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IMDbPro

Ode to Billy Joe

  • 1976
  • PG
  • 1h 46min
NOTE IMDb
6,6/10
2,3 k
MA NOTE
Ode to Billy Joe (1976)
Regarder Trailer
Lire trailer2:23
1 Video
50 photos
Drama

Ajouter une intrigue dans votre langueIn 1950s Mississippi, teenager Bobbie Lee Hartley navigates her blossoming hormones as she is courted by Billy Joe McAllister, who is headed for tragedy.In 1950s Mississippi, teenager Bobbie Lee Hartley navigates her blossoming hormones as she is courted by Billy Joe McAllister, who is headed for tragedy.In 1950s Mississippi, teenager Bobbie Lee Hartley navigates her blossoming hormones as she is courted by Billy Joe McAllister, who is headed for tragedy.

  • Réalisation
    • Max Baer Jr.
  • Scénario
    • Bobbie Gentry
    • Herman Raucher
  • Casting principal
    • Robby Benson
    • Glynnis O'Connor
    • Joan Hotchkis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    2,3 k
    MA NOTE
    • Réalisation
      • Max Baer Jr.
    • Scénario
      • Bobbie Gentry
      • Herman Raucher
    • Casting principal
      • Robby Benson
      • Glynnis O'Connor
      • Joan Hotchkis
    • 50avis d'utilisateurs
    • 13avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Trailer
    Trailer 2:23
    Trailer

    Photos50

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    + 44
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    Rôles principaux25

    Modifier
    Robby Benson
    Robby Benson
    • Billy Joe McAllister
    Glynnis O'Connor
    Glynnis O'Connor
    • Bobbie Lee Hartley
    Joan Hotchkis
    Joan Hotchkis
    • Anna 'Mama' Hartley
    Sandy McPeak
    Sandy McPeak
    • Glenn 'Papa' Hartley
    James Best
    James Best
    • Dewey Barksdale
    Terence Goodman
    Terence Goodman
    • James Hartley
    Becky Bowen
    • Becky Thompson
    Simpson Hemphill
    • Brother Taylor
    Ed Shelnut
    • Coleman Stroud
    Eddie Talr
    • Tom Hargitay
    William Hallberg
    • Dan McAllister
    Frannye Capelle
    • Belinda Wiggs
    Rebecca Jernigan
    • Mrs. Thompson
    Ann Martin
    • Mrs. Hunicutt
    Will Long
    • Trooper Bosh
    John Roper
    John Roper
    • Trooper Ned
    Pat Purcell
    • Alabama Boy #1
    Jim Westerfield
    • Alabama Boy #2
    • Réalisation
      • Max Baer Jr.
    • Scénario
      • Bobbie Gentry
      • Herman Raucher
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs50

    6,62.3K
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    10

    Avis à la une

    codyfantabulon

    That's What I Love/Hate About the South

    If this film had been directed by Truffaut or Bergman it would have swept Cannes. The fact that many viewers find it almost impossible to understand is testimony to the film's authenticity. As a life-long Southerner I feel compelled to state that anyone from the South over the age of 35 either knows or is one of these characters. The time period represented is one which lives in the memories of those alive today. Mississippi is particularly well drawn. I lived in Mississippi for four years and this film captures that distinct Mississippi flavor of charm,vindictiveness,religious observance,and sin. The bridge scene is what Southern pride and "redneck" are all about. Daddy just WON'T back up. One of the main themes of Southern art is the fact that many of the characters are so far from introspection and so close to instinctive, impulsive, animalistic behavior. When someone is "different" tragedy and/or myth tends to happen. Tennessee Williams mined that vein. Like the characters in this film, his people often dimly understood that they needed to either leave home or accept self-revelation in the confines of their environment. Most couldn't do either. The result is usually some sort of denial,death, or sacrifice. Great films/novels/short stories about the South have a sense of yearning and fatalism which I find very honest and moving. If you are into Russian literature, you are probably into Southern literature too! My thanks to Max for this beautiful film.
    8kevjfarrell

    Remembered with affection

    I recall seeing this movie when it first came out - I was surprised at how empty the theater was. This is a movie based upon the beautifully charismatic song by Bobby Gentry from the 60's.

    I thought the storyline was very engaging and realistic. It touches on a subject which may put some people off, but it is done in a mature way and isn't shown on-screen. A slice of life from the rural deep south. Easy on the eye and easy on the ear. I remember the acting performances being very good. For those of us who haven't experienced this type of upbringing, it was a good insight.

