NOTE IMDb
5,1/10
3 k
MA NOTE
Ajouter une intrigue dans votre langueA giant monster that emits a destructive ray from its back attacks Japan and takes on Gamera.A giant monster that emits a destructive ray from its back attacks Japan and takes on Gamera.A giant monster that emits a destructive ray from its back attacks Japan and takes on Gamera.
- Réalisation
- Scénario
- Casting principal
Jutarô Kitashiro
- Self-Defense Force Commander
- (as Jutarô Hôjô)
Avis à la une
This probably is the most adult oriented of all the Gamera films mainly because it is the only film in the original series not to feature a child as the main human character. However, I also think that it is the one of the weaker films in the series. The human characters aren't really that interesting and this is one of the flaws of the Gamera series. At least with the Godzilla series (or for that matter Toho kaiju films altogether) the human characters, especially in the earlier films, are fully dimensional whereas in the Gamera films they are treated as more of an afterthought. This film is not really one of the brighter moments in the whole Gamera series.
Shigeo Tanaka directed "Gamera vs. Barugon" in 1966, the second film to feature the giant fire-breathing turtle Gamera. I'll be the first to give "Gamera vs. Barugon" a fair review. This second entry into the original seven-film series is probably my favorite, simply because it doesn't feature any annoying Gamera friends; you know what I mean, kids. "Gamera vs. Barugon" is the only movie in the series to not feature annoying adolescents who can communicate with the monster. In this second feature, greedy fortune hunters head to New Guinea where they believe a priceless opal was hidden during the Second World War. Alas, they find it, but one of them is greedier than the other two and kills them both off (well, one of them is stung by a poisonous scorpion, and the other, the hero of the story, survives the attempted assassination). What the greedy man doesn't know, is that what he has in his possession is not a jewel at all, but a monster's egg, Barugon's egg. The infant monster, once exposed to infra-red heat rays, grows to its mature size and begins attacking Japan. Gamera interferes but is defeated quite easily by Barugon's freezing vapor. Meanwhile, the hero and a village girl travel back to Japan, using the ancient legends (combined with modern scientific technology) to try to defeat Barugon once and for all. When these plans fail miserably, it appears that only Gamera stands a chance of bringing Barugon's reign of terror upon Japan to an end. I'll understand this film's low rating, but believe me, as a Gamera fan (and Godzilla too), this is probably the best film in the series. Gamera is off-screen for the most part, and the new monster Barugon takes center stage laying waste to Japan. Forget the bad dubbing for once, too. The musical score is pretty exotic and atmospheric, almost comparable to anything featured in the "Godzilla" series of films. Still, for a movie that was made in '66, the effects hold up surprisingly well, even if it is easy to find the many faults with them. Believe it or not, I actually like the older kaiju films much rather than their special-effects/CGI-laden, modern-day counterparts. For these reasons, "Gamera vs. Barugon" gets a five out of 10 from me.
5/10
5/10
This is the first Gamera movie I have watched. I remembered when I was a kid I rented a VHS copy of this film. Being a kid, I was pretty weary of certain scenes in this kaiju film, like the main villain's evil tactics. This is the first Gamera movie to feature him doing battle with another monster, named Barugon. While Gamera started out as a villainous monster, Barugon proved to be an even more menacing creature, threatening to destroy everything in its path.
As a kid, I enjoyed the film, and when I wanted to rent it again, the VHS copy wasn't available anymore, so I was pretty bummed out. But, years later, this film was shown on TV and, to my delight, I have decided I have got to watch it again and remembered I was entertained by it. The plot about dueling explorers trying to get their hands on an opal from an island while the natives warn them about dire consequences that follow if they take away the gem is pretty intriguing. The special effects were serviceable but the monster battles were decent and Barugon's tongue and rainbow weapons were a pretty cool effect. The Barugon suit looked like it was made out of cardboard and the monster itself wasn't portrayed as menacing enough - I would have liked to see a little more city destruction scenes. The second half of the movie just consists of the military attempting to destroy Barugon - pretty basic, but a little thrilling nonetheless.
