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7,2/10
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Ajouter une intrigue dans votre langueA wealthy businessman in New York absconds to Mexico by train in order to avoid capture for embezzlement. On the way, he steals the identity of another man for a visa, but that only complica... Tout lireA wealthy businessman in New York absconds to Mexico by train in order to avoid capture for embezzlement. On the way, he steals the identity of another man for a visa, but that only complicates matters.A wealthy businessman in New York absconds to Mexico by train in order to avoid capture for embezzlement. On the way, he steals the identity of another man for a visa, but that only complicates matters.
- Réalisation
- Scénario
- Casting principal
Ingeborg von Kusserow
- Mrs. Scarff
- (as Ingeborg Wells)
Avis à la une
This is a really interesting, dark and thrilling film all packed into one. It may not have the look of the most fast-paced film, but it really delivers and becomes hugely exciting towards the end, and whilst it may not necessarily seem so bleak on the face of things either, it becomes very depressing and heavy-going at some points, however it's got such a fascinating story that you can't help but be totally engrossed.
Basically, the plot is full of the most unpredictable twists and turns you could ever imagine. What starts off as a relatively simple story suddenly transforms into an extremely complex tale of state borders, identity confusion and a whole host of other stuff that would normally be pretty tough to follow, however this film's excellent screenplay delivers all of that in such a way that it's still a simple enough watch to be pretty entertaining.
However, there's nothing more exciting in this film than the way that it pulls your mind from one side to the other on a constant basis due to its numerous twists, because it eventually makes you realise that it's just too unpredictable to predict, and that sense of anticipation that you get before each twist comes is hugely exhilarating.
Also, this film manages to be very heavy and bleak at points whilst still maintaining its excitement. The identity theft element to it is very sad, however what becomes most bleak is the final act, which is more a question of survival rather than anything else, and it really requires a lot to get to grips with.
Finally, the most interesting thing about this film was its central character, the German-born British billionaire, played fantastically by Rod Steiger. On the face of things, he's a terrible person, but the strangest thing about this film is that this villain really grows on you as it develops, and he turns into some sort of an anti- hero, who you end supporting towards the end, rather than hope for his arrest as you do earlier on, which I found really fascinating.
Basically, the plot is full of the most unpredictable twists and turns you could ever imagine. What starts off as a relatively simple story suddenly transforms into an extremely complex tale of state borders, identity confusion and a whole host of other stuff that would normally be pretty tough to follow, however this film's excellent screenplay delivers all of that in such a way that it's still a simple enough watch to be pretty entertaining.
However, there's nothing more exciting in this film than the way that it pulls your mind from one side to the other on a constant basis due to its numerous twists, because it eventually makes you realise that it's just too unpredictable to predict, and that sense of anticipation that you get before each twist comes is hugely exhilarating.
Also, this film manages to be very heavy and bleak at points whilst still maintaining its excitement. The identity theft element to it is very sad, however what becomes most bleak is the final act, which is more a question of survival rather than anything else, and it really requires a lot to get to grips with.
Finally, the most interesting thing about this film was its central character, the German-born British billionaire, played fantastically by Rod Steiger. On the face of things, he's a terrible person, but the strangest thing about this film is that this villain really grows on you as it develops, and he turns into some sort of an anti- hero, who you end supporting towards the end, rather than hope for his arrest as you do earlier on, which I found really fascinating.
Well, I haven't seen this movie since I was 7 years old but I have never forgotten it either. The first reviewer is right about this being one of those movies that seems almost forgotten... probably because the message is so downbeat... disturbing and very sad (But then somebody will remember it after 49+ years) This is one of those movies that couldn't have been done in color because it is so bleak. I am going to look for a copy of this movie and see it again before I can really review it... I thought "Old Yeller," was the world's best movie until I saw it again as an adult and it might be this way with Across the Bridge as well.
A truly memorable, but curiously forgotten film (not on video or DVD) that deals with an absorbing theme -- how to disappear using an assumed identity. A rare example, I think, of the film version's being just vastly superior to its orginal source (a slight, if taut short story by Graham Greene).
The plot is brilliantly simple (a la Hitchock). Carl Schaffner is travelling on a train. He's trying to escape from something dreadful and threatening (not specified) and is terrified. In desperation he decides to bump off a fellow passenger, assume his identity and take his documents. He intends to leave the train at the other end, get through the official formalities and disappear safely from whatever is chasing him. He goes to a lot of trouble to darken his moustache, get the clothes right etc. The train reaches its destination. Passengers alight. He gets off, strolls down the plaform. It all seems to be going like clockwork.
Then the guard shouts at him: "Hey! Don't forget your dog!"
