La folle mission du docteur Schaeffer
- 1967
- Tous publics
- 1h 43min
Ajouter une intrigue dans votre langueA psychiatrist suddenly gets assigned to be the US president's shrink. Paranoid from the many spies tailing him in hope of kidnapping him, he runs away, and dozens of spies, and the FBI, CIA... Tout lireA psychiatrist suddenly gets assigned to be the US president's shrink. Paranoid from the many spies tailing him in hope of kidnapping him, he runs away, and dozens of spies, and the FBI, CIA, and various agencies scramble to retrieve him.A psychiatrist suddenly gets assigned to be the US president's shrink. Paranoid from the many spies tailing him in hope of kidnapping him, he runs away, and dozens of spies, and the FBI, CIA, and various agencies scramble to retrieve him.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Arlington Hewes
- (as Pat Harrington)
- Phoneman
- (non crédité)
Avis à la une
case, it isn't paranoia, everyone really IS out to get you! This is
James Coburn's best performance in my opinion, as a psychiatrist
who has been conscripted to become the President's analyst, and
when he decides to quit, discovers just how disposal American
citizens are. This is my pick for THE paranoia movie of the 1960s.
That this movie came out in 1967 is incredible; it deals with
assassination carried out casually by the FBI, the CIA, the violence
that has been absorbed as wholesome by America, the escape
from violence into sex and drugs, and much, much more, all
during the time of the Vietnam War and zero tolerance for differing
views. The speech by the black FBI agent in the beginning on
how he discovered racism is especially painful, and remarkable
given the time period.
The movie is hysterically funny, cynical, black, and most ironically,
hopeful, and a must-see for any film lover. The script is terrific, but
the direction stands out in the inspired camerawork. This
obviously was a labor of love by the director/writer, and
interestingly, one of only two or three non-t.v. films he ever directed.
If you see it, you may be bored by today's sex and gore standards.
But if you remember the 60s, keep them in mind when you see
this film. You'll wonder how it ever got made.
Ten out of ten stars, because there isn't anything I can find wrong
with this film; it's brilliant in every aspect.
There are lots of great things in this film, but the best is the segment with William Daniels and Joan Darling, who play two liberals who have more guns in their house than a gun store. "The people next door are Fascists," Bing says. "They ought to be gassed." With Sidney in Chinatown, government agents approach them to kidnap Sidney. Jeff attacks with karate while Bing shoots to kill - and Sidney takes off.
Baby boomers will especially enjoy all the '60 elements. "The President's Analyst" walks a line between satire and the real feelings of the '60s (many of which are still held) about the government. And it succeeds beautifully. James Coburn was an underrated actor who always delivered unique characterizations, and he was never without some underlying humor. You can see the analyst deteriorate - he starts off with an ego as big as New York after getting his assignment, and bit by bit he descends into nervous breakdown-land. The other performances are excellent, from Godfrey Cambridge, Eduard Franz, Will Geer and the rest. But Daniels and Darling - priceless.
Excellent film, highly recommended.
This is a wonderful Christmas movie for the old fart on your shopping list. William Daniels' role as a gun-happy suburbanite is worth the price alone. The talented, and woefully under-used Godfrey Cambridge finally gets a star turn as a government agent undergoing analysis. And Barry ("Eve of Destruction") McGuire as the leader of a band of hippie musicians is a dead-on send up of the emerging flower children.
Yes, one had to be a telephone customer before the advent of the Baby Bells to grasp the sheer villainy of THE PHONE COMPANY!
Le saviez-vous
- AnecdotesIn one scene being shot on the lower west side of New York City, James Coburn was being chased by two uniformed NYPD officers, who were just actors playing New York cops. Shouting "Stop, stop", they chased Coburn around a corner and he ran into a real NYPD officer, who dropped him with one blow from his nightstick. Coburn had to seek medical treatment, which postponed the filming for a time.
- GaffesEvery line referring to the "FBR" or "CEA" is dubbed, often quite obviously. The actors were actually saying "FBI" and "CIA," but at the behest of the actual agencies the names were changed in post-production.
- Citations
Don Masters, CEA Agent: I was five. And I knew there were colored people and white people. But then Mama took me to school, and it was almost all white kids. And nothing much happened on the first day. But on the second day, I was walking to school alone - my big brother, he was already in the third grade, and when you got a kid brother in kindergarten it can be kind of an embarrassment. So he ran on ahead to be with his buddies. Anyhow, there was a group of white kids on the street up ahead, and as I came up they started laughing and running and yelling, "Run! Run! Here comes the nigger! Run, run!"
[softly:]
Don Masters, CEA Agent: Here comes the nigger. And I looked around, and I didn't see any niggers. But if they wanted to play, so did I. So I started laughing and running and yelling, "Run, run! Here comes the nigger!"
[Whispered:]
Don Masters, CEA Agent: Run, run. Here comes the nigger. Suddenly there was my big brother. And I ran up to him, and I started yelling, "Run, run, here comes the nigger!" And he hit me. Then he did something worse - he told me what a nigger was. And that I was it.
- Crédits fousFilm disclaimer: 'This film has not been made with the consent or cooperation of the Federal Board of Regulations (F.B.R.) or the Central Enquires Agency (C.E.A.). Any resemblance to persons living or dead is purely coincidental, and so forth and so on.
- Versions alternativesDue to a copyright dispute, all recent video and laserdisc releases omit a sequence featuring songs by Barry McGuire on the soundtrack.
- ConnexionsFeatured in Film Review: International Films (1968)
- Bandes originalesInner Manipulations
Composed by Barry McGuire and Paul Potash
Sung by Barry McGuire
(A Dunhill Records Artist)
Meilleurs choix
- How long is The President's Analyst?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 000 000 $US (estimé)