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Pupi Avati's 'The House With Laughing Windows' follows the character of Stefano, a painter who travels to a remote Italian village on a job to restore an unfinished painting depicting the persecution of St. Sebastian (who was a real Saint, by the way, only he was actually killed by arrows being shot into him, not by being stabbed with knives like the painting in the movie portrays). Upon arriving in the village, Stefano discovers that there is a lot more behind the mystery of the painting than he originally thought, and that someone will stop at nothing to make sure that Stefano does not complete the painting, further revealing the true mystery behind the town's bizarre secrets.

The movie opens with graphic, sepia toned imagery of a man being tortured in the exact same way as St. Sebastian is depicted in the painting. The genuinely creepy piano music that plays during the opening just further sets the unsettling mood for the mystery that lies ahead. The opening credits lead one to believe that the film is an all out blood bath, however, this is not the case. In fact, the most violently unsettling part of the film is the opening, that's not to say that the rest of the film doesn't contain violence, it just doesn't exist on the same level or extreme as the opening.

The rest of the film is a rather competent mystery done in true giallo fashion, and will keep you wondering what's going to happen next until the climactic finale. There are a few story elements in this movie that were either unexplained or not elaborated on, but I don't know if going as far as to call these incidents 'plot holes' would be completely correct. For instance, there is a girl Stefano is seeing at the beginning who just leaves town (disappears?) without a word. This had me thinking the whole movie that she was murdered and that her body would turn up at some point, when in fact you find out later in the film that she just simply left town, and was replaced by Stefano's next love interest, Francesca.

The movie is pretty tame in comparison to many giallo flicks like 'Tenebrae' or 'The New York Ripper', but the twists and turns should interest most fans of this sub-genre. Also, unlike most giallos, the film contains only a brief bit of nudity, but there is a scene where a woman is being forcefully molested that seems more exploitative than most scenes depicting nudity.

All in all I must say I was surprised at the quality of movie I saw. Not only was it a surprise that I haven't heard of this movie sooner, but it was also amongst some of the better plot driven giallo films I have personally seen. This movie was well paced, consisted of great camera-work and scenery, had great acting (to a non-speaker of Italian, anyway), and had a truly creepy and original plot. I recommend this film to anyone that is really into the Italian giallo sub-genre, as it may not hold the interest of the casual horror movie fan.

This is a great film. A slow-moving, ultimately very scary experience. It is the 1950s and our protagonist has come to an isolated Italian village to refurbish a fresco of St. Sebastian, painted with a creepy realism by a local artist, dubbed the "painter of agony" due to his fascination with painting the dead and the dying. This is a real backwater of a place, with little to do and little in the way of culture. When a friend of our protagonist's is mysteriously killed, before he could share what he knew about the mystery of the fresco, events are set in motion that ultimately lead to a very shocking climax.

This is a rather slow-moving film, but be patient and you'll be rewarded. It builds to a frightening conclusion and is a pretty nihilistic experience when all is said and done, not too far different from Avati's other masterpiece, _Zeder_ in tone. Now available in an Italian-language DVD with removable English subtitles!

The film is not a categorical giallo as it is often suggested as being, but rather it's more of a entry into the Gothic horror canon, with a incredibly strong sense of mystery that keeps the viewer intrigued even when the pacing becomes sluggish. The film is not exploitative (as most giallo films are) but mature, intelligent, and effective. Indeed, there is no nudity and little violence is present as the picture's primary focus is its complex, labyrinthine mystery that truly surprises the viewer with its unexpected turns of the plot. The film is also heavy on atmosphere, artfully directed by the award-winning Pupi Avati (of "The Story of Boys and Girls" and "Incantato" fame), which really intensifies the mystery, making it not only it spellbinding by also horrific and terrifying at times(especially near the end). The debits I perceive is that the narrative is a tad drawn out and some of the characters aren't as developed as one would hope, but the mystery is so good that it's easily to look past all these minor quibbles. Highly recommended to those who liked slow-burning Gothic mysteries such as "Don't look Now".

"The House With Laughing Windows" is a very European film. Unlike the gialli of, say, Argento, this film is not 'Americanized' at all. It reminds me more of films like "Don't Torture a Duckling" in that it takes place out in a small town in the Italian countryside. It adds to the ambiance and I really like that.

The plot is very slow-moving. I'm not even sure if I'd call this film a giallo, but reading other reviews on here, it seems that it is in fact classified as such. It was hard for me to watch this for the first hour or so. I was wondering when it was going to pick up. Not many people get killed. But, I stuck with it and I recommend doing so. If you can stick with it, the ending is freakin' awesome. I was shocked by it; it really delivers. And it gets nice and bloody too. I had no idea who the killer was, and by the time I found out, my head was spinning from the progression of the final few scenes. It ends abruptly and it feels great. It more than made up for the sluggishness of the first 2/3 of the film. It's not unlike many of the newer Asian films in that regard: it moves very slow but the last few minutes are like a twisting train wreck.

In short, I recommend this film to those of you who have patience and enjoy Italian horror.

8 out of 10, kids.

Right from the opening credits we know that we are in for something a bit different. An ensnared man is repeatedly stabbed by unknown assailants. The scene is shot in a series of close-ups in a fuzzy monochrome. Simultaneously, a male voice narrates weird musings about his 'colours' and how they run through his veins. It's a standout opening that promises something a bit odd.

Directly after this, we are introduced to the central character, Stefano an art restorer, who is travelling by boat to a remote south Italian community. He is met at the quayside by the mayor Solmi, a midget who resembles a squashed John Saxon. The inhabitants of this community seem to be a bit strange. Stefano is taken to the local chapel where he is shown a recently discovered fresco that he has been tasked with restoring. It's a disturbingly graphic depiction of the sacrifice of St. Sebastian, painted 40 or so years earlier by the mysterious local painter Legnani, known as the 'painter of agony' such was his predilection for capturing images of death. Stefano subsequently receives a number of anonymous threatening phone calls suggesting that he should abandon his work and leave. His friend, the local doctor, takes him aside and warns him that he has discovered something ominous about the community, centring on a 'house with laughing windows' but before he is able to elaborate further he is interrupted. His friend is murdered shortly afterwards in mysterious circumstances. Stefano is eventually driven away from the local hotel and winds up staying in a remote house with a retarded odd job boy from the chapel and a bed-ridden old woman. He also finds an old tape-recording that contains the very sinister narration from the opening credits. I won't spoil the fun by revealing more.

The title and release date of this movie suggests that it will be a typical giallo. But this simply is not the case. Despite adopting some of the conventions of the genre – the mystery maniac and tragic back-story – this is not a body-count movie and there is no black-gloved assassin. The horror is more subtle but, crucially, a lot more frightening than the average giallo. This really is a scary movie. It fuses the aforementioned giallo elements with the weird rural community horror seen in films like The Wicker Man. Although the inhabitants are less weird here, the setting does have a similarly unsettling feel. It's the menacing atmosphere of the film that really sets it apart from most. It's the little details that make the difference, for example, the haunting tape-recording is particularly well used.

The photography is fine and really maximises the locations, which themselves are very well selected, the interior of the mysterious house where Stefano lodges is very effectively used. The music is particularly good, especially the brooding piano piece that accompanies the suspense scenes. The acting, too, is a notch above the average Italian horror. And the gore is kept to a minimum but, as a result, when it does show up it has a stronger effect. I would go so far as to say that this relatively unheralded film is one of the best Italian horror movies. It's an essential DVD for any Euro horror collection.