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Au 20ème siècle, un astronaute émerge de 500 ans d'animation interrompue dans une époque future où la Terre est menacée par les extraterrestres.Au 20ème siècle, un astronaute émerge de 500 ans d'animation interrompue dans une époque future où la Terre est menacée par les extraterrestres.Au 20ème siècle, un astronaute émerge de 500 ans d'animation interrompue dans une époque future où la Terre est menacée par les extraterrestres.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
John Dewey Carter
- Supervisor
- (as John Dewey-Carter)
Avis à la une
Buck Rogers. The name conjures up memories of a by-gone era, two eras in fact. Buck was the hero of one of the earliest and most popular science fiction comic strips. He was also the hero of this post-Star Wars 70's film. In the former, Buck had been trapped in a cave-in, where strange gases put him to sleep, to finally wake in the 25th Century. In the latter, Buck is an astronaut who, due to an accident, is adrift, in suspended animation, to later arrive back on Earth, in the 25th Century. In both, Buck becomes a hero and savior of the Earth.
I first saw this movie in the theater. At the time, my friends and I clamored for anything remotely sci-fi; especially after the success of Star Wars. Unfortunately, that was a pretty mixed bag. For every Alien, there was a Battle Beyond the Stars. Others were a bit uneven; like Star Trek TMP, and this film.
The effects were fine, for the time period, but can't hold a candle to today's CGI, or even ILM's work of the era. The designs were interesting, if a little too pristine. The antiseptic look of Earth was a bit bland; the Draconian ship had far more character. The costumes were typical of a Glen Larson show; disco inspired and not very functional. I never liked the Earth flight suits, although the dress uniform at least looked military. Princess Ardala's costumes, though, were quite interesting (what there was of them, yowza!).
Gil Gerard was likeable as Buck; a cocky, confident hero. He was athletic enough to carry the fight scenes, but not so much that he never seemed in danger. Erin Gray was a tad subdued here; thankfully, her role was expanded in the later series. Pamela Hensley was a very steamy and sultry Ardala. Henry Silva, well, he was a bit stiff. Michael Ansara made a better Kane in the series.
The film has a few slow moments; but, for the most part, it's quite entertaining. The space scenes were good for their time, although marred by the use of stock footage. The disco music sucked even then. As Battlestar Galactica and Star Wars showed, a more classical, symphonic sound far better suited space opera. The only real complaint I had, at the time, was the abrupt change in Tigerman. One moment he is Duke Butler. Suddenly, at the end, it's Hard Boiled Haggarty! Hunh?!? Still, it's a minor quibble.
The film is an entertaining piece of 70's sci-fi and an enjoyable space opera. Compared to other Star Wars knock-offs of the era, it's practically 2001: A Space Odyssey. Now, how about a DVD with a commentary track from the actors?
I first saw this movie in the theater. At the time, my friends and I clamored for anything remotely sci-fi; especially after the success of Star Wars. Unfortunately, that was a pretty mixed bag. For every Alien, there was a Battle Beyond the Stars. Others were a bit uneven; like Star Trek TMP, and this film.
The effects were fine, for the time period, but can't hold a candle to today's CGI, or even ILM's work of the era. The designs were interesting, if a little too pristine. The antiseptic look of Earth was a bit bland; the Draconian ship had far more character. The costumes were typical of a Glen Larson show; disco inspired and not very functional. I never liked the Earth flight suits, although the dress uniform at least looked military. Princess Ardala's costumes, though, were quite interesting (what there was of them, yowza!).
Gil Gerard was likeable as Buck; a cocky, confident hero. He was athletic enough to carry the fight scenes, but not so much that he never seemed in danger. Erin Gray was a tad subdued here; thankfully, her role was expanded in the later series. Pamela Hensley was a very steamy and sultry Ardala. Henry Silva, well, he was a bit stiff. Michael Ansara made a better Kane in the series.
The film has a few slow moments; but, for the most part, it's quite entertaining. The space scenes were good for their time, although marred by the use of stock footage. The disco music sucked even then. As Battlestar Galactica and Star Wars showed, a more classical, symphonic sound far better suited space opera. The only real complaint I had, at the time, was the abrupt change in Tigerman. One moment he is Duke Butler. Suddenly, at the end, it's Hard Boiled Haggarty! Hunh?!? Still, it's a minor quibble.
