Le Continent oublié

I remembered horrible performances, cheap sets, and a contrived storyline. It's amazing I bothered with this one again, but I'm glad I did. While this is no masterpiece, it is actually much better than I remembered. Continuing forward from the original installment, "The Land That Time Forgot," picks up the Bowen Tyler (Doug McClure) character after having been left behind by the crew of his original mission, and discovers what has happened in his life since his isolation began.

While this IS horribly dated, Patrick Wayne is actually quite good. You may remember Patrick Wayne from Sinbad and the Eye of the Tiger. He is also John Wayne's son, who was offered the role as Superman in the original movie, but turned it down due to his father's accelerating cancer.

The sets were not as bad as I thought I remembered, either, but the dialog delivery is still pretty false and unnatural.

All in all? As a "B" flick, this isn't bad for a rainy day diversion. It's still not a masterpiece and is RIPE for a remake, but there is some entertainment to be derived from this work.

It rates a 4.7/10 from...

the Fiend :.

The Land That Time Forgot was a surprisingly decent entry into the lost world of cavemen / dinosaurs adventure genre of the 70s, but this paint- by-numbers follow-up is nothing special. Block of wood celebrity offspring Patrick Wayne leads a band of rescuers in search of first movie survivor Doug McClure. The resulting chases, fights, narrow escapes etc. are the usual stuff of adventure movies, but the stunt choreography comes off as ordinary and uninspired. Oh-so-British Sarah Douglas is along as one of Wayne's crew but she has little to do here other than stand around looking uncomfortable. And the Lost Land itself, an important and colorful presence in the first film, is less imaginatively conceived this time around. Not a bad time waster when you have nothing better to do for a couple of hours, but try not to expect too much in the way of visionary fantasy. It isn't here.

At the beginning of the film are reunited captain Lawton (Tony Britton) piloting his icebreaker , along with McBride (Patrick Wayne), Lady Cunningham (Sarah Douglas) and Norfork (Thorley Walters) , everybody undertakes an expedition to Antartic in search for Tyler (Doug McClure) who has been missing in that region for various years. The trio (Patrick Wayne , Sara Douglas, Thorley Walters) along with a plane pilot descend over a barren land and meet a primitive women (a gorgeous Dana Gillespie with amazing cleavage showing her boobs). They have to confront numerous risks , dangers, endure torrential landslide , volcano eruption , cavemen warriors, samurais , prehistoric animals and discover a lost tribe .

This enjoyable adaptation results to be a special version of the Edgar Rice Burroughs adventure yarn . There's rip-roaring action, spirit of adventure, derring-do , thrills, and turns out to be quite amusing. It's a brief fun with average special effects , passable set decoration , matte painting , functional art direction and non use of computer generator. This fantasy picture packs thrills, action, weird monsters, lively pace and fancy scenarios. The monsters are the real stars of this production and its chief attribute. The tale is silly and laughable but the effects and action are acceptable . Among the most spectacular of its visuals there are a deeply shrouded cavern full of skulls roaring menacingly towards the camera, a little tableau comprising attack of a giant monster in a cave, and the futuristic backgrounds of the nasty headquarter .Highlights of the adventure includes a roller-coaster trip, appearance of prehistoric reptile such as Pterodactilus, Stegosaurius, Tiranosaurious and some horsemen dressed Samurai-alike riding out from mountain throughout horizon . In addition, the final scenes where appears a grotesque executioner played by David Prowse (Darth Vader), a dwarf and usual villain chief and several others. Some illogical parts in the plot are more than compensated for the excitement provided by Roger Dicken's monsters, though sometimes are a little bit cheesy and primitively made . Filmed in glimmer cinematography by cameraman Alan Hume on location in Santa Cruz De La Palma (Canary Islands) and Pinewood studios , England. Adequate and thrilling musical score by John Scott. This is the fourth collaboration between producers John Dark, Max Rosemberg and director Kevin Connor who also made in similar style : ¨ Land that time forgot¨, ¨All the Earth's core (76)¨, ¨Warlord of Atlantis (1978)¨, mostly starred by Doug McClure and with Roger Dicken as the monster-maker. The film will appeal to kids who swallow it whole and sit convulsed in their armchair.

The People That Time Forgot is directed by Kevin Connor and adapted to screenplay by Patrick Tilley from the novel of the same name written by Edgar Rice Burroughs. it stars Patrick Wayne, Sarah Douglas, Dana Gillespie, Thorley Walters, Shane Rimmer and Doug McClure. Music is scored by John Scott and cinematography by Alan Hume.

