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Bloody Mama

  • 1970
  • 18
  • 1h 30min
NOTE IMDb
5,7/10
4,1 k
MA NOTE
Shelley Winters in Bloody Mama (1970)
A psychologically-disturbed matriarch presides over her damaged family of bank-robbing misfits.
Lire trailer1:49
1 Video
93 photos
Comédie noireCrime véritableCriminalitéDrame

Ajouter une intrigue dans votre langueA psychologically disturbed matriarch presides over her damaged family of bank-robbing misfits.A psychologically disturbed matriarch presides over her damaged family of bank-robbing misfits.A psychologically disturbed matriarch presides over her damaged family of bank-robbing misfits.

  • Réalisation
    • Roger Corman
  • Scénario
    • Robert Thom
    • Don Peters
  • Casting principal
    • Shelley Winters
    • Don Stroud
    • Pat Hingle
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    4,1 k
    MA NOTE
    • Réalisation
      • Roger Corman
    • Scénario
      • Robert Thom
      • Don Peters
    • Casting principal
      • Shelley Winters
      • Don Stroud
      • Pat Hingle
    • 63avis d'utilisateurs
    • 59avis des critiques
    • 69Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Official Trailer
    Trailer 1:49
    Official Trailer

    Photos93

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 89
    Voir l'affiche

    Rôles principaux21

    Modifier
    Shelley Winters
    Shelley Winters
    • 'Ma' Kate Barker
    Don Stroud
    Don Stroud
    • Herman Barker
    Pat Hingle
    Pat Hingle
    • Sam Pendlebury
    Diane Varsi
    Diane Varsi
    • Mona Gibson
    Bruce Dern
    Bruce Dern
    • Kevin Dirkman
    Clint Kimbrough
    Clint Kimbrough
    • Arthur Barker
    Robert De Niro
    Robert De Niro
    • Lloyd Barker
    Robert Walden
    Robert Walden
    • Fred Barker
    Alex Nicol
    Alex Nicol
    • George Barker
    Pamela Dunlap
    Pamela Dunlap
    • Rembrandt
    Michael Fox
    Michael Fox
    • Dr. Roth
    Scatman Crothers
    Scatman Crothers
    • Moses
    • (as 'Scatman' Crothers)
    Stacy Harris
    Stacy Harris
    • Agent McClellan
    Lisa Linsky
    Lisa Linsky
    • Young Kate
    • (as Lisa Jill)
    Steve Mitchell
    • Sheriff
    Roy Idom
    • Ferry Boat Passenger
    Drew Bonner
    • Bank Customer
    • (non crédité)
    Ted Eccles
    Ted Eccles
    • Victim
    • (non crédité)
    • Réalisation
      • Roger Corman
    • Scénario
      • Robert Thom
      • Don Peters
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs63

    5,74K
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    Avis à la une

    Lechuguilla

    Pistol-Packin' Hillbillies

    Fun movie about a gun toting Ozark clan that rebels against their Depression-era poverty by stealing, threatening, robbing banks, kidnapping, and killing their way into infamy. The clan's leader is colorful Ma (Kate) Barker (Shelley Winters), self-confident, forceful, and determined to get some high-style living for her and her four boys, whatever is required.

    Interspersed through the plot are real-life B&W flashbacks to the 1920s and 30s, which enhance a sense of realism, as does the casting of non-actors in minor roles in some scenes. The dialogue is at times clever, like during one of the B&W flashback scenes when, in V.O., Ma tells us: "1929 was a bad year for a lot of folks. The rich men was jumpin' out of the windows and, as usual, they fell on the poor".

    In addition to clever dialogue, Shelley Winters makes the film fun, mostly as a result of her over-the-top Southern accent. And there's something quite ironic about her character. For all of Kate's gun-loving ways, she's actually quite religious and anti-war. In one sequence, she sits down at the piano to play, and starts singing a song to spark some life into her four dejected sons; they eventually join in. "I didn't raise my boy to be a soldier; I brought him up to be my pride and joy … there'd be no war today, if mothers all would say, I didn't raise my boy to be a soldier", which also sums up her familial bond with her sons.

    The film's color cinematography is acceptable, though nothing special. Prod design and costumes seem accurate for the era, though Shelley's long eyelashes look more like something from the 1960s than the 1920s. The film's songs are good; I really like that title song.

    A lot of viewers don't like this movie, for a variety of reasons. No, it isn't a realistic portrayal of the real Ma Barker. And no, the story is not altogether accurate, though some plot points are. But it's a fun movie and worth watching, mostly for the entertaining performance of Shelley Winters.
    8dromasca

    A Study in Evil

    This is an amazing film for 1970, and a good film to watch by itself today. A true gangster story, with no romantics at all. Evil people do evil things, they just do them because they are stupid and degenerated. No social comment is being made, and this is actually the best decision the script writer and the director could make. Only a completly social careless society can let such people 'enjoy the freedom', with the execution squad being the only 'educational tool' it knows. The viewer gets it by itself. The mix of documentary with the true story is discrete and smart. I liked the movie, and gave it 8/10 on my personal scale.
    7PaulyC

    interesting early Deniro

    Shelly Winters plays a wild Ma Barker in this decent Roger Corman directed flick about the Barker gang of the great depression era. Everyone playing Ma Barkers sons, who include Robert Deniro, gives a good performance. Bruce Dern also has a small role as sort of an outside member of the gang. The Barker gang is on the run, lead by their fearless mother. They rob banks and whoever they can get their hands on. There is one particular good scene involving Deniro, complete with his Max Cady accent, where he acts on the advances of a young blonde swimmer who flirts with him while he sits on the dock. Her flirty ways turn to terror as Deniro realizes he tells her some forbidden information and can't afford to let her live. Deniro lost 30 pounds for the role. He also told Corman he could drive even though he didn't have a license. Pat Hingle, a great character actor, as a high profile man who the gang kidnaps to get ransom money is also very good. This film is no "Bonnie and Clyde" but I'm surprised it didn't get more attention. Worth a look.
    5gavin6942

