NOTE IMDb
6,6/10
4,3 k
MA NOTE
Ajouter une intrigue dans votre langueAn inexperienced yet naturally gifted ice skater makes a spectacular debut in the skating world before encountering an event that could possibly derail her hopes and dreams.An inexperienced yet naturally gifted ice skater makes a spectacular debut in the skating world before encountering an event that could possibly derail her hopes and dreams.An inexperienced yet naturally gifted ice skater makes a spectacular debut in the skating world before encountering an event that could possibly derail her hopes and dreams.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 victoire et 6 nominations au total
Jean-Claude Bleuze
- French Coach
- (as Jean Claude Bleuze)
Jackie Berglund
- Bridesmaid
- (non crédité)
Rex Davis
- Skater Coach
- (non crédité)
Avis à la une
I know it is kind of sappy and hackneyed, but Ice Castles is one of my favorite films of all time. I try to watch it at least once a month, and it still makes me cry. Honestly, Ice Castles might have changed my life, as it inspired me to skate. I wanted to be a part of that beautiful, graceful world. Lynn Holly Johnson skated so wonderfully in this movie. I tried for years to duplicate her arms on that Camel Spin she does in the Fifth of Beethoven program. Oh! and that theme song "Through the Eyes of Love" is great too. It inspired me to play the piano also! I guess I still consider this one of my "guilty pleasures" as I do not widely admit that I am such a fan of this obscure 70s movie.
Too often, Ice Castles gets passed off as a "chick flick" or a "popcorn movie", not worthy of serious cinema buffs. I'm glad to see that there are others out there who disagree with that, but it seems we're still in the minority.
I first saw this film at the age of seven, without any prior knowledge of what it was about, or its themes. And this, I'm convinced, is the way it should be-the hour of buildup prior to the infamous "accident" scene shouldn't seem like a buildup to a plot point, but as a natural progression of events. But because the marketing campaign of the film gave away this plot point in the trailers, people went in waiting for the accident to happen, not seeing or hearing or feeling what was going on on the screen.
It's a shame that Lynn-Holly Johnson didn't have much of a career after this film, other than the one James Bond movie and the also-underrated The Watcher in the Woods, because she makes a strong impression here with a difficult part. But even so, she is overshadowed by the truly incredible supporting performances, especially Colleen Dewhurst and Tom Skerritt. Dewhurst manages to disappear from the movie for a half-hour, and then when she resurfaces, she gets the most emotionally shattering scene in the picture, and runs with it. Skerritt plays a conflicted, troubled man who wants his daughter to be happy, but at the same time is haunted by the memory of her mother. (When you know his other movies, you know what a terrific range he has!)
A lot of attention has been drawn, especially from people looking for a "family" viewing experience, to the large amount of swearing the characters do. But it makes sense when you accept that these are blue collar, farm community folks, so it almost would seem unnatural for them *not* to swear. I, personally, found it much more problematic that Johnson's character-who is sixteen at the start of the film-seems to have an unspoken romantic relationship with an older man, the TV reporter. This aspect of the story is so underplayed that one might not notice it on a first viewing, but it troubles me to look at it now, and in a way it spoils an otherwise stellar film.
The ending that just about every review mentions is marvelous, not only in the performances, but in the unspoken talents involved too-the camerawork and editing. It has just the perfect amount of silence and pauses to milk the material for all it's worth. The editing, which in most cases is an invisible task when watching a final cut, is superlative throughout the film, but you only notice it when you start to pick it apart, as I have. In many places, if shots had gone on for two frames more or less than they do, the effect would be gone. The music is also wonderful, and the editing moves to it perfectly. (The remake, made by the same director, was an interesting exercise because it wasn't half as impactful because they were trying for a faster pace-just goes to show you how important editing is in the filmmaking process).
I first saw this film at the age of seven, without any prior knowledge of what it was about, or its themes. And this, I'm convinced, is the way it should be-the hour of buildup prior to the infamous "accident" scene shouldn't seem like a buildup to a plot point, but as a natural progression of events. But because the marketing campaign of the film gave away this plot point in the trailers, people went in waiting for the accident to happen, not seeing or hearing or feeling what was going on on the screen.
It's a shame that Lynn-Holly Johnson didn't have much of a career after this film, other than the one James Bond movie and the also-underrated The Watcher in the Woods, because she makes a strong impression here with a difficult part. But even so, she is overshadowed by the truly incredible supporting performances, especially Colleen Dewhurst and Tom Skerritt. Dewhurst manages to disappear from the movie for a half-hour, and then when she resurfaces, she gets the most emotionally shattering scene in the picture, and runs with it. Skerritt plays a conflicted, troubled man who wants his daughter to be happy, but at the same time is haunted by the memory of her mother. (When you know his other movies, you know what a terrific range he has!)