A sequel to The Land That Time Forgot, plot finds Wayne as Major Ben McBride who arranges a mission to go and search for his missing friend Bowen Tyler (McClure). As the party go beyond the Antartic wastes they find themselves in a world populated by prehistoric creatures and primitive tribes.

There are a group of film fans of a certain age that were exposed wilfully to the joys of Kevin Connor and Doug McClure Creature Features, the four pictures made with low budgets (see also The Land That Time Forgot 1975, At the Earth's Core 1976 & Warlords of Atlantis 1978) were simply put together with a standard structure of humans discovering an unknown land, who then encounter beasties and savage races and then try to escape said world of wonder. Back then in the 70s with youthful eyes these films were magnificent things, we didn't care about clunky animatronics and miniatures, staid dialogue and poorly constructed scenes of men grappling with a man in rubber make up. Nor did us boys pay any attention to the considerable heaving bosom factor, which is here supplied with a different kind of wonder by Dana Gillespie! But they are a group of films that once loved, is a love that lasts forever, yes, it's true love.

As it is, The People That Time Forgot is often thought of as the weakest of the four, yet it's every inch the equal of "Land", primarily because the cast attack the material with great spirit (Douglas is rather splendid and not just a posh girl with a pretty face), the film stock it's shot on is of better quality and John Scott's score is bursting with vitality. There's also a ripper of a finale here, with the pyrotechnics department creating merry hell. Explosives aplenty. While the Santa Cruz de la Palma location used for the world of Caprona is perfectly bereft of civilised leanings. As with the other's in the series, the ideas at the heart aren't fully realised because of the budget restrictions, so we basically get some talk between characters, then a fight with a beast, some more talk, another fight with a beast, a meeting with a uncivilised tribe, a fight with a beast, and on it goes until the derring-do escape. There will be peril and actually this one has a very noteworthy turn of events that might surprise a few of the uninitiated.

1977 of course was the year of Star Wars and Close Encounters of the Third Kind, which changed things considerably in the creature feature/sci-fi fantasy stakes. Thus the Connor/McClure movies were relegated to being antique relics of monster malarkey cinema. Yet still they retain a quaint uniqueness, they are able to continually imbue many of us with waves of nostalgia, taking us back to a time when the likes of Connor made fantasy films with love and basic tools. The Land That Time Forgot was badly adapted to film in 2009 (C. Thomas Howell directing and starring), which begs the question on why Burroughs' Caspak trilogy has not been taken on by a big studio? As yet the third part of the trilogy, Out of Time's Abyss, has not received a filmic adaptation, can you imagine what someone like Spileberg could do with Burroughs' wonderful source ideas?

Ah well, we can but dream, in the meantime we will happily make do with our cheesy antiquities. 7/10

I first saw THE PEOPLE THAT TIME FORGOT in the early 1980s and as a sequel to the fondly remembered THE LAND THAT TIME FORGOT I was very disappointed in it . Having seen it again over 20 years later I do realise that it's a very flawed movie/sequel but it's not without some value

Many of the problems are to do with the slow first half . We the audience know that the travellers are going to be meeting giant rubber dinosaurs but these rubber puppets aren't used to their real potential and the only sequence I can recall from over 20 years ago was when the pterodactyl smashed into the plane . What probably makes the sequence stick out in my memory is that this is one of the few times that a dinosaur does anything really bad in the movie but I guess that's because this isn't really a monster movie at all

The movie is far more similar to a half forgotten Hammer adventure film called THE LAST CONTINENT rather than a sequel to THE LAND THAT TIME FORGOT , it's an adventure story featuring a lost kingdom and you can't help thinking that perhaps the story was once intended to be an original screenplay since Doug McClure's character seems to have been resurrected to kick off the plot but he's not given much to do and his role is even more superfluous than that of Charlton Heston in BENEATH THE PLANET OF THE APES a film not a million miles removed from this one

The film does improve in the second half as the expedition comes across a kingdom of pseudo Samuri warriors even if does lead to some plot holes , I can understand the concept of parallel evolution but why would this only apply to one race and not the others . Think about it: One race in this lost land has the culture and technology of 16th century Japan but everyone else seems to be living in the stone age . Credible ? Probably not ( Was it just an excuse to have a busty red head run around not wearing much ? ) but it's not really a credible movie

It is a fairly entertaining one though and better than I remembered from a couple of decades ago . The fact that you don't need to have seen the prequel is both a strength and weakness for THE PEOPLE THAT TIME FORGOT but it stands firmly on its own hind legs for a non discerning audience