Amigo!... Mon colt a deux mots à te dire
Titre original : Si può fare... amigo
- 1972
- Tous publics
- 1h 49min
NOTE IMDb
5,7/10
1,9 k
MA NOTE
Ajouter une intrigue dans votre langueA drifter with fast fists and a gunfighter-pimp with fast guns help a child claim his inheritance.A drifter with fast fists and a gunfighter-pimp with fast guns help a child claim his inheritance.A drifter with fast fists and a gunfighter-pimp with fast guns help a child claim his inheritance.
- Réalisation
- Scénario
- Casting principal
Dante Cleri
- Doctor
- (as Cleri Dante)
Avis à la une
Hiram Coburn is not the typical spaghetti western protagonist. He doesn't use a gun, instead opting to pound his opponents silly with his fists, and although he is as powerful as an ox, he is mellow and laid back to an annoying degree. He takes some getting used to, but by the end of the film I found myself liking this character. Jack Palance plays Sonny, an eccentric gunslinger (what Palance does best). He is very entertaining, and I would have liked to have seen more of him in the film. The weirdest thing about him is that his accent keeps changing. Sometimes he sounds like he is from the southeastern US, other times he sounds Mexican, and other times he sounds like he's from Chicago or something. I don't know if this is intentional or not, but it sure is odd, and odd is a good thing in a spaghetti western.
The music score by Bacalov is excellent. It reminds me of some of Morricone's work, which is pretty much the best compliment one could give.
The story is great, and just about the most original one I've ever seen in a spaghetti western. The movie is a comedy, but not to the extent that it becomes completely unbelievable. I may have given this movie a higher rating if I saw it in a more complete, widescreen version. The version I saw, which I assume is the most commonly available, is approximately 98 minutes long if I remember correctly, and it feels like it's been edited somewhat to shorten its length.
All in all, this one's a must-have if you are a spaghetti western nut like me.
The music score by Bacalov is excellent. It reminds me of some of Morricone's work, which is pretty much the best compliment one could give.
The story is great, and just about the most original one I've ever seen in a spaghetti western. The movie is a comedy, but not to the extent that it becomes completely unbelievable. I may have given this movie a higher rating if I saw it in a more complete, widescreen version. The version I saw, which I assume is the most commonly available, is approximately 98 minutes long if I remember correctly, and it feels like it's been edited somewhat to shorten its length.
All in all, this one's a must-have if you are a spaghetti western nut like me.
One of Bud Spencer's star vehicles without his partner Terence Hill takes him back to familiar Spaghetti Western territory. Despite a good cast (Jack Palance, Francisco Rabal, Luciano Pigozzi) and crew (screenwriters Rafael Azcona and Ernesto Gastaldi, cinematographer Aldo Tonti and composer Luis Enriquez Bacalov), the film rambles amiably along without ever becoming sufficiently memorable.
Spencer seduces Palance's virginal sister (having mistook her in the dark for another dance-hall girl) and flees from her pursuing pistolero/showman brother until he meets an abandoned child in the desert whom he takes under his wing (shades of two films Bud would later make with CLOSE ENCOUNTERS OF THE THIRD KIND [1977]'s Cary Guffey); as it turns out, the boy is the proprietor of a dilapidated wellspring which turns out to be rich in oil but they soon fall foul of outwardly harmless sheriff/judge/preacher Rabal. Spencer indulges himself in several of his typical fist-fights and even "Paco" Rabal gets to taste his trademark hammer-blow to the head; amusingly, he puts on his glasses before a fight so that he can think more clearly! Palance scores best as Spencer's laid-back, black-clad, pursuer-cum-partner and brother-in-law to-be. The title song is an agreeable one although it's only played during the opening and closing credits sequences.
I have missed out on this one several times on Italian TV over the years but I did catch the free-for-all finale once; since the quality of the DVD I watched was quite terrible not just pan-and-scanned but extremely washed out as to lapse into practically black and white at various points!; although it was nice to hear Palance and Rabal's own voices in English, I'll make it a point to tape this one when it's shown again on one of the major Italian TV channels.
Spencer seduces Palance's virginal sister (having mistook her in the dark for another dance-hall girl) and flees from her pursuing pistolero/showman brother until he meets an abandoned child in the desert whom he takes under his wing (shades of two films Bud would later make with CLOSE ENCOUNTERS OF THE THIRD KIND [1977]'s Cary Guffey); as it turns out, the boy is the proprietor of a dilapidated wellspring which turns out to be rich in oil but they soon fall foul of outwardly harmless sheriff/judge/preacher Rabal. Spencer indulges himself in several of his typical fist-fights and even "Paco" Rabal gets to taste his trademark hammer-blow to the head; amusingly, he puts on his glasses before a fight so that he can think more clearly! Palance scores best as Spencer's laid-back, black-clad, pursuer-cum-partner and brother-in-law to-be. The title song is an agreeable one although it's only played during the opening and closing credits sequences.
I have missed out on this one several times on Italian TV over the years but I did catch the free-for-all finale once; since the quality of the DVD I watched was quite terrible not just pan-and-scanned but extremely washed out as to lapse into practically black and white at various points!; although it was nice to hear Palance and Rabal's own voices in English, I'll make it a point to tape this one when it's shown again on one of the major Italian TV channels.
