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IMDbPro

WKRP in Cincinnati

  • Série télévisée
  • 1978–1982
  • TV-PG
  • 30min
NOTE IMDb
8,0/10
12 k
MA NOTE
POPULARITÉ
2 032
387
Loni Anderson, Tim Reid, Frank Bonner, Howard Hesseman, Gordon Jump, Richard Sanders, and Gary Sandy in WKRP in Cincinnati (1978)
Trailer 1
Lire trailer1:14
4 Videos
99+ photos
SitcomComedy

Les mésaventures du personnel d'une station de radio en difficulté à Cincinnati en Ohio.Les mésaventures du personnel d'une station de radio en difficulté à Cincinnati en Ohio.Les mésaventures du personnel d'une station de radio en difficulté à Cincinnati en Ohio.

  • Création
    • Hugh Wilson
  • Casting principal
    • Gary Sandy
    • Gordon Jump
    • Loni Anderson
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,0/10
    12 k
    MA NOTE
    POPULARITÉ
    2 032
    387
    • Création
      • Hugh Wilson
    • Casting principal
      • Gary Sandy
      • Gordon Jump
      • Loni Anderson
    • 64avis d'utilisateurs
    • 21avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Primetime Emmy
      • 2 victoires et 16 nominations au total

    Épisodes90

    Parcourir les épisodes
    HautLes mieux notés

    Vidéos4

    WKRP in Cincinnati
    Trailer 1:14
    WKRP in Cincinnati
    Wkrp In Cincinnati: Season 1
    Trailer 0:58
    Wkrp In Cincinnati: Season 1
    Wkrp In Cincinnati: Season 1
    Trailer 0:58
    Wkrp In Cincinnati: Season 1
    Wkrp In Cincinnati (Trailer 1)
    Trailer 1:31
    Wkrp In Cincinnati (Trailer 1)
    Wkrp In Cincinnati
    Trailer 1:24
    Wkrp In Cincinnati

    Photos173

    Voir l'affiche
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    + 167
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Gary Sandy
    Gary Sandy
    • Andy Travis
    • 1978–1982
    Gordon Jump
    Gordon Jump
    • Arthur Carlson…
    • 1978–1982
    Loni Anderson
    Loni Anderson
    • Jennifer Marlowe
    • 1978–1982
    Howard Hesseman
    Howard Hesseman
    • Dr. Johnny Fever…
    • 1978–1982
    Richard Sanders
    Richard Sanders
    • Les Nessman…
    • 1978–1982
    Frank Bonner
    Frank Bonner
    • Herb Tarlek
    • 1978–1982
    Tim Reid
    Tim Reid
    • Venus Flytrap…
    • 1978–1982
    Jan Smithers
    Jan Smithers
    • Bailey Quarters
    • 1978–1982
    Carol Bruce
    Carol Bruce
    • Lillian Carlson
    • 1979–1982
    Allyn Ann McLerie
    Allyn Ann McLerie
    • Carmen Carlson
    • 1979–1982
    Sam Anderson
    Sam Anderson
    • Mason Noble…
    • 1979–1981
    Ian Wolfe
    Ian Wolfe
    • Hirsch
    • 1981–1982
    Edie McClurg
    Edie McClurg
    • Lucille Tarlek
    • 1979–1980
    Hamilton Camp
    Hamilton Camp
    • Buddy Gravers…
    • 1978–1981
    Bill Dial
    • Buckey Dornster
    • 1978–1979
    Michael Fairman
    Michael Fairman
    • Buddy Barker…
    • 1978–1980
    Julie Payne
    • Buffy Denver
    • 1979
    George Wyner
    George Wyner
    • D. Arnold Gonzer
    • 1980
    • Création
      • Hugh Wilson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs64

    8,011.9K
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    Avis à la une

    superscal23

    Not one single negative review. Finally some people who get it

    WKRP is the show that I may have the toughest time reviewing. I would like to make my love for this show clear without simply stating it was the best show of all time, but there may be no other way. I Love Lucy, MASH, Cheers, Seinfeld, Mary Tyler Moore, and any other sitcom regarded as classic all pale in comparison to WKRP in Cincinnati. This show focused on eight characters, rarely devoting too much time to any one individual. The cast did not change in four years. They didn't even add anybody for a few episodes to play a love interest or something like that. They didn't have to. Each one of the eight could have carried the show by themselves.

    I was born during WKRP's initial run and I have grown up in an era where almost every sitcom is populated by characters whose personality is exaggerated beyond reality, and who can't seem to laugh at anything that doesn't involve sex. KRP had its share of these types of jokes, but they never dominated the show. There were rarely any episodes trying to figure out who's dating whom. There was never a season ending cliffhanger wondering which two characters were going to get together. In fact, the episodes where this did happen are some of the show's weakest such as Andy's country western girlfriend, and the episode where Johnny stays at Bailey's apartment prompting rumors around the office. That being said, there is not one single episode of WKRP in Cincinnati that isn't funny. Even the two I referenced earlier have their moments.

    The character development and subtlety of this show is unmatched. Each character built a relationship with the other seven, and the writers were able to tap into those relationships whenever it was needed. There are episodes that you have to watch several times to get the full effect of what is going on. The union episode is one of the best because of the way Andy deals with the other characters, but this is something that goes unnoticed unless you pay attention to all the little details that you can see watching the episode a second time. Everything down to his wardrobe is just perfectly crafted. Another great KRP moment comes when station critic Norris Breeze refers to Jennifer as a "total airhead" in front of Mama Carlson. The one person Mrs. Carlson considers her equal, and she is called a "total airhead." What a great moment.

    The final episode ties everything together perfectly. It was not guaranteed at that time whether KRP was returning, so they made an episode that could be the last, but it didn't have to be. Johnny's explanation of how KRP is supposed to lose money explains why Mrs. Carlson went along with the new format in the first place four years earlier.

