Ajouter une intrigue dans votre langueIn a seaside town, local men pursue summer tourists for casual flings. Their leader, a photographer named Tinker, unexpectedly falls for a wealthy model, realizing the dynamic of exploitatio... Tout lireIn a seaside town, local men pursue summer tourists for casual flings. Their leader, a photographer named Tinker, unexpectedly falls for a wealthy model, realizing the dynamic of exploitation may be reversed.In a seaside town, local men pursue summer tourists for casual flings. Their leader, a photographer named Tinker, unexpectedly falls for a wealthy model, realizing the dynamic of exploitation may be reversed.
John Porter-Davison
- Grib
- (as John Porter Davison)
Gwendolyn Watts
- First Class Girl
- (as Gwendoline Watts)
Stephanie Beaumont
- Marianne
- (non crédité)
Victor Brooks
- Club Manager
- (non crédité)
Susan Burnet
- Jasmin
- (non crédité)
Jeremy Burnham
- Ivor
- (non crédité)
Commentaire à la une
A blast from the past for those young in the early 60s is the belated DVD release of THE SYSTEM (US Title: THE GO-GETTERS) made in 63 and released in 64 - when I saw it aged 18 when it would have played here in the UK for a week on release as part of a double bill and then promptly vanished without trace until I saw the DVD yesterday. It comes with a nice 8 page booklet too setting the film in context which is a model of its kind, if only more DVD re-issues followed suit!
The film directed by Michael Winner with marvellous black and white photography by Nicholas Roeg is set in one of those English seaside towns following a gang of young men, led by the then very charismatic Oliver Reed, and their amorous pursuits over the summer and is actually a perfect compendium of European cinema trends of the time - there are Antonioniish moments (the tennis game here has a real ball) and it ends like LA DOLCE VITA in a Felliniesque dawn at the beach as the disillusioned characters realise the summer is over. The script by Peter Draper anticipates elements of DARLING and BLOWUP.
It sports of course a great cast of English young players of the time (Barbara Ferris, Julia Foster, Ann Lynn, John Alderton) as well as reliables like Harry Andrews. Of the young cast David Hemmings (rather in the background here) would two years later personify the 60s when chosen by Antonioni for his lead in BLOWUP. Jane Merrow (Hemmings' girlfriend of the time, and a replacement for Julie Christie who was doing BILLY LIAR) is perfect as Nicola the rich girl whom Reed falls for but she plays the game better than he does. I got to meet her myself once ...
Winner of course may be rather a figure of fun now, one forgets that in the 60s before those DEATH WISHES etc his films caught the moment as well as any by Richard Lester, Losey, Schlesinger or the underrated Clive Donner, with titles like THE JOKERS and I'LL NEVER FORGET WHATSHISNAME where Reed was meant to be his character from THE SYSTEM five years later.
In all its a perfect early 60s movie full of sounds and faces and the mood of that time before the 60s happened. For anyone interested in English cinema or remembers the era, its a real pleasure to see again 40+ years later !
The film directed by Michael Winner with marvellous black and white photography by Nicholas Roeg is set in one of those English seaside towns following a gang of young men, led by the then very charismatic Oliver Reed, and their amorous pursuits over the summer and is actually a perfect compendium of European cinema trends of the time - there are Antonioniish moments (the tennis game here has a real ball) and it ends like LA DOLCE VITA in a Felliniesque dawn at the beach as the disillusioned characters realise the summer is over. The script by Peter Draper anticipates elements of DARLING and BLOWUP.
It sports of course a great cast of English young players of the time (Barbara Ferris, Julia Foster, Ann Lynn, John Alderton) as well as reliables like Harry Andrews. Of the young cast David Hemmings (rather in the background here) would two years later personify the 60s when chosen by Antonioni for his lead in BLOWUP. Jane Merrow (Hemmings' girlfriend of the time, and a replacement for Julie Christie who was doing BILLY LIAR) is perfect as Nicola the rich girl whom Reed falls for but she plays the game better than he does. I got to meet her myself once ...
Winner of course may be rather a figure of fun now, one forgets that in the 60s before those DEATH WISHES etc his films caught the moment as well as any by Richard Lester, Losey, Schlesinger or the underrated Clive Donner, with titles like THE JOKERS and I'LL NEVER FORGET WHATSHISNAME where Reed was meant to be his character from THE SYSTEM five years later.
In all its a perfect early 60s movie full of sounds and faces and the mood of that time before the 60s happened. For anyone interested in English cinema or remembers the era, its a real pleasure to see again 40+ years later !
- osullivan60
- 7 sept. 2008
- Permalien
Histoire
Le saviez-vous
- AnecdotesJane Merrow replaced Julie Christie who was unavailable.
- GaffesThe film begins with two of the main characters racing to catch a train, a 3 car DMU. They manage to board the train, but once aboard and talking to a ticket inspector, they are now in a corridor carriage and not a DMU car.
Later the train is shown at Dawlish, by the sea, hauled by a Class 42 or 43 loco. So, clearly not a DMU.
Finally the train arrives at Roxham. The train is now hauled by a Class 22. Visually quite different from a Class 42/43. And certainly not a DMU.
- ConnexionsReferenced in For the Love of Movies: The Story of American Film Criticism (2009)
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- How long is The Girl-Getters?Alimenté par Alexa
Détails
- Durée1 heure 33 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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By what name was Dans les mailles du filet (1964) officially released in Canada in English?
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