The film is an entertaining piece of 70's sci-fi and an enjoyable space opera. Compared to other Star Wars knock-offs of the era, it's practically 2001: A Space Odyssey. Now, how about a DVD with a commentary track from the actors?
Originally made as a TV movie pilot, Universal and producer Glen Larson followed the pattern they'd used for 'Battlestar Galactica' and released it theatrically first. It proved to be a modest hit (raking in $21 million), and thus NBC commissioned it to be turned into a weekly series.
It starts off with a rather Bondian opening title sequence, featuring several lovely ladies wriggling and writhing their way around, over and under a sleeping Buck Rogers (Gil Gerard) as a vocalized version of the 'Buck Rogers' theme plays. I found this to be the highlight of the movie.
The rest of the film plays like a discount 'Battlestar Galactica' (even recycling many of its props and sound f/x), keeping logic at arm's length while testing the lactose tolerance of the viewer. The Über masculine Gerard gives a charming performance as Buck and Pamela Hensley deliciously vamps her way through her scenes, but they're the equivalent of two chefs attempting to make a gourmet meal out of store brand ingredients.
It starts off with a rather Bondian opening title sequence, featuring several lovely ladies wriggling and writhing their way around, over and under a sleeping Buck Rogers (Gil Gerard) as a vocalized version of the 'Buck Rogers' theme plays. I found this to be the highlight of the movie.
The rest of the film plays like a discount 'Battlestar Galactica' (even recycling many of its props and sound f/x), keeping logic at arm's length while testing the lactose tolerance of the viewer. The Über masculine Gerard gives a charming performance as Buck and Pamela Hensley deliciously vamps her way through her scenes, but they're the equivalent of two chefs attempting to make a gourmet meal out of store brand ingredients.
I happened to catch a 16mm print of this last weekend at a sci-fi movie marathon, and to my surprise, I really enjoyed it. Granted, I grew up watching the TV show, but hadn't seen it in years and had never seen the film.
Perhaps it's that sense of nostalgia that clouds my thoughts on it. The plot is decent, the sets need a lot of work and the effects are top-notch... for 1979. Still, I guarantee you that you will laugh and smile repeatedly, and find it hard to dislike this honest effort.
If you're in the mood for ridiculously cheesy 70s sci-fi, dancing robots and gorgeous women, then you really can't go wrong with this. If you're like me and trying to relive one's youth, by all means, go find a copy. By the way, would it be so hard for Universal to give this a DVD release? Please?
Perhaps it's that sense of nostalgia that clouds my thoughts on it. The plot is decent, the sets need a lot of work and the effects are top-notch... for 1979. Still, I guarantee you that you will laugh and smile repeatedly, and find it hard to dislike this honest effort.
If you're in the mood for ridiculously cheesy 70s sci-fi, dancing robots and gorgeous women, then you really can't go wrong with this. If you're like me and trying to relive one's youth, by all means, go find a copy. By the way, would it be so hard for Universal to give this a DVD release? Please?
A long time ago, in a childhood far, far away...
I remember seeing 'Buck Rogers' in the theater in 1978, back when 'Star Wars' was king of the box office, 'Battlestar Galactica' was smashing all ratings records, and science-fiction was experiencing a renaissance of sorts - it was a great time to be a kid.
'Buck Rogers' struck me as an all-right kind of guy: dashing with the ladies, quick with a punch, did a nifty spinning side kick, had a way with a laser pistol, occasionally danced a little disco.
The movie itself was a harmless piece of fluff. Even as an 11-year-old, I found it to be simple, low-key, even charming. I bought the requisite number of toys, talked about it with my friends, and enjoyed the occasional episodes (once the film left the theaters and went to the small screen) with a bowl of Cheerios in my jammies. Life was good.
Looking back now, it's pretty obviously a product of the '70s. Sure, it had chicks in spandex. Sure, it had the gravity-defying hairdos (and bosoms) of some of Hollywood's most buxom beauties - who can forget the 'Volcanic Hot-Tub Room' scene in "Planet of the Slave Girls?", or Jamie Lee Curtis in "Unchained Woman"? Sure, it had the simple, brainless plots typical of '70s television. Sure, it had the unredeemable stupidity of the 'Searcher' episodes...
