Ajouter une intrigue dans votre langueA devil-may-care racing driver is paid by an auto tycoon to be a runner-up, not a winner, but he rebels against the crooked deal and becomes an internationally famous racer.A devil-may-care racing driver is paid by an auto tycoon to be a runner-up, not a winner, but he rebels against the crooked deal and becomes an internationally famous racer.A devil-may-care racing driver is paid by an auto tycoon to be a runner-up, not a winner, but he rebels against the crooked deal and becomes an internationally famous racer.
- Réalisation
- Scénario
- Casting principal
- Ian
- (as David Landar)
- June - Katherine's Friend
- (as Talia Coppola)
- Dancing Girl
- (as Mary Jo Kennedy)
Avis à la une
The story of an American breaking in to the European scene is not too far-fetched. In real life there were Americans in F1 in the 1960's:Phil Hill, Dan Gurney, Ritchie Ginther, Ronnie Bucknum, Bob Bondurant and Masten Gregory. Like the Fabian character,most of these guys came out of California; but were sports car drivers,not NASCAR.
The story is interesting as the main character is very shallow, not likable and destructive. But I am drawn to the people around him.
About the cars. While they refer to the races a Grands Prix, these are not F1 cars but Formula 2 cars. At that time F2 were very similar to F1, the displacement was 1.6 liters (F1 was 3 liters), narrower tires, and no wings. In 1968, F1 cars had high mounted wings in front and back. Good footage of the cars' internal bits, notably the Cosworth FVA 4 cylinder engine. In the 60's, F1 drivers would often race with the up and comers in F2. Stewart drove Ken Tyrrell's Matras, Rindt drove the Winklemann Racing Brabham, Jack Brabham would field a team of Brabham Hondas to name a few. The cars of the protagonist are the Winklemann Racing Brabham BT-18's with the Cosworth motor.
The race footage was from the actual F2 series at the appropriate tracks.
Today's racing is too corporate and sterile to make a decent film...
The racing scenes are ok, but poorly edited with no continuity. One second you're at Brands Hatch, the next you're at Zandvoort, then suddenly it's the Nurburgring. Fabian can''t act, he can just be Fabian.
Now for the dislike. The editing! The Wild Racers makes use of too many quick cuts and the film's flow is generally "jerky" and the scenes cut too quickly into the next; it is not smooth at all, making it hard to follow the story at times. Compared to its contemporaries, Le Mans and Grand Prix-- the editing in those movies was much more tastefully done and served better in conveying a sense of emotion, or action, where it was needed. I never felt that I lost the storyline in those movies.
I agree with the other review that this story written by Max House is excellent. The storyline is great, no doubt-- but the execution simply didn't convey that, in my opinion. I still enjoyed the racing sequences, though. The Wild Racers could, and should, have been up there as one of the great racing movies of all time.
The story is well written, but the most interesting part of the film is it's style - tilted camera angels and quick cuts - there are barely any shots that last more than 20 seconds, and scenes drive into scenes (we can barely set down at the dinner table when we are already back on racing track). The dialogue is minimal, but use of voice over is rather interesting - two characters are having conversation, then there is the change of the shot and conversation has turned into narration. I guess it has to do something the guerrilla style filmmaking as the crew didn't have permission to shoot on location (everything had to be canned on rush) and mixing it all real racing footage that some was colored from black and white.
Despite pseudo art house style the film carries the mood and atmosphere of '60s Grand Prix racing very well. Not stylistically as pure as lets say 'Le Mans' with Steve McQueen 'The Wild Racers' is still interesting film that any fans of the genre and racing should check out when the chance.
Voice of Fabian was dubbed by Dick Miller who also has brief cameo as pit mechanic, blink an eye and you miss him.
P.S. Although the film is about Formula 1, the cars shown in the movie are actually Formula 2 machinery.
Thanks.
Le saviez-vous
- AnecdotesFirst movie of Talia Shire. First movie of Mary Jo Deschanel.
- Citations
Joe Joe Quillico: 'Cause I'm Joe Joe Quillico, king of the hillico. And they call me Joe Joe, 'cause I got the mojo. Ya know what mojo is? Mojo is magic. And that's where it's at with me, Baby. Do you like it when I call you Baby?
- Bandes originalesWild Racers (Main Theme)
Written by Mike Curb & Pierre Vassiliu
Produced by Bob Summers & Mike Curb
Performed by Davie Allan And The Arrows (as The Sidewalk Sounds)
Meilleurs choix
Détails
- Durée
- 1h 23min(83 min)
- Mixage
- Rapport de forme
- 1.85 : 1