NOTE IMDb
5,2/10
4,1 k
MA NOTE
Brick Bardo est un policier intergalactique dur à cuire venu de l'espace. Sur Terre, cet ennemi intergalactique apparaît telle une armée de poupée, composée d'hommes de taille réduite.Brick Bardo est un policier intergalactique dur à cuire venu de l'espace. Sur Terre, cet ennemi intergalactique apparaît telle une armée de poupée, composée d'hommes de taille réduite.Brick Bardo est un policier intergalactique dur à cuire venu de l'espace. Sur Terre, cet ennemi intergalactique apparaît telle une armée de poupée, composée d'hommes de taille réduite.
- Réalisation
- Scénario
- Casting principal
Kamala Lopez
- Debi Alejandro
- (as Kamala Lopez-Dawson)
Vincent Klyn
- Hector
- (as Vince Klyn)
Eugene Robert Glazer
- Captain Shuller
- (as Eugene Glazer)
Avis à la une
Despite some gruesome and bloody scenes, this movie keeps your interest due to Thomerson's tongue-in-cheek humor and his almost Eastwood-like presence. This is a strange and unique science fiction that keeps you giggling just enough to keep you watching.
Tim Thomerson stars as Brick Bardo (No relation to the same Brick Bardo who beat up tons of people in Bloodmatch)an alien cop (Not unlike the cop from Trancers) who follows one of his adversaries to earth only to stumble onto earth where he is only a foot tall, it's here he joins forces with a ghetto woman to protect her from gang violence. Jackie Earle Haley (Before his Oscar nod) is the gang-leader who is Thomerson's main enemy. Believe it or not, Jackie Earle Haley could always act and his Oscar is no fluke, as he delivers a not too shabby performance and Thomerson of course as usual is enjoyable to watch (Of course) this is a perfectly watchable B.movie, with a good sense of humor, some good action sequences and for once Pyun's disjointed and over the top directing is appropriate. So all in all this is one of Pyun's better efforts and a distinctive B.movie.
* *1/2 out of 4-(Pretty good)
* *1/2 out of 4-(Pretty good)
I love this kind of movie.
It's one of those things you either love or hate, and a lot of the venom getting tossed at it isn't needed. It's just a movie folks.
Innocent fun.
It's about this alien cop who winds up crashed on earth only to find out he's the size of a ken doll, here.
Lucky he's got his "Ruger," the most powerful handgun in the universe (don't ask). This little thing blasts holes in his foes as if it was a .357 magnum (and, as i recall, it literally blew people apart on his home planet).
It's not Citizen Kane, but it's clever and tongue in cheek. I can actually see a silver age comic book like this.
It's one of those things you either love or hate, and a lot of the venom getting tossed at it isn't needed. It's just a movie folks.
Innocent fun.
It's about this alien cop who winds up crashed on earth only to find out he's the size of a ken doll, here.
Lucky he's got his "Ruger," the most powerful handgun in the universe (don't ask). This little thing blasts holes in his foes as if it was a .357 magnum (and, as i recall, it literally blew people apart on his home planet).
It's not Citizen Kane, but it's clever and tongue in cheek. I can actually see a silver age comic book like this.
Only a director like Albert Pyun could handle material like this. The director of many B sci-fi/martial Arts projects (the "Nemesis" series, "Cyborg"), a teen video game adventure, and a post-apocalyptic musical, Mr. Pyun loves to combine genre tropes into stimulating, unique experiences. Pyun asked what many B-filmmakers did in the Tarrantino administration: why bother with new material when it has all been done so well before?
The 90s direct-to-video market thrived simultaneously with this era of genre hybrids; those movies that recycled old genre tropes, archetypes, and approaches into new material. In "Dollman" Pyun makes a tasty salad out of various conventions from "Dirty Harry", "Honey I shrunk the Kids", "Suburban Commando", "Time Cop", various gang films, and the action and sci-fi conventionality of its era.
Tim Thomerson plays recurring Pyun character Brick Bardo who, in this incarnation, is a futuristic bad-cop who is inter-dimensionally displaced via space ship into the Bronx with his his WMD-packing floating head nemesis Armbruiser. During their trip, the two are shrunken into action figure proportions. After Bardo's spaceship is abducted by a young boy, he must struggle against various domestic terrors (the family dog, a cockroach) while Armbruiser shops his WMD to a dangerous local gang headed by the dangerous Braxton Red (Jackie Earle Hayley in a hammy, vicious performance).
Fortunately "Dollman" delivers in every way you want it to. The shrunken person tropes are satisfying and realized; the action scenes are intense; and its science fiction backbone is always present. Pyun juggles these elements well and has fun with the formulas at play.
Although it suffers from Pyun's tendency toward awkward pacing, "Dollman" is one of his strongest and most controlled films.
The 90s direct-to-video market thrived simultaneously with this era of genre hybrids; those movies that recycled old genre tropes, archetypes, and approaches into new material. In "Dollman" Pyun makes a tasty salad out of various conventions from "Dirty Harry", "Honey I shrunk the Kids", "Suburban Commando", "Time Cop", various gang films, and the action and sci-fi conventionality of its era.
Tim Thomerson plays recurring Pyun character Brick Bardo who, in this incarnation, is a futuristic bad-cop who is inter-dimensionally displaced via space ship into the Bronx with his his WMD-packing floating head nemesis Armbruiser. During their trip, the two are shrunken into action figure proportions. After Bardo's spaceship is abducted by a young boy, he must struggle against various domestic terrors (the family dog, a cockroach) while Armbruiser shops his WMD to a dangerous local gang headed by the dangerous Braxton Red (Jackie Earle Hayley in a hammy, vicious performance).
Fortunately "Dollman" delivers in every way you want it to. The shrunken person tropes are satisfying and realized; the action scenes are intense; and its science fiction backbone is always present. Pyun juggles these elements well and has fun with the formulas at play.
Although it suffers from Pyun's tendency toward awkward pacing, "Dollman" is one of his strongest and most controlled films.
Dollman (1991) was a cheesy science fiction/action film that didn't try to pretend it was anything but. Tim Thomerson stars as Dollman, a diminutive alien who's travels through space and time to capture a galactic fugitive. The low budgets of this film shows through when the film maker uses a lot of bad trick photography and repeated use of film stock in several places to pad out the film's running time. Does Dollman get his man? How will he adjust to Earth's strange people and planetary environment? To find out you'll need to track down a copy of DOLLMAN.
Recommended for cheesy film fans.
Recommended for cheesy film fans.
Le saviez-vous
- AnecdotesIn the first 15 minutes, the footage of the city on Arturus are recycled shots of New Chicago from Buck Rogers (1979)).
- GaffesSome of the stock footage shown during the South Bronx montage are actually not of the South Bronx.
- Versions alternativesGerman VHS release by Highlight Video cuts 29 seconds of the movie to qualify for a FSK-18 rating while also avoid being BPjM indexed. Only in 2020 was the uncut version granted a FSK-16 rating.
- ConnexionsEdited from Buck Rogers au XXVe siècle (1979)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Кукольный человек
- Lieux de tournage
- Lanza Brothers Market - 1803 N Main St, Los Angeles, Californie, États-Unis(Three gangsters rob liquor store during 'NYC' montage.)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 22 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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