But, for a time, it was the best thing going for sci-fi on television.
Remember, this is a time before Star Trek: The Next Generation, Star Trek: Deep Space Nine, or Star Trek: Fill-In-The-Blank. Science fiction on television wasn't a sure bet, nor was it always a ratings winner...even with it's target audience. Which, at the time, was me.
But 'Buck Rogers' had something going for it, something none of the other sci-fi shows ('Battlestar Galactica', et al) had going for them.
Erin Gray.
Oh, yeah. Erin Gray.
Let me tell you, one of the dates that stands out in my mind the strongest is January 3, 1980 - the date that the episode "Space Vampire" premiered. The day I became a man. :)
Okay, not really...but you have to understand - Erin Gray, spandex and vampires all combined to give my 11-year-old brain (among other things) something to think about with regard to women. Since then, no woman is truly attractive to me unless she can say in a sultry voice, "I like the taste of fear best." :)
Come on, it's only television! It doesn't have to be smart to be funny, it doesn't have to be expensive-looking to be cool. Just ask David Hasselhoff if he'd be in Baywatch Heaven without a certain Trans-Am, or if Dirk Benedict would have REALLY been as interesting to watch on the A-Team if we'd never seen him battling Cylons.
Erin Gray. Spandex. Vampires.
See, it all makes sense.
'Buck Rogers' appeals on the intellectual level of an 11-year-old, and for most of us, that's saying something.
'Buck Rogers' fueled a lot of my early television viewing entertainment, folks. Watch it, and you'll see why.
Of course, it helps if you watch it from an 11-year-old point of view, but that's more than most of us can muster anyway, yes?
I remember seeing 'Buck Rogers' in the theater in 1978, back when 'Star Wars' was king of the box office, 'Battlestar Galactica' was smashing all ratings records, and science-fiction was experiencing a renaissance of sorts - it was a great time to be a kid.
'Buck Rogers' struck me as an all-right kind of guy: dashing with the ladies, quick with a punch, did a nifty spinning side kick, had a way with a laser pistol, occasionally danced a little disco.
The movie itself was a harmless piece of fluff. Even as an 11-year-old, I found it to be simple, low-key, even charming. I bought the requisite number of toys, talked about it with my friends, and enjoyed the occasional episodes (once the film left the theaters and went to the small screen) with a bowl of Cheerios in my jammies. Life was good.
Looking back now, it's pretty obviously a product of the '70s. Sure, it had chicks in spandex. Sure, it had the gravity-defying hairdos (and bosoms) of some of Hollywood's most buxom beauties - who can forget the 'Volcanic Hot-Tub Room' scene in "Planet of the Slave Girls?", or Jamie Lee Curtis in "Unchained Woman"? Sure, it had the simple, brainless plots typical of '70s television. Sure, it had the unredeemable stupidity of the 'Searcher' episodes...
But, for a time, it was the best thing going for sci-fi on television.
Remember, this is a time before Star Trek: The Next Generation, Star Trek: Deep Space Nine, or Star Trek: Fill-In-The-Blank. Science fiction on television wasn't a sure bet, nor was it always a ratings winner...even with it's target audience. Which, at the time, was me.
But 'Buck Rogers' had something going for it, something none of the other sci-fi shows ('Battlestar Galactica', et al) had going for them.
Erin Gray.
Oh, yeah. Erin Gray.
Let me tell you, one of the dates that stands out in my mind the strongest is January 3, 1980 - the date that the episode "Space Vampire" premiered. The day I became a man. :)
Okay, not really...but you have to understand - Erin Gray, spandex and vampires all combined to give my 11-year-old brain (among other things) something to think about with regard to women. Since then, no woman is truly attractive to me unless she can say in a sultry voice, "I like the taste of fear best." :)
Come on, it's only television! It doesn't have to be smart to be funny, it doesn't have to be expensive-looking to be cool. Just ask David Hasselhoff if he'd be in Baywatch Heaven without a certain Trans-Am, or if Dirk Benedict would have REALLY been as interesting to watch on the A-Team if we'd never seen him battling Cylons.
Erin Gray. Spandex. Vampires.
See, it all makes sense.