Overall, it's a pretty good Gamera movie that ends up being the best in the first series. It is also the only one in the original series not to feature a kid as the main character. The rest of the Gamera films were very much aimed for youngsters and are too childish and corny for my enjoyment. If you would like to see Gamera in action, check out this movie, skip the rest in the series, and catch the newer ones made in the 1990s.
Grade B-
As a kid, I enjoyed the film, and when I wanted to rent it again, the VHS copy wasn't available anymore, so I was pretty bummed out. But, years later, this film was shown on TV and, to my delight, I have decided I have got to watch it again and remembered I was entertained by it. The plot about dueling explorers trying to get their hands on an opal from an island while the natives warn them about dire consequences that follow if they take away the gem is pretty intriguing. The special effects were serviceable but the monster battles were decent and Barugon's tongue and rainbow weapons were a pretty cool effect. The Barugon suit looked like it was made out of cardboard and the monster itself wasn't portrayed as menacing enough - I would have liked to see a little more city destruction scenes. The second half of the movie just consists of the military attempting to destroy Barugon - pretty basic, but a little thrilling nonetheless.
Overall, it's a pretty good Gamera movie that ends up being the best in the first series. It is also the only one in the original series not to feature a kid as the main character. The rest of the Gamera films were very much aimed for youngsters and are too childish and corny for my enjoyment. If you would like to see Gamera in action, check out this movie, skip the rest in the series, and catch the newer ones made in the 1990s.
Grade B-
I have to agree with the first comment and say that this is the best of pre-1995 the Gamera's. I've seen five of them, Guiron and Zigra both being indescribably bad (even when I watched them as a 13 year old I thought so). This one is honestly pretty good, a step-up from the stone age-looking Gamera, which was made in 1965 but looked like it was made in 1954! First off, there isn't too much flashback footage and when it is used, it's actually well-edited and has some pretty cool narration and atmospheric music. There's a random dam attack scene which I still cant figure out why it's there, and then the real story starts with the protagonists finding a jewel that eventually turns into the secondary monster.
Gamera plays a pretty minor second-fiddle this time around, with Barugon, an admittedly more interesting monster, hogging most of the screentime destroying things. I really liked the plotting with the greedy guy accidentally waking the monster with his heat-lamp, and then getting eaten when he ruins the army's plan by trying to steal a giant diamond.
This has the best music and best scenes of destruction of any of the Gamera movies and most of Jun Fukuda's Godzilla films. While it's still Daiei, which most of the time is sub-Toho in every respect, this film shows that around 1966 Daiei actually managed to surpass Toho every now and then effects-wise. Good directing too: the tone is surprisingly mature this time around and it's got a really dark and humorless undercurrent to the whole thing.
My favorite Gamera movie, followed by the... so unintentionally hilarious, it makes me crack up thinking about it... Gamera vs. Gaos.
Gamera plays a pretty minor second-fiddle this time around, with Barugon, an admittedly more interesting monster, hogging most of the screentime destroying things. I really liked the plotting with the greedy guy accidentally waking the monster with his heat-lamp, and then getting eaten when he ruins the army's plan by trying to steal a giant diamond.
This has the best music and best scenes of destruction of any of the Gamera movies and most of Jun Fukuda's Godzilla films. While it's still Daiei, which most of the time is sub-Toho in every respect, this film shows that around 1966 Daiei actually managed to surpass Toho every now and then effects-wise. Good directing too: the tone is surprisingly mature this time around and it's got a really dark and humorless undercurrent to the whole thing.
My favorite Gamera movie, followed by the... so unintentionally hilarious, it makes me crack up thinking about it... Gamera vs. Gaos.
Four men launch an expedition to the jungles of New Guinea to retrieve a valuable opal hidden in a cave during WWII. The jewel is brought to Japan, but turns out to be the egg of an ancient monster called Barugon, that hatches after being exposed to infra-red rays. The creature grows to enormous size and stomps cities; the authorities try different plans to try and defeat the beast, but fail. Gamera, the giant flying turtle, is attracted by Barugon's destructive rainbow energy beam and picks a fight.
