L'esprit de la mort

Immortality is a virtue that man has sought after since the dawn of history and now one man has found it. I originally rented this movie because, quite frankly, I was intrigued by the tag line. And boy did my interest pay off. I found one of the best films I have ever seen. From the beginning that you won't understand until they end to the subtle plot turns along the way. This film raises the questions " Once you've obtained immortality, what's next?" and "In the end, is it really worth it?"

I was able to view this film in Pattonville Germany, in the theater on post. I was 13 or 14 years old at the time. It was a matinée and cost a whole thirty-five cents to see.

This movie is the standard I use to base any and all horror films on, it still gives me the shivers.

It has only been some 30 years ago but I remember the line of the witness when the movie opened when the bus?/truck screeches over the old man, MY GOD HE'S STILL ALIVE the guy says as the guinea pig runs across the screen to the left.

My memory of the asphyx being caught in the light, and the noise of the thing screeching, the man they were hanging was moving around and twitching on the end of the rope, still just freaks me out.

"The Asphyx" a/k/a "The Horror of Death" is one of the most original yet unheralded English horror films. Set in 1870's England, aristocrat Sir Hugo (Robert Stephens) accidentally photographs an entity (mythological name Asphyx) entering a person's body at their death. Sir Hugo theorizes that each person has their own Asphyx and that if the entity can be imprisoned outside the body, the person will be immortal. Can you guess what happens next?

From the physiological standpoint, the concept is not that different from the idea of vampires and zombies; with the same need to suspend disbelief to really enjoy things. Although like the implications of time travel, half the fun is speculating on the ramifications of the idea.

There is a pleasant and very haunting score and the story has a nice touch of irony as Sir Hugo's first experimental subject is his eventual downfall.

The real strength of this film is the production design. Considerable effort went into the meticulously constructed sets and there was much attention to detail in the various scientific apparatus and instruments. While the historical accuracy of these advanced devices is suspect, they are certainly no harder to accept than the basic premise. All looks great on the big screen and is probably fine on the letter boxed DVD, but the VHS tape is of marginal quality and the 4x3 aspect ratio does not do justice to the frame.

Few films from the era that did a better job of filling their frames than "The Asphyx" (credit to Academy award winning cinematographer Freddie Young), but this just magnifies the problems of the full-screen version. It appears that the 1989 Interglobal Home Video trimmed nine minutes from the film and was recorded at the LP speed, so you should avoid that one if possible.

Then again, what do I know? I'm only a child.

I bought a copy of this thru eBay. It was the old VHS, untouched by digitization. I would recommend that one purchase the newer DVD. I have heard that the color and saturation is much improved.

As for Sir Robert's performance, and Mr. Powell's: Quite extraordinary. Even the effects are quite futurist for the date that this was filmed.

There is a bit of violence, involving two men and a guinea pig, so be aware of some disgust with relation to that. But by far, if you want to be enthralled by Sir Robert, and coo at Powell, you're in for a rare treat. I can't believe this one was out there for so long before I found it! Truly needs to be placed in the "Hall of Horror", since it is nearly on the level of the old Vincent Price works, like "Mask of Red Death" and "The Raven". Get it, and treasure it as one of Sir Robert's few performances still available.

When The Asphyx was released in 1973, The Exorcist was about to change the landscape of horror forever, moving the genre away from subtlety and into the realm of graphic effects and makeup. That's one of the reasons why The Asphyx was a box-office flop, fondly remembered by a select few who never forgot this quirky little "thinking man's horror film" (as Variety called it), in which a 19th-century British philanthropist and amateur psychic researcher embarks on a fateful quest for immortality. Sir Hugo Cunningham (nicely played by Robert Stephens) has a morbid hobby of taking photographs of dying people, and this leads to his discovery of a nebulous spirit of the dead--known in mythology as the Asphyx--that appears (only visible on photographic plates) at the moment of death. Sir Hugo becomes obsessed with capturing his own Asphyx and thus ensuring that he cannot die, but of course this is an ill-fated ambition that puts Sir Hugo on a ruinous path to destruction and death. With its talky, literate script, well-drawn characters, and fascinating themes, The Asphyx bears closer resemblance to the Hammer horror films that became passé in the early and mid-1970s. The chills are subtle but effective under the direction of Peter Newbrook, and the widescreen cinematography by Freddie Young (whose credits include Lawrence of Arabia) adds polish and elegance to the proceedings. Filled with foreboding atmosphere, this is an intelligently conceived horror film that relies more on story than shocks, although the screeching Asphyx is eerily haunting. Kudos to Allday Entertainment for producing this DVD--The Asphyx has been rescued from obscurity, painstakingly remastered in its original 2.35:1 aspect ratio for discerning connoisseurs of high-class horror.