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5,9/10
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Lorsqu'un responsable du gouvernement disparaît dans les tunnels de Londres, après plusieurs rapports de personnes disparues au même endroit, Scotland Yard commence à prendre l'affaire au sé... Tout lireLorsqu'un responsable du gouvernement disparaît dans les tunnels de Londres, après plusieurs rapports de personnes disparues au même endroit, Scotland Yard commence à prendre l'affaire au sérieux.Lorsqu'un responsable du gouvernement disparaît dans les tunnels de Londres, après plusieurs rapports de personnes disparues au même endroit, Scotland Yard commence à prendre l'affaire au sérieux.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Terence Plummer
- Tunnel Worker
- (as Terry Plummer)
Avis à la une
This movie's story: in the bowels of the Earth below the streets of London, there exists an area that had been buried in the late 19th century by a cave-in. One might not think it possible, but the people who were sealed off managed to survive. Now, 80 years later, their last living descendant (Hugh Armstrong) is about to make his existence known to the outside world. People start disappearing, but the ball only really gets rolling when a prominent public servant (top character actor James Cossins) vanishes. The chief police inspector on the case, Calhoun (Donald Pleasence), realizes that he has his hands full, but vows to stick it out, despite the matter now being more in the domain of MI5.
This marked the debut fictional theatrical feature for the young American director Gary Sherman, who also came up with the story; he went on to direct such nifty 1980s pictures as "Dead & Buried" and "Vice Squad". He and his crew make excellent use of some *extremely* atmospheric locations. They're dark, they're filthy, and they're dripping with water. "Death Line" (a.k.a. "Raw Meat") can take credit for bringing horror to the London tubes almost a decade before "An American Werewolf in London". The makeup effects and gore are very well done, and this is additionally blessed with a highly offbeat music score composed by Wil Malone and Jeremy Rose. The camera-work is utterly fantastic - wait for the approximately 10 minute sequence from about 23 minutes in to 33 minutes in for a memorable tracking shot showcasing the monsters' lair.
It's well worth noting that our hideous killer is far from being malicious. He's really more pitiable than anything else, especially as he goes into mourning at one point, and tries to make a connection with lovely young Patricia Wilson (Sharon Gurney), uttering the only English words that he's ever managed to learn. You really feel his despair and sadness when it comes to his companion, the Woman (June Turner).
Donald Pleasence is an absolute delight in our lead role, playing the material with a heavy dose of humour. His Inspector Calhoun is hilariously surly, and witty. David Ladd (one of Alan Ladds' sons) does okay as American student Alex Campbell, but the character is pretty insensitive and hostile for a while, only earning our sympathy towards the end. Gurney is highly appealing as his girlfriend. Top notch supporting players include Norman Rossington, Clive Swift, Heather Stoney, Hugh Dickson, and Ron Pember. Sir Christopher Lee is great fun to watch, albeit kind of wasted in a cameo role as MI5 agent Stratton-Villiers.
Horror fans need to add this one to their watch list, if they haven't seen it already. It's too good to pass up.
Eight out of 10.
This marked the debut fictional theatrical feature for the young American director Gary Sherman, who also came up with the story; he went on to direct such nifty 1980s pictures as "Dead & Buried" and "Vice Squad". He and his crew make excellent use of some *extremely* atmospheric locations. They're dark, they're filthy, and they're dripping with water. "Death Line" (a.k.a. "Raw Meat") can take credit for bringing horror to the London tubes almost a decade before "An American Werewolf in London". The makeup effects and gore are very well done, and this is additionally blessed with a highly offbeat music score composed by Wil Malone and Jeremy Rose. The camera-work is utterly fantastic - wait for the approximately 10 minute sequence from about 23 minutes in to 33 minutes in for a memorable tracking shot showcasing the monsters' lair.
It's well worth noting that our hideous killer is far from being malicious. He's really more pitiable than anything else, especially as he goes into mourning at one point, and tries to make a connection with lovely young Patricia Wilson (Sharon Gurney), uttering the only English words that he's ever managed to learn. You really feel his despair and sadness when it comes to his companion, the Woman (June Turner).
Donald Pleasence is an absolute delight in our lead role, playing the material with a heavy dose of humour. His Inspector Calhoun is hilariously surly, and witty. David Ladd (one of Alan Ladds' sons) does okay as American student Alex Campbell, but the character is pretty insensitive and hostile for a while, only earning our sympathy towards the end. Gurney is highly appealing as his girlfriend. Top notch supporting players include Norman Rossington, Clive Swift, Heather Stoney, Hugh Dickson, and Ron Pember. Sir Christopher Lee is great fun to watch, albeit kind of wasted in a cameo role as MI5 agent Stratton-Villiers.
Horror fans need to add this one to their watch list, if they haven't seen it already. It's too good to pass up.
Eight out of 10.
The premise for this film is brilliant. The underground setting is brilliantly used, with striking photography and visual story-telling. The film's last line is something like, "Did they really live like this?", seeing the squalor of the underground lair. Sequences are fantastically gruesome, in documentary style. Not only is the film well shot, it has some points to make about oppression. See this film if you get the chance, it deserves a much higher IMDb rating.
- is the reason to watch this film. The flabbergasting and versatile displays of sarcasm shown by Donald Pleasence's copper Calhoun are simply breathtaking. The British policeman, as is well known, has about 52 forms of sarcasm at his disposal, to make up for his not carrying a sidearm, and Pleasence uses them ALL, shifting from one to another with lightning speed. Observe a master at work. Pleasence and Rossington apparently ad-libbed many of their best lines, resulting in free and easy and extremely funny series of scenes between the two. "And very nice too."