    The song itself, is one of the great songs of 60's. For me the movie worked well. I could feel the long hot summers and the simplistic lifestyle and also showed you some of the darker side of life which was kept very quiet. It's a pity it never comes round on TV - it obviously wasn't a hit at the box office, but don't let that cloud your judgment. I think it's worth seeing. If you like Fried Green Tomatoes and The Trip To Bountiful, there's no reason to believe that you won't enjoy this.
    paclar

    Confused version

    If this is truly supposed to be an adaptation of the Bobbie Gentry song, it makes utterly NO sense. I'm gay, so I'm usually sensitized toward picking gay references out of pop culture, but to make Billy Joe in the film struggle with his sexuality is fairly ridiculous.

    If you read the lyrics to Bobbie Gentry's song, it seems pretty darn obvious that what the narrator and Billie Joe are throwing off the Tallahatchee Bridge is their out-of-wedlock baby.

    Just Google search the lyrics, listen to the song, and see if that interpretation doesn't make much more sense than how the movie presents the story.
    8danielrdrown

    Historic Film

    While this good film is no masterpiece, it certainly has earned its place in Hollywood lore. First of all, the screenplay was co-written by Bobbie Gentry. She hand picked Herman Rauncher( Summer of Forty Two) and spent weeks helping him with the screenplay Belinda( the stripper in the film) is a song from Bobbie's masterpiece album, PatchWork. Benjamin( the imaginary childhood friend) started out life as a Bobbie Gentry song too. Her vision is all over this film. Her grandparents farm in Mississippi even served as the back-drop for the story.Billie Joe is the first gay character portrayal in film history without a hint of stereotying. He is full of real depth and humanity. On a production budget of 1 million dollars, this film had a box office run of 50 million. Business savy Bobbie Gentry still owns 10% of it in her deal with Warner Brothers. Because of its success,Coal Miners Daughter would receive a huge production budget in 1979.
    bbuudd403

    loved it

    I remember seeing 'Ode to Billy Joe' when I was about twelve, and just starting to deal with the fact that I was gay. Growing up in rural Wisconsin I could relate very well to the negative attitudes towards gays, and find it very believable that a young gay person in that situation would consider killing themself. I also find it very believable that a young gay person would date a person of the opposite sex, just think about how many gay people do get married. Even though Billy Joe is a tragic figure I found the movie to be comforting, I think I took comfort in the fact that at least someone was talking about homosexuality, being Catholic my family never spoke about sex much less homosexuality and I think that is the way it was in most families in the seventies. Over the years I have thought of that movie often and I think at times it helped me keep my sanity, I would love to see it again!

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The release weekend for this movie coincided with the date from the first line of the song that inspired it: "It was the 3rd of June, another sleepy, dusty Delta day"
    • Gaffes
      As Papa Hartley and the three boys are battling it out in their trucks on the bridge the camera moves from inside the Hartley truck looking out to outside looking in. As they do this you see from the inside that the windshield in front of the driver is badly cracked but as they move to the outside angle it is not cracked at all.
    • Citations

      Bobbie Lee Hartley: It's gonna be all right. We've just been waiting so long and trying so hard. Oh, it's all right Billy Joe.

      Billy Joe McAllister: It ain't all right! I ain't all right!

      [long pause as Billy Joe walks a few steps away from Bobbie Lee]

      Billy Joe McAllister: Bobbie... I have been with a man! Did you hear me? Which is a sin against nature! A sin against God! I don't know how I could have done it, I swear! I don't know how I could be wanting you and do that.

      Bobbie Lee Hartley: But you were drunk. Maybe you just imagined it.

      Billy Joe McAllister: I didn't imagine nothing!

      Bobbie Lee Hartley: But you were drunk. Everyone saw how drunk you were.

      Billy Joe McAllister: I... I knew. I knew what was happening.

      Bobbie Lee Hartley: Who was it?

      Billy Joe McAllister: I ain't gonna say.

      Bobbie Lee Hartley: Why? I wish I could understand.

      Billy Joe McAllister: I wish I could.

    • Versions alternatives
      The opening Saul Bass variant of the Warner Bros. Pictures logo is replaced by the 1990 variant in the VHS and 1992 variant in the WAC DVD.
    • Connexions
      Referenced in The Carol Burnett Show: Dinah Shore - Went with the Wind (1976)
    • Bandes originales
      Ode to Billie Joe
      Written and Performed by Bobbie Gentry

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    FAQ16

    • How long is Ode to Billy Joe?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 juin 1976 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Sublime amor juvenil
    • Lieux de tournage
      • Tallahatchie County, Mississippi, États-Unis
    • Société de production
      • Warner Bros.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 46 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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