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The sleeper of 1968, this little-scene film is frightening with Tuesday Weld giving her best performance as a self-centered tinderbox of passion and greed. Anthony Perkins is his usual affable set of nervous tics and equally as good. What happened to this director? What happened to this film? The script has you guessing from beginning to end and it's a great payoff eventually.

A definite 9 out of 10 (the music is strictly bad tv score) in a great location in New England that hopefully will come out on DVD eventually. If you've never appreciated Ms. Weld before, this is the one you should try to track down. Strange story, wonderful cinematography, and sensitive lead performances make this one special.

Dennis Pitt (Anthony Perkins) is a young man who is being released from a mental hospital after having committed arson. He burned down his aunt's house at age 15. What he didn't know was that she was in the house at the time, and so she died in the fire.

Dennis has a job waiting for him at a chemical company, but it is mind numbingly boring work - sitting on an assembly line all day making sure that bottles of chemicals are OK and that they proceed down the assembly line OK, which they almost always do. Since Dennis' root problem is that he is subject to a rich fantasy life, this lack of something upon which to occupy his mind has him drifting into the exciting world of make-believe and out of dull reality in short order.

He gets involved with a pretty high school student, Sue Ann (Tuesday Weld), and tells her that he is an undercover CIA agent. Sue Ann seems to be a gullible thrill-seeking teen at first, impressed with Dennis's exciting stories of secret missions, maybe wanting to believe it, maybe actually believing it. Dennis has plans to sabotage the chemical plant where he works because it is dumping toxic chemicals into the river next to it. In his mind, some vandalism for the sake of his fantasy life and the environment is within the limits of acceptable behavior. But Sue Ann has a darker agenda, one that soon has Dennis unwillingly mixed up in murder. Complications ensue.

The 60s is not my favorite decade for film because so much of it is of two minds - You either have entries that are trying to push the envelope as it existed at the time such as "Midnight Cowboy" and "Bonnie and Clyde" or lighter fare such as Oliver or Mary Poppins. Sometimes you have both tendencies in the same film! But this one just clicks and rings true. Perkins was great as the doomed misfit, with a role that for sure is trying to capitalize - eight years later - on his role in Psycho, except here he's not a psycho as much as he is a gullible patsy. Then there is Beverly Garland as Sue Ann's hard drinking tough talking hypocritical mother just a year before she becomes the stepmother to My Three Sons - for sure this was a departure from her usual doe-eyed roles.

Note the brief scene at the end with Ken Kercheval, who played JR Ewing rival Cliff Barnes on Dallas some ten years later.

I'd recommend this one as it seems unfairly forgotten.

I just finished watching Pretty Poison, and it is a great movie worthy of recognition. I don't know why or how this movie has been somewhat obscured, I guess it wasn't so popular back in those days and it ruined it for other generations.

I'm glad I found this on the movie channel, great performances by Anthony Perkins, really impressive and not exaggerated, which is what a lot of times makes people see as good acting, but this is not the case here, a deep performance is what Mr. Perkins gives us, really laid back and neutral, Kind of the characters he played through his career (Josef K on Welles adaptation of Kafka's "The Process", and his Classic Norman Bates on Psycho) and a great Tuesday Weld as the strange and evolving character Sue Ann Stepanek.

It is so sad that movies like this get lost. A great Screenplay (Best Screenplay Award given by the New York Film Critics Circle Awards) and great acting should make a successful movie, I don't know what happened here.

[8.5/10]

Legendary critic Pauline Kael staunchly championed "Pretty Poison" which she clearly loved but her accolades did little in preventing this small, funny but decidedly evil movie from vanishing into obscurity.

The pairing of Tuesday Weld and Anthony Perkins was inspired. Being actors who Hollywood never quite understood how to use, they are perfectly cast as social renegades. Both are in their prime; young, attractive, funny and fiercely intelligent. They are a joy to watch. Four years later they would be brought together for the wonderful "Play It As It Lays", but by then both tapped into a world weary disillusionment far from the playfulness of "Pretty Poison". They were an odd team, playing off each other to dazzling effect.

How those two movies have been relegated to almost total obscurity remains a sad testament to the industry. Should the rare opportunity to watch "Pretty Poison" arises, don't miss it.

This criminally neglected film has a lot going for it, and is certainly well worth tracking down! The comparisons to the Alfred Hitchcock classic 'Psycho' are obvious due to the fact that the film stars Norman Bates actor Anthony Perkins in another off-centre performance, but other than that; Pretty Poison is a law unto itself, and not quite like any other film that I've seen. The first thing that struck me about this film was the cinematography; the film somehow manages to look old and dated, yet beautiful at the same time. The fact that it's set in a serene little town does it some favours also, but it's the plot that is the biggest standout here. Anthony Perkins is Dennis Pitt; a mentally disturbed man who is given a job in a lumber yard. He soon bumps into the beautiful Sue Ann Stepanek, and she learns that he is a CIA operative, working undercover and has chosen her to be his 'partner'. However, that is not really the case at all as Pitt lives in his own little fantasy world, and after the pair slip up with a murder, they find themselves under suspicion.

Anthony Perkins may not be the most diverse actor ever to grace the silver screen; but he certainly plays the disturbed young man well! Here, he has the beautiful Tuesday Weld as his co-star, and the two performances compliment each other excellently, as the pair have a great on-screen chemistry, and the plot is always interesting enough to ensure that the film succeeds. It has to be said that Pretty Poison has something of a low scope where plot and plotting are concerned; but this isn't a problem as the modest way that the film pans out is good in that it's interesting and also rather intimate, so the film feels more realistic. The film is excellently paced, and there aren't any moments where nothing is really happening. At just eighty five minutes, Pretty Poison still manages to get its story and character profiles across in a way that is interesting and exciting. The conclusion to the main plot line is good and something of a shock, while the ending itself is predictable, but still works well. Overall, Pretty Poison gets my HIGHEST recommendations and I hope this one doesn't stay buried for too much longer!