W.C. Fields et moi

I had the unique perspective of living at the set in La Canada, California at the time this movie was being filmed.(I was working at nearby JPL in Pasadena) I appreciated the director's attention to detail and was able to meet Rod Steiger and Valerie Perrine between "takes." The sets were fantastic, as were the performances. The crew spent about three weeks preparing the house and bringing in the properties that were used to re-create W.C. Fields's home. The crew painstakingly stenciled 1930s designs near the ceiling of the room. Since that would make the living room stand out, they carried the design into several other rooms that were not used during the production! There is a scene of the outside of the house that shows the room that I was living in.

One of the rules on the set was that no one could imitate W.C. Fields while Rod Steiger was on the set. I believe that Rod worked very hard to portray W.C. Fields in a realistic way. (He was one nasty character!)

Please bring this movie out on DVD!

Glad to see like minded people reviewing this movie. Although it has been years and years since I first saw it, it left a lasting impression. I can't really say why, other than I am a Steiger fan, but I do believe he brought something new to what I know of the character W C Fields.

I too would, like my fellow fans, like to see this distributed on DVD. The film has been a topic of discussion with work colleagues, and even though I have said that it wasn't the 'greatest' of productions, it was definitely worth seeing.

If the big wigs are reading, please, give me back a bit of my youth, lets have this on DVD!

I was at a favorite Second-Hand goods store last week, and upon finding a copy of the book "W.C. Fields & Me" By Carlotta Monti with Cy Rice, I snapped up the hard-cover copy, there and then. When this film was in it's Original release in Melbourne, Australia at the cinema I worked at as Projectionist, I had the pleasure to screen this Movie Two Sessions a Day - for it's Original run - and Loved Screening each and every session including it's accompanying suitable Musical score that plays in the background as the film UN-spools. I have been hoping against hope, that One day I can get my own Blu-Ray or DVD Copy of "W.C. Fields & Me", as I believe Rod Steiger did an excellent recreation of the character of Fields. Dear reader, to get a better knowledge of the Life that W.C.Fields had led up to the point where the Film begins from, I would recommend Movie Fans get their hands on some of the Biographical Books detailing the earlier life of Fields, from say his earliest Teenage years through to where the film takes up from, I assure you will get far-more from this Movie, if you make that effort. The stunning Valerie Perrine who features in the film as Carlotta Monti, tends to bring balance to the film as it rolls along to a memorable ending, at least it is memorable for me, in more ways than one, I cannot tell you more, as that would spoil the film for you, and I love this film too much to do that. Here is hoping Universal will release this "soon" with the Best Quality available, to all fans of this forgotten Gem of a Movie. There is only one more Movie Starring W.C. Fields I need to complete my W.C. Fields Movie Collection, and that is the Film with W.C. Fields and Zasu Pitts of "Mrs Wiggs of the Cabbage Patch" 1934,( but not the 1940s Faye Bainter Version ) Both movies = Comedy and Tear-Jerker all in one movie, Highly recommended to all W.C. Fields aficionados...If any fans can help me with this I could love you forever...

Carlotta Monti, a would-be Hollywood hopeful in the 1930s, met rascally, alcoholic, volatile comedy actor W.C. Fields at a movie wrap-party and was later invited out to his spread, supposedly to talk about a part in his next picture; there wasn't one, but she spent the next fourteen years with him anyway, playing his loving--though seemingly platonic--mistress who also acted as Fields' personal stenographer, script girl, cook, maid, and mother-figure-cum-warden. Based on Monti's memoir, and with her advisory assistance, this biography of Fields seems pretty truthful and not a white-washed kiss-up job. Director Arthur Hiller and star Rod Steiger do not shy away from showing W.C. as an occasional heel, a heartless, self-confessed son-of-a-bitch. Yet, the movie's best moments are the quieter ones (Fields' brotherly relationship with a little person, his reunion with the son he hadn't seen in twenty years, his reaction after Carlotta discovers how lonely he is). Steiger, whose make-up job causes him to resemble a portly Van Johnson rather than Fields, is a bit shrill in places, and he gets off to a bad start; however, Steiger eases into the role with obvious relish, and his eagerness to showcase this incredible personality definitely comes through (his final scene in bed is a heartbreaker). Valerie Perrine as Carlotta is also too shrill (which can be blamed on Hiller's handling), but she matches up well with Steiger and doesn't take too much guff off him. The sequences set in and around the movie studio never quite achieve the magic we hope they'll reach (they're squashy and limp, due--partially at least--to David M. Walsh's terrible cinematography). However, the central relationship is nicely carried off, aided by a lovely Henry Mancini score and good character actors in support. A forgotten film--yet another sitting on the shelf down at Universal--but worth seeking out, especially to see Steiger's work. **1/2 from ****

This adaptation of W.C. Fields' life is a pretty good one which shows the great comic, warts and all. This is based on the book published by Field's mistress of many years, and she is played by Valerie Perrine, who does a splendid job. Steiger is very good, but I have to agree with a previous poster that he sort-of resembles a blown-up Van Johnson rather than Fields. The only technical flaw I could see in an otherwise splendid recreation of 30's Hollywood is one street scene where the street is dressed with the proper 1930s autos, but then a late 1960s Lincoln Continental Mark III passes by, followed by a 1973 Pontiac LeMans and a Volkswagen Beetle! After this gaffe, the parade of passing cars returns to the classic 1930s cars. The late Jack Cassidy does a pretty good job playing John Barrymore, and the Mancini score is, as always, an asset. This is streaming on Netflix in a gorgeous wide-screen copy.