Sur la piste des Apaches

A stagecoach hauling honest citizens mixed with a few dubious people travels through the Southwest wilderness during an Apache uprising with everything culminating at a way station. Rory Calhoun, Lon Chaney Jr. And Corinne Calvet are the protagonists while John Russell, DeForest Kelley and Gene Evans play the outlaws

"Apache Uprising" (1965) is an A. C. Lyles Western, who produced over a dozen 'B' Westerns in the mid-60s. These flicks were shot in about 12 days, give or take, using past-their-prime actors mixed with a couple up-and-comers. They were shot on town sets with a few sequences done in the nearby wilderness of SoCal. The teams Lyles gathered always knew what they were doing and did it competently and efficiently, albeit with little artistic merit and just a notch above a TV movie.

This one has elements of "Stagecoach" (1939), "Hangman's Knot" (1952) and "Black Spurs" (1965) with Rory making for a tall, dark Western protagonist; he should've been more popular. While it isn't as good as his previous "Black Spurs," it's still a solid traditional Western with fleshed-out characters and a well-written story, albeit a tad complicated.

Kelley, who would go on to fame with Star Trek the next year, is entertaining as an irascible psycho while the towering John Russell is even more grim as the scarred ringleader.

On the female front, Corinne Calvet was almost 40 during shooting and still alluring. I liked the bit about her unjustly being an outcast purely through gossip/slander (or perhaps I should say impurely).

The movie runs 1 hour, 30 minutes, and was shot at Vasquez Rocks, just north of Hollywood in the high country east of Santa Clarita, with studio stuff done at Paramount Studios and some stock footage from Arizona.

GRADE: B-/B (6.5/10)

but not by a whole lot. The cast is a bit more vigorous than the usual group of senior citizen actors who populate the typical Lyles western, the action is staged a bit more professionally and the script isn't one of the worst of the series (although it's nothing to write home about, either). Rory Calhoun and John Russell, unlike most of the leading men in this series, seem to have matured rather than "aged," and that fact alone lifts this picture up a notch from the usual run-of-the-mill Lyles extravaganza. It's still nothing special, but it's not as embarrassing as some of the other entries in Lyles' string of geezer oaters.

The film takes place in Arizona circa 1880s and deals with the stage coach lines trying to run from Texas through Arizona over to Phoenix and points west. The stage coach and passengers are attacked by renegade Apaches. These stage coach hands, passengers, and various AZ outlaws, all of whom are travelling through Indian country, are forced to join forces against the Apaches in order to save their lives and scalps.

Old fashioned/traditional westerns like this A. C Lyle western is what I prefer and they were fast becoming anachronistic in the 1960s in the cinema halls, however this western is fairly ordinary with a few good points such as some action sequences, an array of older actors, nice location and an oddness - it's an ok time filler, nothing more. Deforest Kelley plays a psychotic gunman who goes into psycho mode every five seconds. It amazes how John Russell's character would hire such a loose wire when he would be attracting attention with his behaviour.

1965's "Apache Uprising" was number 6 out of the 13 B-Westerns produced at Paramount by A.C. Lyles in the mid 60s, crammed full of incidents taken from better known titles, particularly John Ford's "Stagecoach." Rory Calhoun and Arthur Hunnicutt make an interesting team of drifters riding shotgun on a stagecoach to Lordsburg; like Berton Churchill, there's a corrupt businessman (Robert H. Harris) carrying a load of cash, and like Claire Trevor, there's a woman of ill repute (Corinne Calvet). The threat of Apache attack is of course present, along with the more immediate danger posed by deadly gunmen Gene Evans and an especially mean spirited DeForest Kelley, their boss (John Russell) only a few paces behind, just waiting to complete that big payday. Smaller roles are essayed by Richard Arlen, Donald Barry, George Chandler, and two actors making their final screen appearances, the still attractive Jean Parker ("Dead Man's Eyes," "Bluebeard") and Johnny Mack Brown, reduced to playing a lecherous sheriff. Best of all is Lon Chaney, now 6 for 6 in Lyles Westerns, doing the Andy Devine role of coach driver Charlie Russell, a hard drinking, lovable bear of a man, laughing and enjoying life no matter the danger. Present for 8 of the 13 Paramounts, Chaney rejoices in his biggest part yet, and happily survives to the very end. Despite so many familiar elements, Lyles makes it all work in unpredictable fashion, with John Russell getting his just desserts, while DeForest Kelley gets off lightly (offscreen, sad to say).

And I would say unusual western from AC Lyles' stuff that usually take place in towns, between outlaws spreading terror and the good sheriff, with some more or less complex story to "spice" the story. Here it is question of Indian renegades, so the usual settings of Lyle's productions expand a bit, in more outdoor scenes...The most interest remains, as usual in Lyle's prod, the cast, mainly old timers from Hollywood with a bunch of villains absolutely exquisite - De Forest Kelley, Gene Evans and above all a convincing John Russel, the leader. Only John Doucette and Robert Wilke were missing in this villain gallery. But that remains a B vintage western, not a milestone in western history. A vert cruel ending, but for the villain. Some kind of taste as the final minutes if JOHNNY COOL.