Bud Spencer teams up with a kid in this rather charming, but cheap, Italian comedy Western. Jack Palance provides back up as a cigar chomping, riled brother of a chick Spencer slept with, hoping to marry Spencer off and then kill him (to save face). They all end up in a town run by Sheriff/Judge/Reverend Francisco Rabal, who wants the property that the kid's inherited. But why? That's up to Spencer and the kid to find out, but needless to say the kid's sitting on a fortune.
This mostly harmless western has Spencer as the reluctant hero, protecting a kid he doesn't want to protect and getting into many punch ups. Palance turns up periodically to save Spencer (he wants to kill him himself) and for some reason he's got an accent that turns from Southern to Mexican for no reason whatsoever. Everything's played pretty light (no one gets killed, save for the kid's uncle who has a heart attack).
As with all Italian comedies, the laughs are played very broad (verging on slapstick), and there's unintentional and intentional laughs. There's also a touching moment when the kid starts showing Spencer a bit of affection and you can see Spencer's torn between his duties in looking after the kid and his own need to get out of town. The film also benefits from having one of the least annoying kids in Italian cinema (If you've seen House by the Cemetery or Sweet House of Horrors, you'll know that's no understatement).
The abrupt ending seems to endorse wife-beating, however, so I'm not sure what that was about! Did give me a laugh, though The print I viewed was awful - drained of colour, pan and scanned, with a weird echo for the first 30 minutes.
This mostly harmless western has Spencer as the reluctant hero, protecting a kid he doesn't want to protect and getting into many punch ups. Palance turns up periodically to save Spencer (he wants to kill him himself) and for some reason he's got an accent that turns from Southern to Mexican for no reason whatsoever. Everything's played pretty light (no one gets killed, save for the kid's uncle who has a heart attack).
As with all Italian comedies, the laughs are played very broad (verging on slapstick), and there's unintentional and intentional laughs. There's also a touching moment when the kid starts showing Spencer a bit of affection and you can see Spencer's torn between his duties in looking after the kid and his own need to get out of town. The film also benefits from having one of the least annoying kids in Italian cinema (If you've seen House by the Cemetery or Sweet House of Horrors, you'll know that's no understatement).
The abrupt ending seems to endorse wife-beating, however, so I'm not sure what that was about! Did give me a laugh, though The print I viewed was awful - drained of colour, pan and scanned, with a weird echo for the first 30 minutes.
I like spaghetti westerns, and I also like Bud Spencer movies. So I thought I would like this spaghetti western starring Bud Spencer (as well as Jack Palance.) Unfortunately, I have to report that even if you like spaghetti westerns and/or Bud Spencer, chances are you'll find this movie a bore like I did. The movie has very little story, and it moves at an unbelievably slow crawl. The comedy is mostly lame, though Bud's instant charisma lifts the humor from level zero, even though Bud seems to be doing this movie in his sleep. Jack Palance gnashes his teeth so much that he seems to be in pain doing this movie. And the director often shoots the actors so that the tops of their heads are cut off at the top of the screen! (The pan-and-scan presentation of the movie makes things even worse.) Not recommended.
Ivan Coburn (Spencer) deflowered the sister of the fastest gun around, Sonny.(Jack Palance) Sonny wants Coburn to marry his sister so she wont live in shame, and then Sonny wants to kill Coburn. During all this Coburn has to take care of a small boy named Chip Anderson whos uncle died from a gun shot. I laughed alot during this movie....many fights and one liners....This movie was much better than I thought it would be. I think it's for Terence Hill and Bud Spencer fans only...or if you like the whole sphagetti western thing. There is something unusal in this film....there's a guy who pays 2 dollars for a bucket if dirt..and then he eats it!!??? (he's looking for soil with oil in it.) The start to this is also funny.....Coburn complains to his horse through the whole credits because it wont move, but when he sees a man with a gun the horse jumps to it's feet!
My vote is 6/10. A good movie for people who like "They call me Trinity" style movies!
My vote is 6/10. A good movie for people who like "They call me Trinity" style movies!
Le saviez-vous
- AnecdotesThe film was shot on the same set that was the McBain ranch from Sergio Leone's Once Upon A Time In The West. In that movie the railroad was supposed to run through the ranch because there was a well on the property. At one point in this movie Bud Spencer even says, 'so this is the famous well.'
- GaffesThe incomplete rail ends of the lines going east and west are the same shot, as can be seen by the stones on the ground.
- Citations
[first lines]
Hiram Coburn: How the hell did I ever get stuck with a loser like you?
- Versions alternativesThe 1980 West German re-release features a new "comedy" dub and is cut by approx. 15 minutes.
- ConnexionsEdited into Ninja the Mission Force: They Call Him Bruce (2013)
- Bandes originalesCan Be Done
Written by Sergio Bardotti (as Bardotti) and Luis Bacalov (as Enriquez)
Sung by Rocky Roberts
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- How long is It Can Be Done Amigo?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- It Can Be Done... Amigo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 49 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Amigo!... Mon colt a deux mots à te dire (1972) officially released in India in English?
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