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Sylvia Barrett (Sandy Dennis) is a new English teacher at the rundown Calvin Coolidge High School. She is a fish out of water and even goes up the down staircase on her first day. She struggles in the overcrowded classes without much supplies or any help. Sylvia struggles against the bureaucracy, overwhelming odds, and indifference.

Sandy Dennis is great and it's got the grittiness of a tough school. It came out around the same time as "To Sir, With Love" with Sidney Poitier and is generally overshadowed by it. It has neither the iconic song nor an iconic star. It is a good modern school drama that fits into the standard formula. This may have set the formula itself and it gets the chaotic classroom right. The scene that sold me is Mr. Barringer unwittingly critiquing Alice's love letter. It's an amazing scene. This is all very good.

It's a rare thing to watch a movie that's actually superior to the original novel, but Robert Mulligan's 1967 film of Bel Kaufman's contemporary classic UP THE DOWN STAIRCASE is one of those rare instances. Make no mistake, Kaufman's novel is still wonderful, but Mulligan's film, amazingly, manages to capture all of the qualities that made Kaufman's book such a compulsive read, and another strength is in the casting of the film itself. Everyone seems perfectly suited to his/her role. Sandy Dennis, one of the '60's most original and exciting performers, was the ideal choice to play the flighty heroine Miss Sylvia Barrett, the naive, but determined young New York City schoolteacher who finds herself constantly at odds with not only her pupils, but the faculty members as well. I have always had a great admiration for Sandy Dennis' work, but this is the movie that made me a genuine fan. She's absolutely breathtaking to watch. She has this stunning, captivating, and truly unique beauty, and most importantly, she is one of the most extraordinarily gifted actresses to grace the Hollywood screen. In fact, I would say that she was THE most talented actress of the late '60's, early '70's era without peer or rival. Her Oscar-winning supporting role in the previous year's WHO'S AFRAID OF VIRGINIA WOOLF? was indeed a magnificent triumph, but UP THE DOWN STAIRCASE was the film that proved she was even more capable at handling a leading role and I think, ultimately, this is the film that made her a star.

I only saw about 3/4 of this on a boring Saturday afternoon on Channel 5 (not famed for the quality of the films it shows - more usually soft porn). As it was the only thing on telly worth watching (out of 144 channels - that figures) I decided to stick with it. I'm glad I did. It turned out to be quite entertaining. "Dangerous Minds" with Michelle Pfeiffer was on ITV the night before, and I don't mind telling you that I thought UtDS was the superior movie. The acting was good all round, and though some of the lines were a little bit cliched and very 60's, I thought it was OK.

If there's any movie that one can automatically associate with Sandy Dennis, "Up the Down Staircase" is the one. True, she did win an Oscar for "Who's Afraid of Virginia Woolf?," but that was mainly a Richard Burton-Elizabeth Taylor movie. I saw this one night on television sometime after her death, and became a huge fan. Actually, I think I may have seen it several times or more before, and forgot about it. I fell for everybody involved, from the late Sandy Dennis, to Bel Kaufman, to Fred Karlin, who's musical score is one that I'm lucky to possess a copy of, and is long overdue to be re-released on Compact Disc. In addition, I also gained an appreciation for people like Jean Stapelton, and Sorrell Booke, who I previously couldn't think of as anyone else but Edith Bunker, and Boss Hogg, respectively. Patrick Bedford, however, sounded like he was trying to be the new Cary Grant. I was almost ready for him to shout out..."SYLVIA, SYLVIA, SYLVIA!!!" And how about the kids? None of them went on to fame and fortune, except for But Cort, who I still can't spot, but a few of them (Jeff Howard, Jose Rodriguez, Maria Landa, etc.,...) had roles as extras. It's also a shame that Lew Wallach, who played as Lou Martin was never on screen again. He was hilarious.

If you ever see a copy of this movie in a video store, pick it up. I did, and I'm glad.

Rivals "To Sir, With Love" (released around the same time) as the best teacher film of all time. The difference: Sandy Dennis.

Dennis was one of those actors they don't make anymore (or at least don't showcase in Hollywood in 2007). She was strange, quirky, not conventionally pretty and she had that quality a lot of new female teachers have-that deer in the headlights look that makes the viewer root for her to make it "work" with those tough students.

The story is strong with some good subplots with the troubled students. It is dated but I would say the same issues facing Dennis here face contemporary teachers.

I take Dennis to Robin Williams in "Dead Poets Society" anyday.