Le Bal de l'horreur

All of these characters look too old to be in high school, and it is a bit distracting. Jamie Lee Curtis looks too old for the part, even though she's just 21. She is rather ho-hum in Act I, but comes alive in Act III and especially the finale.

There's an effective, if rather by the book, setup to the movie, and that really is its saving grace, aside from a good score and willing cast. A little suspense, a decent mystery, and it is an alright slasher flick. Nothing overly special, but it is rather decent. I watch it maybe twice a year.

Decent enough, and if you are a slasher fan, it is a must own.

Semi-classic

In truth, this is standard fair for a slasher. Only slightly above the level of many other slasher outings at the time. The killer only gets active during the last half hour of the movie, his identity easily guessed in the end (naturally revolving around a trauma from his past). The red herring is also very obvious. Lots of disco-dancing too in this one. At the time, I imagine it became mildly notorious because of one decapitation scene and gained a little recognition because of scream queen Jamie Lee Curtis starring in it. If you're a slasher fan, this is one you ought to see, even if it's not the most exciting watch you'll ever have.

One of the Halloween follow-ups that would give Jamie Lee Curtis the title of "scream queen".

Children accidentally cause the death of a little girl, now years later they are in high school and getting ready for the prom. However, it seems someone else is planning on getting some murderous revenge on prom night.

Prom Night is a formula slasher film, with plenty of the slasher trappings, but there are some elements that raise this film above some of the others of it kind. The director gives this movie a truly dark and eerie atmosphere, with the help of Paul Zaza's spooky music score. The plot remains engaging throughout and the creep-factor is kept high. One difference from the slasher "norms" is the fact that we ultimately have sympathy and even sorrow for the film's killer.

While Prom Night is hardly a flawless movie, in fact there are a few scenes where the lighting is way too low and the disco prom dates the film, it does hold it's own. The cast gives good performances, especially Curtis, Eddie Benton, and the late Casey Stevens. There's also a few good rock numbers like "Prom Night" and the mellow "Fade to Black".

Worth a look for slasher fans.

*** out of ****

This 80s slasher film is a bit of a snooze. The storyline is interesting but too much time is spent on the high school drama. The slasher kills are obviously low budget, but they mostly work.

Six years ago four kids make a pack to keep a secret, which involved the mysterious death of child Robin Hammond. They thought that were the only ones who knew what had happened, but some else witnessed it to. Now that person strings them along, to eventually plan their revenge during Prom night.

A real thank-you to the commercial success of "Halloween (1977)" and "Friday the 13th (1980), which saw the influx of slasher films and "Prom Night" was one of the first to step up. Too bad that we have here is an unspectacular so-so, if slick looking slasher effort that got caught labouring along with very little happening and providing us with corny school melodramatics. When it came to the crunch, most of the Prom Night sequences was about getting the groove on and listening to funky dory disco soundtrack. Oh it just makes you want to bogey; well it didn't stop Jamie Lee Curtis from strutting her stuff. However when it came to the good stuff, I thought the novel deaths were soundly executed, and there's a certain unpleasantness about them. When the black hooded killer (who's quite fast on their feet and would make for a good shaker too) is tormenting and stalking the victims (from be it to the phone calls or hanging about in the shadowy corridors) there's an ominous air to proceedings, which director Paul Lynch pulls off rather well. It's just too bad that most of the time is used setting this all up with ineffective red herrings and below par, drawn out script. Too many loose ends creep in, even though the premise is quite slight and you can find yourself laughing at its unintentional goofiness and picking up on it predictability.

Robert New's stunningly vivid camera movements are atmospherically airy and Paul Zaza and Carl Zittrer's sorrowfully twisted musical score gets it cues right. The performances from the cast are acceptable with a likable Jamie Lee Curtis (earning her scream queen tag at the time) proves herself as an upcoming talent. Weak character, but well judged performance. Leslie Nielsen looks awkwardly distracted, and seems to duck off in a phone-in performance and George Touliatos gives the film some solidarity. Anne-Marie Martin is a delight as the scheming sexpot Wendy, David Mucci is perfect as the boorish brute Lou and Casey Stevens is modest as Curtis' prom date Nick.

This post-Halloween slasher is familiar and slowly plotted, but its competent technical handling helps.