Terreur sur la ville

Based on a true story, the phantom killer stalks Texarkana and kills couples who hang out at lovers lanes. Armed with some nasty weapons and a pillow case for a mask, he terrorizes this town to the point of near shutdown, causing police forces from all over the state to intervene. Who can stop his rampage?

I've never seen a film quite like this before. I've seen plenty of based-on-real-killer films (most of which are nothing like the original murders), and the recent David Fincher film "Zodiac" follows very much in the vein of this movie (and Zodiac has some similarities to the Phantom). And this film is a definite inspiration for "Friday the 13th" with the pillow case mask. So, in at least one way, this film really kicked off a trend of stalking psychos. And while the first real serial killer film may have been "Black Christmas", this film isn't one to ignore: there's a really good scene of a woman being chased through the woods that is not unlike what we'd see a hundred times in the next thirty years.

The film also offers two dichotomies I'll address briefly: crime versus horror, and comedy versus drama. Much of this comes across as a crime film, because we are following the police on their manhunt and get to know some of the officers personally and they are clearly the protagonists. We want them to win. But this film has a horror element that cannot be ignored -- we don't just see the aftermath of a killing. The director took great delight in showing the chase, the torture and the deaths of the women. A straight crime tale wouldn't do this. But a horror film would, because many horror films have us egging on the killer even when we know he or she is evil. This film offers both sides.

The serious and comedy balance is also striking. We have a documentary-style voice telling us the updates and we are offered dates of the killings and for the most part this story remains rather serious and we can sympathize with the town. But then, we also have some cheesy music (not quite "Yakety Sax" but the same idea) and a character who threatens old women, cross-dresses and drives a cop car (poorly) as if he was an officer in "Dukes of Hazzard". Horror films generally have a comic relief -- a dark one -- but this really pushes the silly factor.

All the acting is great, the plot is simple but effective (a police manhunt). The video quality isn't perfect (this film really deserves a remastering and a re-appraisal, as horror historians will have to recognize the importance of this single film). But you will like it, I can pretty much guarantee that. I was sucked in almost immediately and lost valuable sleep time, but don't regret a moment of it.

Another chilling docu-thriller from director Charles B. Pierce (who made The Ledgend of Boggy Creek in 1972), this film being his best!

It's 1946, in the small town of Texarkana, Texas-Arkansas a hooded murderer is terrorizing the community and making the local law enforcement desperate.

Based upon the real events that surrounded one of America's most baffling serial killers, this solidly made film is a compelling and generally under exposed fore-runner of the slasher genre. Director Pierce gives this film a nicely authentic feel of the era as well as a great atmosphere of dread. The movies strongest scenes are the re-enactments of the murders, which are effectively heart-pounding! Among the memorable moments is a creepy 'murder-by-trombone' and an intense stalking sequence with a bloodied Dawn Wells. Along with these thrilling bits comes some mild comic relief with the local police that thankfully don't hamper the proceedings. The moody music score is also a good touch.

The cast does well, veteran actor Ben Johnson is good as a criminal specialist, as is Andrew Prine as a local deputy. Director Pierce himself appears as a bumbling police officer.

An entertaining thriller from its shocking opening to its haunting conclusion, The Town That Dreaded Sundown is a B movie winner.

*** 1/2 out of ****

The movie reminds me of one of those ace 1940's chillers, like Follow Me Quietly (1949). Based on fact, Sundown is about a phantom killer who stalks lover's lanes in Texarkana, and police efforts to catch him. Of course, without the heavy hand of a '40's Production Code, Sundown is much more graphic than anything from that earlier decade.

Importantly, however, this is not a slasher movie. There is some blood and violence, but the chief effect comes from the larger than usual sound department. The screams from victims are both unrelenting and unnerving. The girls really do sound terrified. Then there's the heavy breathing from the hooded killer, which are the only sounds he makes and about as chilling as the screams.

Credit producer-director Pierce with making shrewd use of a small budget. The Arkansas locations add both color and authenticity, along with the unforced drawls of southern born leads Johnson and Prine. The movie also does a good job of recreating a '40's milieu, even down to the girls' bobby-sox that brings back fond memories. My only gripe is with Pierce— he should stick to producing-directing because his turn as the inept patrolman Benson is too out of sync and silly for the movie as a whole.

Judging from some Google searches, it looks like the screenplay sticks pretty close to the general facts of a case that also appears to have entered the realm of regional folklore. Given the spookiness, I can see why. Anyway, the overall result is a nail-biter in the outstanding tradition of B-movie chillers, with a rather surprising outcome.

The Texarkana Moonlight Murders and the ensuing investigation that took place from late February to early May, 1946, are chronicled with the names changed and details altered for dramatic purposes. Ben Johnson plays a renowned Texas Ranger on the case and Andrew Prine a formidable deputy sheriff. Dawn Wells shows up in the last act.

"The Town that Dreaded Sundown" (1976) is a crime docudrama that could be designated as an early slasher even though it's based on a true story. The sack the killer wears on his head was the inspiration for the mask Jason dons in "Friday 13th: Part 2" (1981).

Along with "The Legend of Boggy Creek" (1972) and "Grayeagle" (1977), this was one of B-film director Charles B. Pierce's more notable flicks and he appears in the movie as bumbling Patrolman Benson.

Speaking of which, there some curious attempts at comedy that are incongruous with the grave proceedings, which is reminiscent of the incompatible blundering cops in the original "The Last House on the Left" (1972).

I liked the 1946 setting with the old cars plus the fact that this basically happened in real life and inspires you to research the true story, just don't expect anything close to the greatness of "Bonnie and Clyde" (1967). Have mercy, the budget was $400,000.

The film runs 1 hour, 30 minutes, and was shot in Texarkana on the Texas/Arkansas border, plus The Jack Williams Ranch in Garland City, Arkansas, with the train sequence done in Scott, Arkansas.

GRADE: B-/C+

Proving that it's the totality of a person's work that should rightfully categorize whether someone has a talent for directing, The Town That Dreaded Sundown proves that there is more to Charles B. Pierce than his more well known albatross Beast of Boggy Creek II and to a lesser extent The Norseman. Centered in Texarkana, Texas in 1946 a series of assaults and murders by a man wearing a sack over his face turns the friendly town into a community that quickly becomes scared of it's own shadow. Ben Johnson as Captain J.D. Morales is called in to assist Texarkana Deputy Norman Ramsey in one of Andrew Prine's finest performances ever. Charles B. Pierce supplies the movie's comic relief as lead-footed hothead A.C. "Sparkplug" Benson that provides genuine bright spots in an otherwise dark movie. What makes this such an interesting story is that the case remains unsolved to this day as apposed to all the connect the dots maniacal killer movies that flood the market. There is no happy ending and sometimes the bad guy does win, just like in real life. A very underrated movie that isn't too long and yet pulls you as the storyline progresses. How many films do you know that have an attempted murder of Mary Ann from Gilligan's Island fame? Just one my man, just one. Well done Charles, I knew you had it inya!