now we don't know why these people are being stalked, only that they are suspect looking to say the least. There is obviously some town secret that is being swept under the proverbial rug and these people are the main culprits.

The final thirty minutes is quite good. I can remember being about 13 when me and my friends rented this film for the first time. We accepted the challenge on the front of the box where it dares you to watch the last thirty minutes without chickening out. And when you are 13 and are challenged like that, you eagerly accept. None of us were horrified but we sure thought it was cool. Now that I have more of an appreciation for horror and the effects that go into it, I have to say that the creature effects were astonishing here. Rick Baker would be proud of Thomas Burman. This is on par with Baker's work in AMERICAN WEREWOLF IN LONDON. The transformation scene is truly a work of art. Perhaps people will say that it is dated because now a days they use computer graphics to make everything look real but let me tell you, give me guys like Rick Baker, Stan Winston and Thomas Burman and I would rather watch them at work than a chip and a computer program that does the same thing. This is fun to watch and I believe more work and innovation goes into the process.

I would give this film a 6 out of 10. The story is intriguing and the plot is carried out quite well. And look at it this way. Take most horror films from today like URBAN LEGEND, I KNOW WHAT YOU DID..... and so on and compare them to this one and others like it from the 70's and early 80's. Most 90's films can't hold the director's Cole's Notes to how to make an affective horror film. The Beast Within is better than 95% of the horror that was released in the 90's. It is getting better now with stellar efforts like FINAL DESTINATION, BLAIR WITH, SIXTH SENSE, STIR OF ECHOES and even STIGMATA. Their roots lie with films like this.

The Beast Within tells the story of a woman who is raped in the forest by a mysterious creature. Cut forward 17yrs and her son has developed an ailment that has left doctors baffled.

Based on that alone you've likely just worked out about 50% of the plot, the other 50% is very generic cliched stuff about a conspiracy in small town USA.

With the likes Ronny Cox the movie has some acting heavyweights behind it, they also clearly had a very competent sfx team whose creature effects are above par for this early in the 80's.

Sadly it doesn't flow very well, I found the lead rather obnoxious, the leading lady barely got any screen time and it just feels like they made a lot of real schoolyard errors here.

If you like cheesy 80's creature features you might actually get a kick out of this as it does tick plenty of boxes, it just missed out on a few that are too important to me personally.

The Good:

Ronny Cox and L.Q. Jones

Decent sfx

The Bad:

Lack of flow is noticeable

Paul Clemens

I agree with many points made by fellow commentators. This was one of director Philippe Mora's best efforts: atmospheric, grisly and featuring an extraordinary cast of slumming actors. The makeup transformation effects by the Burman studio are quite well done. BUT...

Why isn't this called The BUG Within? This poor kid doesn't turn into a beast - he turns into a gosh-darn GIANT CICADA! WTF? Where did that come from? There's no explanation in the script, and according to those who've read the source novel, it's completely different from the original story. I remember seeing this at a United Artists screening in Los Angeles back in 1982. My buddy Mike and I were big horror fans, and after the screening let out we kept asking each other, "But why did he turn into a BUG?" Neither of us could come up with an answer then and obviously, even after all these years and with all these discussions on IMDb, no one else has either.

Screenwriter Tom Holland probably could however. Certainly he's proved himself a talent in the horror genre, with his terrific script for the first Psycho sequel and subsequent work on the first Child's Play and his directorial debut, Fright Night.

Philippe Mora has had a more checkered career. A strong visual stylist, he's struggled with poor choice of material such as the infamous sequel Howling III: The Marsupials.

The Bug - sorry, BEAST Within is definitely worth a look for horror buffs, but when you watch the big transformation scene two-thirds of the way through, I guarantee you'll be scratching your head afterwards. The makeup FX are pretty cool though.

If you like low to medium budget horrors with plenty of gore, you will not be disappointed in this and Paul Clemens does very well in the lead. Nobody else seems to try too hard, they seem more interested in outdoing each other in wearing the most outlandish wigs. Very watchable despite its shortcomings although it almost comes to a halt on several occasions. The set up is fine, if a little predictable, but the wild and terrible story could have been better told. At first this seems like a Jekyll and Hyde variant, then a vampire tale before it gets back to what it really was at the start, a gruesome tale of rape and impregnation by some swamp like creature. Nice idea and lots of nastiness but not very convincing and too many people wandering in and out to little effect. Have to say though, one amazing and absolutely disgusting transformation sequence at the end.

Woo-hoo! This freaky puppy needs to go on a leash! The Beast Within is highly entertaining 80's pulp that regretfully got ignored over the years, along with so many other B-movie goodies from that decade like "Dead & Buried", "Basket Case" or "From Beyond". I hope that too many people won't be biased about the gory, cheap looks of this film, because it actually has got more to offer than you'd think! The Beast Within fits perfectly in the "the little town with a secret"-sub genre that I personally adore. The screenplay (written by Tom Holland of "Fright Night" and "Child's Play") handles about a newlywed couple facing a nightmare when the wife is raped by a hideous creature on a remote Mississippi road. The "miracle of life" takes place and 17 years later, the progeny of this unpleasant meeting begins to undergo a bizarre metamorphosis. The adolescent Michael is aggressive, weak and goes prowling overnight. The victims of these nightly hunts all share a common secret that slowly unravels itself and leads all the way back to the night of the rape. The plot contains quite some holes (big ones!) and logicalness is totally out of the question! Hopefully, you'll be able to look passed these flaws and see how director Mora attempts to add tension and atmosphere to his film. The obvious aspect to love naturally is the blood and gore! The Beast Within features an infamous and nearly classic transformation and this scene alone makes the film worthy. A catchy (country) soundtrack and fairly good acting complete my overall positive opinion on this overlooked cult gem. Ronny Cox is quite convincing as the "official" father but it surely is the young actor Paul Clemens himself who impresses. His ultra-mad grimaces while attacking the hillbillies form the best parts of the film.