It seems his victim had a dog and boarded it in the guard's van. The rest of the film fascinatingly details the developing relationship between Carl and his newfound canine companion while he continues to attempt to survive and escape detection. It is highly original and gripping throughout. It has thrills and pathos. Superb acting by Rod Steiger as Carl and a really professional actor as Gloria, the dog. Very evocative black and white photography and rich, sympathetic direction. I saw this as a student in 1957 and never forgot it. I have seen it once on TV. It MUST come out on DVD!
The plot is brilliantly simple (a la Hitchock). Carl Schaffner is travelling on a train. He's trying to escape from something dreadful and threatening (not specified) and is terrified. In desperation he decides to bump off a fellow passenger, assume his identity and take his documents. He intends to leave the train at the other end, get through the official formalities and disappear safely from whatever is chasing him. He goes to a lot of trouble to darken his moustache, get the clothes right etc. The train reaches its destination. Passengers alight. He gets off, strolls down the plaform. It all seems to be going like clockwork.
Then the guard shouts at him: "Hey! Don't forget your dog!"
It seems his victim had a dog and boarded it in the guard's van. The rest of the film fascinatingly details the developing relationship between Carl and his newfound canine companion while he continues to attempt to survive and escape detection. It is highly original and gripping throughout. It has thrills and pathos. Superb acting by Rod Steiger as Carl and a really professional actor as Gloria, the dog. Very evocative black and white photography and rich, sympathetic direction. I saw this as a student in 1957 and never forgot it. I have seen it once on TV. It MUST come out on DVD!
Interesting expansion of a Graham Greene short story. A millionaire embezzler tries to steal another man's identity and escape to Mexico.
Rod Steiger is terrific in the lead and boldly unafraid to be unsympathetic. There's a solid noir feeling to the story, themes and especially the cinematography. There's a good deal of tension, too.
On the other hand, the whole story depends on not just one but two whopping coincidences, along with a couple of those 'why doesn't the character just ?' moments, which hurt the overall effectiveness of the film. The score is a bit over the top too.
But, for any faults it's still a well made, thinking person's thriller, worth seeking out if you're a fan of the genre or the elements.
Rod Steiger is terrific in the lead and boldly unafraid to be unsympathetic. There's a solid noir feeling to the story, themes and especially the cinematography. There's a good deal of tension, too.
On the other hand, the whole story depends on not just one but two whopping coincidences, along with a couple of those 'why doesn't the character just ?' moments, which hurt the overall effectiveness of the film. The score is a bit over the top too.
But, for any faults it's still a well made, thinking person's thriller, worth seeking out if you're a fan of the genre or the elements.
Bernard Lee made an acting profession playing various detectives, predominately as the first "M" in the Sean Connery era of James Bond from 1962.Before this he specialised in playing various policemen like in the subject film made in 1957.He is frustrated by the non-existent extradition treaty between Mexico, the U.S. & the U.K. in his attempts to bring to justice a latter day Robert Maxwell type crooked financier, played by Rod Steiger.A previous reviewer suspected it was filmed on location in Spain to obtain a Mexican type atmosphere and this worked well.There were a few British type actors pretending to be Mexican like Eric Pohlmann and the actor who played the chief of Mexican police whom I have seen in more typical British plots.
However the star of the film for my money was the dog actor who played "Dolores".She had a few expressive close ups with her doggy eyes which were very effective.When Rod Steiger initially rebuffed her, I was concerned that the R.S.P.C.A. would have to intervene.Nowadays when animals appear in films the producers invariably state in the credits "No animals were injured during the making of this film".The plot has already been effectively commented on by other users.Quite enjoyable I awarded it 7/10.
However the star of the film for my money was the dog actor who played "Dolores".She had a few expressive close ups with her doggy eyes which were very effective.When Rod Steiger initially rebuffed her, I was concerned that the R.S.P.C.A. would have to intervene.Nowadays when animals appear in films the producers invariably state in the credits "No animals were injured during the making of this film".The plot has already been effectively commented on by other users.Quite enjoyable I awarded it 7/10.
Le saviez-vous
- AnecdotesThe English actors were puzzled by Rod Steiger's method acting. Bernard Lee had particular problems with it but director Ken Annakin liked the animosity between the actors as it fit with the characterizations.
- GaffesAlthough set in the United States, a sign on the wall in the motel diner says No Cheques (British spelling) rather than Checks (American spelling).
- ConnexionsFeatured in Legendy mirovogo kino: Rod Steiger
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- How long is Across the Bridge?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Across the Bridge
- Lieux de tournage
- Lora del Río, Sevilla, Andalucía, Espagne(Mexico scenes)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 43 minutes
- Couleur
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By what name was Frontière dangereuse (1957) officially released in India in English?
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