A lot of attention has been drawn, especially from people looking for a "family" viewing experience, to the large amount of swearing the characters do. But it makes sense when you accept that these are blue collar, farm community folks, so it almost would seem unnatural for them *not* to swear. I, personally, found it much more problematic that Johnson's character-who is sixteen at the start of the film-seems to have an unspoken romantic relationship with an older man, the TV reporter. This aspect of the story is so underplayed that one might not notice it on a first viewing, but it troubles me to look at it now, and in a way it spoils an otherwise stellar film.
The ending that just about every review mentions is marvelous, not only in the performances, but in the unspoken talents involved too-the camerawork and editing. It has just the perfect amount of silence and pauses to milk the material for all it's worth. The editing, which in most cases is an invisible task when watching a final cut, is superlative throughout the film, but you only notice it when you start to pick it apart, as I have. In many places, if shots had gone on for two frames more or less than they do, the effect would be gone. The music is also wonderful, and the editing moves to it perfectly. (The remake, made by the same director, was an interesting exercise because it wasn't half as impactful because they were trying for a faster pace-just goes to show you how important editing is in the filmmaking process).
I loved this movie when it came out and I still love it all these years later-flaws and all.
First of all, the book was so great in it's depiction of competetive skating and the machinations that sometimes go on behind the scenes. That said, the movie was actually a pretty good adaptation.
But, probably the main reason I loved this movie was because I was there when they filmed many of the Broadmoor World Arena scenes. It was my home rink, and it's a blast to see old coaches, old skating friends. And to see the World Arena, which sadly was torn down a few years back. A sad day...
I remember that practice times were a mess because of the shooting schedule-some of us had our practice time in between scenes-lights and all! I remember watching the scene where the "French" skater falls in the middle of a show-and watching the skater playing that part throwing herself onto the ice, over and over again. Ouch! I remember Lynn-Holly seeming a bit nervous; Robby Benson as a bit shy, but very nice (and patient-when introduced, I couldn't remember my name!); David Huffman was very cute and Jennifer Warren was friendly, charming, modest and gorgeous! She didn't know how to skate very well and came out with some of us to learn! She became something of a rink rat while there!
Having been there for some of that, it changes one's perspective a bit, but still, I feel myself drawn into the story-and I cry at the end just like everyone else.
First of all, the book was so great in it's depiction of competetive skating and the machinations that sometimes go on behind the scenes. That said, the movie was actually a pretty good adaptation.
But, probably the main reason I loved this movie was because I was there when they filmed many of the Broadmoor World Arena scenes. It was my home rink, and it's a blast to see old coaches, old skating friends. And to see the World Arena, which sadly was torn down a few years back. A sad day...
I remember that practice times were a mess because of the shooting schedule-some of us had our practice time in between scenes-lights and all! I remember watching the scene where the "French" skater falls in the middle of a show-and watching the skater playing that part throwing herself onto the ice, over and over again. Ouch! I remember Lynn-Holly seeming a bit nervous; Robby Benson as a bit shy, but very nice (and patient-when introduced, I couldn't remember my name!); David Huffman was very cute and Jennifer Warren was friendly, charming, modest and gorgeous! She didn't know how to skate very well and came out with some of us to learn! She became something of a rink rat while there!
Having been there for some of that, it changes one's perspective a bit, but still, I feel myself drawn into the story-and I cry at the end just like everyone else.
Favorite to this day,remember my dad working on this film.
Great story,cast,cinematography & music.
All ages will enjoy it,really a must see!
Great story,cast,cinematography & music.
All ages will enjoy it,really a must see!
I am not going to lie, this film is utterly depressing. The dreary atmosphere and the sad love story come together and make our tears flow. Simple story concerning a young girl who vows to become a professional ice skater, the boy she loves, and the tragedy that follows. Good performances from Skerritt and Dewhurst as usual, average from Benson and the rest of the cast. The finale is a real tearjerker, featuring the wonderful Melissa Manchester song. Though the film is somewhat predictable and extremely corny, it is still a good little film made with good intentions. 7/10
Le saviez-vous
- AnecdotesLynn-Holly Johnson was cast after she was brought to the attention of the filmmakers by "Ice Capades" executive Michael Kirbay and ice-skating coach John Nicks. Johnson, who was on tour with the Ice Capades show, flew to Minnesota for a script reading and to perform some ice-skating. Johnson then flew back to the show, and then, a week later, flew to Toronto, Canada for a screen-test. Johnson landed the role and signed on not long after this.
- GaffesLexie competes in the sectionals, not wanting the judges or audience to know that she has lost most of her sight. However, there is no way she could credibly compete in the compulsory figures section of the competition, that portion which is a highly visual exercise of needing to be able to see the carvings in the ice.
- Citations
Nick Peterson: We forgot about the flowers.
- Crédits fousThe opening credits appear to be in black-and-white, but if you look carefully, you can see the pink face and yellow hair of Lynn-Holly Johnson as she is skating.
- Bandes originalesThrough the Eyes of Love
(Theme from Château de rêves (1978))
Music by Marvin Hamlisch
Lyrics by Carole Bayer Sager
Sung by Melissa Manchester
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- How long is Ice Castles?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Castillos de hielo
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 20 710 000 $US
- Durée1 heure 48 minutes
- Mixage
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