Cet homme est prêt à tout

I'm assuming the comments I read on this site were written by horny guys - the accolades to Lee Remick's beauty take up most of the comments. She is absolutely gorgeous and sexy in this movie, and I agree, she's the main reason to see this film.

James Coburn has a "Hard Contract" in this 1969 film about a top hit man, John Cunningham, who's sent to Europe by his boss Ramsey (Burgess Meredith) to kill three people, one of whom, Michael Carlson (Sterling Hayden) was his predecessor in the job.

Cummingham is a man completely detached from human emotion; he only pays for sex, won't kiss, and won't let a woman spend the night. While in Europe, he meets a beautiful woman, Sheila Metcalfe (the afore - and oft-mentioned - Remick) and her group of friends, including Adrianne (Lilli Palmer) and an ex-Nazi.

Sheila falls for Cummingham, the rest of the group adopts him, and before Cunningham knows it, he's become, for the first time, part of the human race. Carlson knows what he's there for immediately, and the two have a confrontation. Cunningham has started to realize there's something in the world besides killing.

This movie makes a great effort to be deep. It doesn't really know what it is; it lacks a point of view, but it does convey a message. Some of it is kind of cryptic. I actually thought there were lines of dialogue missing from the version I saw.

Coburn is very good as a man who finally realizes he can't avoid living; Remick as an outrageous, adventurous socialite gives a wonderful performance; Palmer as her dizzy friend is delightful.

Hayden, never a favorite of mine, was an unusual man in real life, and I think what made him special as a person comes through here. The retired hit man is one who thought a good deal about the meaning of life, as did Hayden, and found peace within himself.

Hayden, after his forays into Communism, his guilt over cooperating with the committee, and his basically going out to sea and writing, did the same thing. Karen Black has a small role as a prostitute in the beginning of the film.

A really wonderful cast, an uneven film, a kind of blah ending - still worth seeing for Remick and Coburn in their primes.

Hired American assassin (with a predilection for prostitutes but an aversion to kissing--or, indeed, feeling anything) gets a new assignment: kill three men for one client, all in Europe. Once there, he meets a chatty jet-setter who works steadily to break down his walls, though getting to know her and her wealthy friends means becoming sociable with one of his targets. Modern-day story, an original from writer S. Lee Pogostin (who also directed), has plush production, beautiful cinematography by Jack Hildyard and lovely scoring by Alex North, but it cannot manage an even balance between drama, romance, intrigue and travelogue. Pogostin enjoys 'deep,' prattling conversations about the meaning of life, but his metaphor-heavy narrative (with political and fascist undertones and finger-pointing at the media for making us all immune to the horrors of violence) just isn't gripping. The scene transitions often overlap in a lazy, dream-like fashion, and the dazed performers are equally as narcotizing. Not a good vehicle for star James Coburn, who weighs in once in a while with a villainous, mischievous smile but otherwise seems at half-mast. Lee Remick plays his love-interest, Sterling Hayden is a bearded mystery man, Burgess Meredith is Coburn's boss, and a young Karen Black turns up as a hooker who loves to say "I love you." Curious, but memorable only because it is so blatantly odd. *1/2 from ****

i don't think anyone will just chose this movie to watch out of the blue. if you're watching Hard Contract you either are a Coburn or Remick fan. yes, like others said its boring but (like others said...) it's dullness is something in itself. Movies were more real (if one can make such a statement) back then - kind of raw, intelligent doesn't pander to the viewer. those times are gone but this Coburn movie along with "Duffy" can transport you back in time to 1968/70. The world of movies back then made you think - you didn't have everything spelled out for you. They also challenged your beliefs - if you do that now a days, the PC police will put you in your place.

If you like hit man films, this one is not for you. But if you want to see some fine acting, there is a scene near the end of this film between James Coburn and Sterling Hayden which is absolutely superb. Coburn is the young hit-man (he's 41) and Hayden is the retired hit-man who has given up killing (he's 53 at the time).

Other than this, it's a pretty ordinary film and is less a hit-man film than it is an existential film

My favorite hit-man films are Leon: The Professional 1994, Pulp Fiction 1994, In Bruges 2008, La Femme Nikita 1990, The Killers 1964, This Gun for Hire 1942, The Long kiss goodnight 1996, The Bourne Identity (2202, Supremacy (2004), Ultimatum 2007, Kill Bill 2003. 2004, Gross Pointe Blank 1997, Hit-man 2007, Memory of a Killer (2003), Collateral 2004, and Colombiana 2011

James Coburn(John Cunninghman) gets very distracted when Lee Remick (Sheila Metcalfe) enters his room as a hooker and gives him plenty of action. He almost forgets about doing his final hit to retire on. This film is filled with great actors, Burgess Meredith( Ramsey Williams) who also played in Rocky 1 and Rocky 2. Karen Black (Ellen) and Sterling Hayden give excellelnt supporting roles along with Lilli Palmer(Adrianne), Lee Remick's close friend. This film cannot be ignored, it has too many veteran actors to make it an all time classic film of the late 60's.