    Leaves Something to Be Desired

    This film is Roger Corman and Sam Arkoff's answer to "Bonnie and Clyde". But not only did they take the theme of Depression-era gangsters, they also borrowed the idea of completely eradicating the facts. I would be hard-pressed to name one thing in this film that was based a real event.

    That being said, it has some historical merit. Shelley Winters gives a good performance, and has said she was proud of the film (which she oddly enough promoted as a film denouncing violence, despite its clearly violent nature). She even allegedly took a punch to the face, resulting in a nose injury bad enough to get X-rays.

    Bruce Dern and Robert DeNiro give some of the earliest performances of their careers, and any DeNiro fan who has not seen him in this is really missing out on his humble beginnings. These days, he is past his prime, making cheesy comedies. But have you seen him before his prime?

    Perhaps most interesting, this was the big-screen debut of cinematographer John A. Alonzo. While he may not be well-known, he did go on to film "Harold and Maude", "Chinatown" and "Scarface" and snagged an Oscar nomination. Not bad for a graduate of the Corman School.
    Infofreak

    Bloody fantastic fun!!

    I can't believe there is only ONE comment on this classic piece of Roger Corman trash! Corman is known as the King of the Quickies, which gives many people who aren't all that familiar with his work the impression is that all he made was "bad" movies that can only be enjoyed on a camp level. This is not true, and 'Bloody Mama' proves it! Sure it's an exploitation movie, but exploitation doesn't necessarily equate with worthless trash, as the movies of Russ Meyer or Larry Cohen or Sam Fuller show.

    'Bloody Mama' tells the story of Ma Barker and her sons, infamous criminals during the Depression. Exactly how much of this movie is historically accurate I don't know, and it doesn't really matter. This is a non-stop action ride, low budget yes, but full of energy, clever touches, and generally strongly acted by the cast, which includes - get this! - cult favourites Don Stroud and Bruce Dern AND a scene stealing performance from a young Robert De Niro. If the thought of those three absurdly talented actors appearing in the same movie isn't enough to get you running to your local video store, then you're beyond help!

    Add to that the familiar character actors Pat Hingle, Scatman Crothers and the appearance of Diane Varsi from the legendary 'Wild In The Streets', and b-grade film buffs will be ecstatic. Last but certainly not least, Shelley Winters in the title role is outstanding. She has had a long and varied career, but she always gives her best whether she is in a- or b-grade material, a star vehicle, supporting role or a cameo. More power to her!

    'Bloody Mama' is a movie to be treasured! Trash with intelligence. Don't miss it!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In one scene where Herman Barker (Don Stroud) punches Ma Barker (Shelley Winters) in the nose, Stroud accidentally punched Winters in the nose for real, and hurt her badly enough that she had to be taken to the hospital.
    • Gaffes
      In the prison cell when Freddie is walking on Dirkman's back, if you look on the cell wall behind him, you'll see graffiti of a Nazi swastika on the wall. The movie takes place circa 1930 and the Nazi symbol didn't even exist (at least in America's consciousness) until the late 1930's-1940's. Correction: The swastika was used as good luck symbol long before the Nazis. It was a common Native American symbol of good fortune and was on the official patch of the 45th Infantry Division of the US Army prior to 1930. So it's use as graffiti is not impossible.
    • Citations

      'Ma' Kate Barker: [opens door and walks into boys' room, where Fred and Kevin are lying in bed together] I don't wanna sleep alone tonight.

      Fred Barker: Ma, I can't.

      'Ma' Kate Barker: Freddie, I don't want to cuddle with you tonight, baby. Kevin, I want you.

      Kevin Dirkman: Well, we're all feeling kinda weird tonight, Ma.

      'Ma' Kate Barker: ...Kevin, I've been promising myself you for a long time, and I want you tonight

      Kevin Dirkman: Well, honey, I'm ready.

      [rolls over Freddie, rubbing him sexually as he climbs out of bed. In a subsequent masochistic ecstasy, Fredde burns himself with his cigar]

    • Versions alternatives
      The film was originally rejected for a UK cinema certificate by the BBFC and then released 8 months later in 1971 with cuts to nudity, violent beatings, a rape scene, the drowning of Rembrandt, Lloyd's injection scenes and the violent shooting of Herman. The 18-rated UK video release of this film was cut by 11 seconds by the BBFC and removes the scene where Bruce Dern drops a tethered piglet into a river to use as alligator bait. The cuts were fully waived for the 2009 Optimum DVD.
    • Connexions
      Edited into Les Crapauds (1972)
    • Bandes originales
      Bloody Mama
      Written by Don Randi, Guy Hemric and Bob Silver

      Performed by The Singing Big Foot

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    FAQ15

    • How long is Bloody Mama?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 novembre 1970 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Mamá sangrienta
    • Lieux de tournage
      • Mountain Home, Arkansas, États-Unis
    • Société de production
      • American International Pictures (AIP)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 30min(90 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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