Of the Gamera films I have seen thus far (the first four in the series), this is the best, which isn't saying much, I know. Gamera vs. Barugon benefits from being in colour (unlike the original movie), and isn't aimed at kiddies like subsequent efforts (meaning that there is no annoying child to befriend the turtle). The film opens with some enjoyable jungle adventure (superstitious tribesmen, dangerous swamps and deadly scorpions), the monsters are hilariously bad - clearly men in badly designed rubber suits with supporting wires visible throughout - and there's just enough general mayhem and silliness to make the whole thing bearable, especially if really dumb monster movies are your thing.
Not only does Barugon have his ridiculous rainbow beam, but he's also armed with a chameleon-like tongue that sprays a sub-zero vapour to freeze his enemy in their tracks, which makes for a lot of fun (the movie's villain, treacherous treasure hunter Onodera, played by Kôji Fujiyama, meets his fate via the tongue!). Gamera is frozen early on, meaning that he isn't seen for much of the movie, and only shows his scaly face again for the finalé, once he has thawed out, but there's plenty of implausible but entertaining nonsense in the meantime, as the army try to lure Barugon into a lake with a big diamond and reflect the deadly rainbow beams back at the lizard using a giant mirror. Neither ploy defeats Barugon, leaving it up to Gamera to save the day.
4.5/10, rounded up to 5 for the bit where Gamera socks Barugon in the face, resulting in the spillage of gallons of purple blood!
Of the Gamera films I have seen thus far (the first four in the series), this is the best, which isn't saying much, I know. Gamera vs. Barugon benefits from being in colour (unlike the original movie), and isn't aimed at kiddies like subsequent efforts (meaning that there is no annoying child to befriend the turtle). The film opens with some enjoyable jungle adventure (superstitious tribesmen, dangerous swamps and deadly scorpions), the monsters are hilariously bad - clearly men in badly designed rubber suits with supporting wires visible throughout - and there's just enough general mayhem and silliness to make the whole thing bearable, especially if really dumb monster movies are your thing.
Not only does Barugon have his ridiculous rainbow beam, but he's also armed with a chameleon-like tongue that sprays a sub-zero vapour to freeze his enemy in their tracks, which makes for a lot of fun (the movie's villain, treacherous treasure hunter Onodera, played by Kôji Fujiyama, meets his fate via the tongue!). Gamera is frozen early on, meaning that he isn't seen for much of the movie, and only shows his scaly face again for the finalé, once he has thawed out, but there's plenty of implausible but entertaining nonsense in the meantime, as the army try to lure Barugon into a lake with a big diamond and reflect the deadly rainbow beams back at the lizard using a giant mirror. Neither ploy defeats Barugon, leaving it up to Gamera to save the day.
4.5/10, rounded up to 5 for the bit where Gamera socks Barugon in the face, resulting in the spillage of gallons of purple blood!
Le saviez-vous
- AnecdotesThis is the only film in the original series to not feature a child as the main human character.
- GaffesEnglish language version: If Barugon's is harmed by water, how did he swim from the sunken ship to the shore without any difficulty? The translation neglects to mention that while he's vulnerable to water, it doesn't immediately kill him, just weakens him. It has also been suggested that salt water doesn't harm him as much as fresh water.
- Versions alternativesThe Japanese version runs a complete 101 minutes. The American International Pictures-TV (A.I.P.-TV) release version, under the title WAR OF THE MONSTERS, was cut down to 88 minutes to fit it's televised playdates. The 14 minutes that were removed were only expository scenes that had the characters discuss how to destroy the monster Barugon.
- ConnexionsFeatured in Gamera contre Viras (1968)
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Détails
- Durée
- 1h 46min(106 min)
- Mixage
- Rapport de forme
- 2.35 : 1
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