    There has certainly never been a more socially consious sitcom, and there are many great dramas that didn't deal with as many issues as WKRP. Every political issue that is important even today is tackled in a KRP episode. Abortion, racism, homosexuality, censorship, unions, alcoholism, drug abuse, and education to name a few. There are also episodes involving the rich vs. poor, and a classic involving lying, scheming politicians. I have literally tried to think of an issue that wasn't addressed on WKRP, and I can't do it.

    It's unfortunate that none of the eight actors ever made a real splash after WKRP. Tim Reid, Howard Hesseman, and Loni Anderson have had their moments, but none of these actors are considered to be big stars. For four great years, they created a show that a lot of people missed. For those of us who have gotten to see it, we will never forget.
    9jejozi

    #2 with a bullet!

    WKRP is one of the best sitcoms of all time. It ranks up there with Taxi, early M*A*S*H, MTM, Seinfeld, and the often forgotten, and, IMHO, best sitcom of all time, Barney Miller (mushy, mushy, mushy!). The characters and the stories were well-rounded and believable. And the music on Johnny's morning show was the best. Too bad it can't be found up or down the dial these days. And yes, I'm a Bailey man, too!
    professor0400

    Oh, Man, I still want to be Johnny Fever

    At the age of 40 with a leaky heart valve and car payments and rent to pay, there is a twelve-year-old boy that wants to hear Johnny Fever drag a needle across vinyl and drag a floundering Ohio radio station into the rock era. I have driven across Cincinnati at least a hundred times, but I still long to catch a glimpse of the Flimm building, and let the news tell me that "...while the Senator admitted to being intoxicated, he could note explain his nudity." (Best Ted Kennedy Joke Ever!) WKRP was based on creator Hugh Wilson's experiences at Atlanta radio station WQXI. The Turkeys really happened at Lenox Square in Atlanta, and Fever was rumored to have been modeled on longtime Atlanta radio personality (the late) "Skinny" Bobby Harper.

    As God is my witness, I thought turkeys could fly!
    Gislef

    The Funniest Comedy of All Time?

    Only a very few comedies have reached what I consider the height of mixing pathos, characterization, slapstick, verbal byplay. Night Court, Cheers, Mary Tyler Moore...and WKRP manages to surpass them all. WKRP comes out ahead of most of these (except maybe Night Court) because it was a true ensemble. It didn't focus on just Sam & Diane, or just Mary, but equally covered each of its cast members, giving them almost-equal screen time.

    These were also folks who had _lives_ that didn't revolve entirely around the office or resolving the problem at the office: families, social lives, etc.

    The recent Nick at Nite marathon (40 hours, five nights) just brought back home to me that this show was so funny, and why even some of the worst episodes are still a heck of a lot funnier than most "comedies" on the air today.

    Hopefully WKRP will be settling into a long stay on Nick at Nite once the marathon runs its course.
    budlyons2003

    "Oh, I don't know. I'll think of something."

    What can I add to what's already been said in the other comments? With the above quote and the unveiling of the KISS poster, WKRP IN CINCINATTI jumped in with both feet and made viewer (if not critical) history. Real people, losers who refused to be losers, teamed together to help and validate one another in great situations all in the little space of a couple of offices. Big theme and social consciousness issues without the big speech, hit you over the head approach. An ensemble cast with great writing and dialogue. Who cares whether or not it was low-budget? It was GREAT stuff. Favorite moments? Les wanting to commit suicide cuz the rumor is that he's gay. Herb painting his daughter's frog PINK. All the guys pitching in to get back the nudie shots the photographer took of Jennifer. The concert where the kids were crushed against the not yet opened gates. (I couldn't stop crying, watching that one.) Les feeding his dog, wearing the giant dog-trainer glove. The "phone police" blowing up the transmitter station. (That was my Dad's favorite.) But most of all for me, Venus teaching the cleaning lady's kid about the atom, using the analogy of gangs in the hood. The comedy capper on that one was Johnny waking up from behind some shelves and saying something like, "So that's how that works." And, yeah, folks -- Bailey was HOT and should've been showcased more. In closing, "Oh, yeah ... BOOGER!"

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Les Nessman wears a bandage on some part of his body in almost every episode. Eventually, he reveals that he has a very large dog at home. In real life, Richard Sanders was injured before taping Pilot: Part 1 (1978), and had to wear a bandage on the air. He decided to make it Les' trademark.
    • Gaffes
      Les Nessman is a bachelor, but he often is seen wearing a wedding ring.
    • Citations

      Arthur 'Big Guy' Carlson: As God is my witness, I thought turkeys could fly.

    • Crédits fous
      The lyrics for the closing credits consist of gibberish words.
    • Versions alternatives
      MTM Productions' license to use some of the songs for this show expired in the mid-1990s. Syndicated and home video versions since then, including that on the Nick-at-Nite cable network, have replaced some of those songs with stock music.
    • Connexions
      Featured in The 32nd Annual Primetime Emmy Awards (1980)

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    FAQ19

    • How many seasons does WKRP in Cincinnati have?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 septembre 1978 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Sänt var'e här
    • Lieux de tournage
      • Cincinnati Enquirer Building - 617 Vine Street, Cincinnati, Ohio, États-Unis(Stand-in as the Osgood R. Flimm Building, home of the offices and studios of WKRP)
    • Sociétés de production
      • Company Four
      • MTM Enterprises
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      30 minutes
    • Couleur
      • Color

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    Loni Anderson, Tim Reid, Frank Bonner, Howard Hesseman, Gordon Jump, Richard Sanders, and Gary Sandy in WKRP in Cincinnati (1978)
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