La piste fatale

Robert Ryan, Rhonda Fleming and Bill Lundigan give outstanding performances in this suspensive thriller that winds up in a struggle to survive in the desert. Originally introduced in 3D in 1953, it will keep you on the edge of your seat.

I think Robert Ryan is one of the greatest actors of his time and its a shame that he seems to be forgotten in todays movie society, This is am excellent example of Ryans acting prowess and shows how the will to live is so strong despite being betrayed and abandoned in a place with out hope. I would say this is a must see for people interested in Robert Ryans acting and his excellent ability to make it all seem so real. I like the fact that he never gives up despite all the odds thrown against him when adultery alone makes most people lose the will to carry on. I have seen this movie twice now and have been riveted to the TV both times. Years ago having seen Robert Ryan in a few movies I thought he was OK but this movie proves he was much more than that and I look forward to discovering him in his other movies I have yet to see.

Pretty inventive script, Robert Ryan helps pull off quite a bit of voice over dialog, nice photography, (I did see it in 3D) well paced there are a number of clever script/plot elements that keep it going and a great fight scene(which features most of the 3D Fx in the movie).

Sort of a desert Film Noir really, well directed by the mostly always good Roy (Ward) Baker this holds up. There is constant cross cutting between Ryan's plight in the desert and the two villains swimming or eating and drinking that really builds your hatred of them and your siding with Ryan.

No mamsey pamsey character softening here, which keeps it tough, but reality based, throughout. It's not a cartoon at any moment which can happen with B films. Though also perhaps the limited character development keeps it slightly in the programmer category. Good music score by Paul Sawtell as well. This movie moves quickly doesn't have the soapy elements, or bloated running time, that killed off many color crime films in the 1950's.

The best thing about Inferno is that, like the Aeneid, it jumps right into the middle of the action. Out in a southwestern desert, under the baking sun, lies Robert Ryan, with his leg broken and only a meager supply of food and water. He's been left to die by his wife (Rhonda Fleming) and her lover (William Lundigan). There's no backstory, no lead-up to the crucial events; what little we need to know gets doled out as the movie advances, but never in flashback.

Of course, anybody can be left to die in the desert by a philandering spouse, but it helps if you're a millionaire, like Ryan. We learn that he inherited his fortune and wonders whether he deserves it, and that he's a tough and private man who suffers no fools gladly (the part's basically a reworking of Ryan's Smith Ohlrig in Max Ophuls' Caught).

The rest of Inferno cross-cuts between Ryan's attempts to survive by his wits and Fleming's and Lundigan's to throw the local police and Ryan's business associates back in Los Angeles off track. After several days elapse, when it becomes apparent that Ryan may still be alive and on the move, Fleming and Lundigan decide that, in order to save themselves, they have to go back and finish the job....

Inferno was issued in 1953, the annus mirabilis of 3-D. Unlike most titles filmed in that short-lived gimmick, it stands pretty well on its own – even the hurtling rocks, striking rattlers and flaming rafters stay effective without knocking viewers over the head. But basically it's a story of a man born to wealth who, to stay alive, must negotiate a deadly wilderness where money proves worthless. Watching Ryan do so is worth giving Inferno a look.

I was born the year this picture was made, 1953. I had no idea who Robert Ryan was until a few months ago. What a tremendous actor he was! and Inferno is one of his best! The man never got the recognition he deserved and today he's an unknown to most.

The 3D is exceptional on the DVD even when viewing in 2D which I tried. The Technicolor saturated colors which were a staple of 50's films is amazing. One scene with Ronda Fleming in a purple evening dress with her lover William Lundigan in a deep blue suit just pop out of the screen, they are so vibrant. These 2 characters were despicable adulterers who setup and planned a way to leave Ryan to die in the desert. He survives the hard elements of the desert, meeting many tough events. It moves fast, the cinematography, especially in the desert is outstanding. By all means see it! Highly Recommended!