Raw Meat also titled Subhumans is a classic horror movie about terrible happenings occur at London underground. As a top civil servant disappears in the Tube tunnels , then Scotland Yard goes into action . As Police Inspector Donald Pleasence and his helper investigate the bizarre deeds. A young couple, witnesses of the weird events , David Ladd and Sharon Gudney, give some clues about the twisted case. But other murders and kidnapping take place and things go wrong.
This yarn is one of the highest earning horror movies of the seventies .Original terror movie, nowsadays considered to be a cult movie . There is primitive gore , suspense , thrills , chills and creepy scenes.The subhumans appearances are the highest points of the movie , the ghastly characters deliver the goods full of screams , shocks and tension. Interpretations are pretty well , particularly by Donald Pleasence as a sarcastically cynical Inspector, he is supported by a botcher sub-inspector and righ-hand well played Norman Rossington. Along with David Ladd, Alan Ladd's son who as a little boy performed some films with his daddy. David Ladd has made a decent career as a film producer. And , of course, a brief intervention by the great Christopher Lee in a suspect role as a meddlesome MI5 agent .The movie has an acceptable production design plenty of decrepit lairs, dark tunnels , eerie skeletons and excellent make-up with crusted , bruised faces . Adequate and evocative cinematograpjy filled with shades and lights by Alex Thomson. Thrilling and terrifyng musical score by Malone and Jeremy Rose.
The motion picture was well directed by Gary Sherman and it was reedited for American audiencies and released under the title Raw Meat. Gary Sherman is an expert on action genre as he proved in Wanted : dead or alive with Rutger Hauer , Vice Squad with Wing Hauser and being specialist on Terror films as Death Line , Poltergeist III , and "Dead and buried" that is deemed to be his best one . Rating 6.5/10 . Good ,acceptable and decent terror movie
This yarn is one of the highest earning horror movies of the seventies .Original terror movie, nowsadays considered to be a cult movie . There is primitive gore , suspense , thrills , chills and creepy scenes.The subhumans appearances are the highest points of the movie , the ghastly characters deliver the goods full of screams , shocks and tension. Interpretations are pretty well , particularly by Donald Pleasence as a sarcastically cynical Inspector, he is supported by a botcher sub-inspector and righ-hand well played Norman Rossington. Along with David Ladd, Alan Ladd's son who as a little boy performed some films with his daddy. David Ladd has made a decent career as a film producer. And , of course, a brief intervention by the great Christopher Lee in a suspect role as a meddlesome MI5 agent .The movie has an acceptable production design plenty of decrepit lairs, dark tunnels , eerie skeletons and excellent make-up with crusted , bruised faces . Adequate and evocative cinematograpjy filled with shades and lights by Alex Thomson. Thrilling and terrifyng musical score by Malone and Jeremy Rose.
The motion picture was well directed by Gary Sherman and it was reedited for American audiencies and released under the title Raw Meat. Gary Sherman is an expert on action genre as he proved in Wanted : dead or alive with Rutger Hauer , Vice Squad with Wing Hauser and being specialist on Terror films as Death Line , Poltergeist III , and "Dead and buried" that is deemed to be his best one . Rating 6.5/10 . Good ,acceptable and decent terror movie
There's something pretty grisly going on under London in the Tube tunnels between Holborn and Russell Square.
When a top civil servant becomes the latest to disappear down there Scotland Yard start to take the matter seriously.
Helping them are a young couple who get nearer to the horrors underground than they would wish.
Very 70s, but not all that great. The problem is this is sort of a quasimodo frankenstein-ish movie and it takes itself seriously, but it's just not all that compelling.
Lots of long segments with the "monster" (for lack of a better term) wallowing in the dark wet space of the London tubes. But it wears thin when nothing happened for so long.
When a top civil servant becomes the latest to disappear down there Scotland Yard start to take the matter seriously.
Helping them are a young couple who get nearer to the horrors underground than they would wish.
Very 70s, but not all that great. The problem is this is sort of a quasimodo frankenstein-ish movie and it takes itself seriously, but it's just not all that compelling.
Lots of long segments with the "monster" (for lack of a better term) wallowing in the dark wet space of the London tubes. But it wears thin when nothing happened for so long.
Le saviez-vous
- AnecdotesChristopher Lee agreed to do the film for scale because he wanted to work with Donald Pleasence. Despite this, the two never share the screen together due to their large height difference (Lee was 6ft5 and Pleasence is 5ft6). Director Gary Sherman kept them in separate shots until Lee sits down at the end of the scene so that he wouldn't have issues fitting them both into the same frame.
- GaffesAt Russell Square Station there is a platform sign saying, "Way Out and District Line." The District line goes nowhere near Russell Square.
- Versions alternativesThe original UK cinema and video versions were cut by the BBFC to heavily edit the broom impalement, a shot of a spade in a man's head, the cannibal biting off a rat's head, and his pursuit and attempted rape of Sharon Gurney. The full uncut version was finally passed by the BBFC for the DVD release in March 2006.
- ConnexionsFeatured in Nightmare Festival (1989)
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- How long is Death Line?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Death Line
- Lieux de tournage
- Aldwych Underground Railway Station, Surrey Street, Aldwych, Westminster, Greater London, Angleterre, Royaume-Uni(Russell Square underground station)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
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