La Planète des monstres

Easy to laugh at it, but if you give yourself over to the experience you might feel some real emotion from this oddity. Godzilla is back and he's traveling to an island. On this island are a team of scientists, a reporter, a plan to stop world hunger, and giant insects. Godzilla's here to find his son. Like the previous effort, this is set on an island. Not my favorite setting for the city stomper, but this time it didn't detract from my enjoyment. Your enjoyment will all depend on how willing you are to see the ferocious monster as a dad. He's a reluctant father at first. A protector to his heir, but not all playful and loving. As the film progresses, he teachers his son the ways of atomic breath and even rubs him on the head to congratulate him. The film is aimed as a much younger audience, with Minilla being a constant source of slapstick humor. A tail in the face here, tumbling down there etc. The big insect monsters are pretty darn decent if unimaginative. The final scenes in the snow are really sweet, and as long as I'm still entertained, I'm willing to see a more human Godzilla.

On an island in the Pacific, a team of scientists under the direction of Professor Kusumi (Tadao Takashima) is working to perfect a weather control system while dealing with giant praying mantises and the arrival of reporter Maki Goro (Akira Kubo). When then the test of the weather system malfunctions due to interference from somewhere on the island a radioactive storm is unleashed that decimates the team's equipment and communications leaving them to deal with the further enlarged mantises (dubbed Gigantises) who unearth an egg containing a baby Godzilla that whose cries are summoning its father.

Son of Godzilla is the eighth film in the Godzilla series and the second to be directed by Jun Fukuda as the original team of Ishiro Honda and Eiji Tsubaraya were assigned to the Rankin-Bass co-production of King Kong Escapes following a previous attempt going awry which lead to Ebirah, Horror of the Deep. Per the direction of Toho, Son of Godzilla like Ebirah also saw itself set on an island location as a cost saving measure and were also directed to make a movie appealing to the date crowd with the idea that a "cute" baby Godzilla would appeal to women. In the years since its release it's gained a reputation as being one of the lesser films in the series as well as introducing the divisive character of Minilla and you can certainly see why in the end result.

In terms of the effects work the human structures look better than the ones like the Red Bamboo's fortress from Ebirah (most likely because they don't try to get too ambitious with it) and the effects work used to bring to life the Gigantises and Spiga the giant spider are nice looking in a way that almost reminded me of something like Them!. Godzilla's appearance isn't at the height of the Showa era as from certain angles his eyes maybe feel a bit too pronounced, but at least his characterization feels more consistent from Ebirah where he was shoehorned into a King Kong role. And then we have Baby Godzilla or as he'd come to be known Minilla. Charitably speaking Minilla could be described as a "love him or hate him" character in the series and he does have defenders but I'm not among them. While I'm not against the idea of Godzilla having offspring (I thought Godzilla vs. Mechagodzilla II handled that quite well), Minilla's design just doesn't look appealing and I think it comes from how they've tried to anthropomorphize it too much. Minilla's face is more sunken in compared to Godzilla and complete with a more stout and wobbly appearance it feels like they've made a hybrid of 40% of Godzilla's trait with the remaining bit seemingly modeled roughly on the appearance of a human one-year old or less baby and it does not work at all and just looks off. The movie also continues the trend of more anthropomorphic behavior with Minilla and Godzilla and coupled with the repetitive and often grating noises Minilla makes a lot of scenes that try to be cutesy just don't work. In terms of the monster fights Gigantis and Spiga don't pose much of a challenge to Godzilla and I felt they were good monsters for something like a "man vs. Monster" type story, but in a Godzilla movie they don't measure up.

As with the last few movies the humans aren't terribly interesting with the only real character coming from Maki Goror and Saeka played by Akira Kubo and Bibari Maeda respectively, but that's only by comparison most of the science team on the island is pretty interchangeable with not much sense of identity established to them.

Son of Godzilla is a series entry I don't typically revisit and for pretty good reasons. While some of the effects work on Spiga or Gigantis is commendable, many of the issues seen in Ebirah are carried over. Hardly the worst of the series, but also not reaching the level of "good".

Son of Godzilla is one of those weird movies which inspire strange feelings. The story is unique, no Godzilla doing his typical destruction. The story centers on the very human relationship between Godzilla and his son, Minya. This movie really touched me on this level. Some scenes really stick in my mind. The great scene with Godzilla teaching Minya how to shoot radioactive fire comes to mind. There is a real bond that comes out. When Minya is confronted with a monster, i.e. a bully, Godzilla makes Minya fight his own battle but is always there to back up his son.

Godzilla protects Minya and teaches him lessons; and in one of the climactic scenes, the son fights for his father's life; this is poignant. The scene at the end of the film in which father and son embrace to huddle from the cold is touching. If you divorce this from the typical Godzilla movie, what you are left with is a movie about a very close bond between father and son. I think I'm probably the only one who appreciates this movie on this deep a level.

One question: What Hollywood movie has a positive view of a father and son relationship?--- This movie made me very emotional, go figure. In short, if you want to see a typical camp Godzilla, look elsewhere. If you want to see something with emotional content; see this movie

8++++++/10

This movie features Godzilla's son, which is exactly what you'd expect to see. I believe the son is referred to as Minya. The main problem with this film is that it seems disorganized. While most Godzilla movies have the flaw of focusing too much on the humans, I'm thinking this one had the problem of focusing too much on the monsters. Minya is pretty annoying and doesn't even look much like a baby Godzilla. This features them fighting giant praying mantises on an island. That's more or less the whole plot of the movie.

I suppose the special effects aren't any worse than any of the other movies. This was just weird because it was too cutesy. It really does make me think back to the classic Godzilla film and realize how low the series has gotten. I guess it is nice to see more emphasis being placed on the actual monsters, but it's not very rewarding. I think Leonard Maltin summed it up best when he asked where Mrs. Godzilla was when you really needed her. Did Godzilla reproduce asexually? **

This direct to TV, budget conscious, effort still packs in the fun, albeit, of a different nature. No Cities getting stomped, no human death and very little modeling. Drama, suspense, humor, vibrant color, a great cast and monsters, fill the void. It is my least favorite Godzilla costume due to his goofy large eyes and tail that pinched inwards at the base. Minilla's silly looks, actually add to the good comedic acting. The story is neat and puts you into the suspense as a human trying to stay off the menu. The Akira Ifukube-less soundtrack is slightly dated due to its jazzy 60's vibe, but most of it was surprisingly good. After watching a host of other monster flicks of this era, like Yog, Daimajin, and Monster from a Prehistoric Planet, this effort seems to rise to the top.