'Buck Rogers' appeals on the intellectual level of an 11-year-old, and for most of us, that's saying something.
'Buck Rogers' fueled a lot of my early television viewing entertainment, folks. Watch it, and you'll see why.
Of course, it helps if you watch it from an 11-year-old point of view, but that's more than most of us can muster anyway, yes?
If you like "Battlestar Galactica", you will love this movie, at least if you can sit through the incredibly cheesy and silly title sequence. Based extraordinarily loosely on the classic early 1900's sci-fi novel, this is a story of an American astronaut frozen in crygenic sleep for a deep-space exploration mission in the late 20th Century who returns home and awakens in the post-nuclear 25th century. He finds an Earth ravaged by nuclear war (the scene in bombed-out Chicago is particularly amusing to me, as a life-long Chicago native, even if the sets look NOTHING like State Street)but with survivors carrying on in underground cities.
Earth is about to be atacked by the evil Draconians, led by a lovely but devious Princess. Sort of an S&M version of Princess Leia. Anyway, the Draconians pretend to offer Earth help defeating some "Space Pirates", but the Pirates are really Draconian fighters.
What follows are some classic space battle scenes, a lot of running around in dark spaceship corridors, and a classic love triangle between Buck Rogers, the Evil Princess, and a female fighter pilot from Earth. Buck Rogers manages to sabotage and destroy the Draconian fighters and saves the day, of course.
Along the way, we get some amusing dialogue, and some VERY 1970's sci-fi scenes, including Buck Rogers introducing Disco music to the future. The sight of his robot Sidekick, Twiky, dancing to Disco music well saying "Get Down!" still haunts me today.
However, the babes are hot, the battles exciting, the effects good (for 1970's TV), and the story easy to follow. I like it, and wish I could find a copy. I haven't seen it in years.
Earth is about to be atacked by the evil Draconians, led by a lovely but devious Princess. Sort of an S&M version of Princess Leia. Anyway, the Draconians pretend to offer Earth help defeating some "Space Pirates", but the Pirates are really Draconian fighters.
What follows are some classic space battle scenes, a lot of running around in dark spaceship corridors, and a classic love triangle between Buck Rogers, the Evil Princess, and a female fighter pilot from Earth. Buck Rogers manages to sabotage and destroy the Draconian fighters and saves the day, of course.
Along the way, we get some amusing dialogue, and some VERY 1970's sci-fi scenes, including Buck Rogers introducing Disco music to the future. The sight of his robot Sidekick, Twiky, dancing to Disco music well saying "Get Down!" still haunts me today.
However, the babes are hot, the battles exciting, the effects good (for 1970's TV), and the story easy to follow. I like it, and wish I could find a copy. I haven't seen it in years.
Le saviez-vous
- AnecdotesThe 90 minute theatrical movie was the pilot for the television series Buck Rogers (1979), but was shown in theaters several months before the series aired. The movie made over $21 million in North America alone.
- GaffesWhen Wilma Deering gets into her fighter on board the Draconia, her helmet is marked 'Col. Deering' on the right side. In the subsequent shots during the fight, it's unmarked. A similar thing happens again close to the movie's ending: When picking up Buck Rogers, Theo and Twiki on the Draconia, there is one shot of her with her helmet being marked 'Col Deering' - this time on the left side - whereas in all other shots the helmet is clean.
- Crédits fousPamela Hensley and Erin Gray appear as "dream girls" alongside their names in the original (theatrical) credits. After the traditional credits, the vintage Universal Studios logo with "The Entertainment Center of the World" and image, "When in Hollywood, visit Universal Studios" with a tourist trolley on a movie set. Also seen at the end of Starfighter (1984) and American College (1978). The latter added "When in Hollywood, ask for Babs", a character in the movie.
- Versions alternativesTo obtain an "A" classification, a groin kick got deleted from the original 1979 UK theatrical release of Buck Rogers in the 25th Century (1979)
- ConnexionsEdited into Dollman (1991)
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- How long is Buck Rogers in the 25th Century?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Buck Rogers in the 25th Century
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 21 671 241 $US
- Montant brut mondial
- 21 671 241 $US
- Durée1 heure 29 minutes
- Mixage
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What is the Brazilian Portuguese language plot outline for Buck Rogers au XXVe siècle (1979)?
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