Le casse

...that's if you can get it at all. I haven't seen a copy of this movie in about 15 years, and it's only because it has such a dumb title that I can even remember what it was called.

Honestly, I can't remember anything about 'The Burglars', which I saw once, in about 1989, other than the fact that it has the most amazing car chase I've ever seen. I remember thinking the stunt drivers must have been madmen. No special effects, slow-motion or anything; just insane high speed driving through the streets of Athens. Steven Spielberg is supposed to have said that 'The Castle of Cagliostro' had the best car chase ever filmed. I guess he can't have seen this one. Honestly, it's just nuts.

As for the rest of the film, I don't remember, and frankly, who cares. If I ever track down another copy, it'll only be for one reason (and BTW, I'm not a car-chase, or even action-film buff. I mean, I thought 'Gone in 60 seconds' was as boring as dirt, as well as being utterly stupid. But I will always make room for the best example of any genre, and if car-chases were a genre, this would be my pick)

Well, that wan't much of a review, was it? But from what I remember, it wasn't much of a movie except for the... yeah, yeah, OK: you get the idea by now.

¨The burglars¨ is a good French movie about hold-up with top-notch actors . Azad (Jean-Paul Belmondo) is a delinquent who along with a motley group (Robert Hossein , Renato Salvatori and his girlfriend played by Nicole Calfan) plans a robbing . Azad pretends the perfect robbery recruiting his expert accomplices but a Police Inspector named Amed Zacharia (Omar Shariff) tracks down on them . The hold-up is carefully schemed on the Tasco(Jose Luis Villalonga)'s home .The morning after newspapers publicize ¨Tasco robbed of 1.000.000 in emeralds¨. Meanwhile Azad falls in love with a gorgeous woman (Dyan Cannon). But the bad luck and the corrupt Zacharia does the crime gone awry.

This heist movie packs thrills, emotion, exciting burglary, extraordinary performances , spectacular car chases, and a moving finale . Sensational acting by two big star names, Jean Paul Belmondo and Omar Shariff. Belmondo steals the show , as he runs , bound and leaps ; such as Jackie Chan , he jumps over buses , cars and makes his own stunts . Strong secondary cast as Robert Hossein , Renato Salvatori , Jose Luis Villalonga , among others. Interesting and thrilling screenplay based on a novel by David Goodis , whose books have been frequently adapted on cinema as ¨Street of no return, Shoot the piano player and Dark passage¨ . Atmospheric cinematography by Claude Renoir , though is necessary an urgent remastering . Nice musical score with catching leitmotif composed by the maestro Ennio Morricone and conducted by Bruno Nicolai.

The picture is professionally directed by Henry Verneuil, a Turkish director working in France from the 40s. Although not a director of great reputation among the critics, his movies have almost all been aimed squarely at the commercial market. Verneuil is an expert on heist-genre such as he proved in ¨The Sicilians clan(68)¨ and ¨Melodie in soul soul¨, both of them with with Jean Gabin and Alain Delon, furthermore on Warlike genre : ¨Weekend at Dunkirk¨and ¨The 25th hour¨and even directed one Western : Guns of San Sebastian(68)¨. He seemed to have dropped out of the film-making after 1976, but in 1981 unexpectedly reappeared with yet another of his caper film : ¨Thousand millions of dollars¨. Rating : Acceptable and passable, a must see for French cinema lovers and Belmond and Shariff fans.

Great car chase sequence (which like everyone said has NOTHING to do with the plot of the movie--it mostly just introduces the idea that Omar Shariff is a bad ass as well.) Movie is good escapist entertainment---Bellmondo steals a bunch of emeralds from the safe of some dude's house in a Greek island and said dude hires Shariff (who is a cop) to bring them emeralds on home. A lot of alternating scenes of smooth talking between the two and chasing follow--somehow Dyan Cannon as a visiting American model enters the plot as a potential ally for Bellmondo---even tho her role makes very little sense, its still totally worth it for one sequence in which Bellmondo slaps her silly and those slaps turn on and turn off the lights in her apt--(her apt apparently was an early beta tester of The Clapper! its very very funny and got a huge laugh from the audience who actually came out to see a re-screening of this the other week.) Very enjoyable movie overall--but far from perfect--but who the hell needs perfection when you have that car chase and a drunken Omar Shariff right? seriously that was a legitimate question!

There are few reasons to watch this well made action, thriller, heist, fun flick: 1) Awesome car chase in the streets of Prauge (Another reason to watch)that makes all those CGI look alike cry. 2) The restaurant scene which will make you want to eat those tasty looking dishes, while Omar Sheriff and Belmondo are having a witty dialog. 3) Belmondo over the top stunts, you have to see to believe. This guy was nuts alright. 4) Excellent as always, Ennio Morricone soundtrack. 5) The funny Ending.

If you are looking for a good 70's action fun, with some nice exotic places, with great car chase and good cast, go a head try it!

The first adaptation of David Goodis' novel 'The Burglar', directed by Paul Wendkos, is well shot and gritty but marred by the pretentious dialogue of the author's own screenplay.

As a complete contrast, in this later version from Henri Verneuil, glitz replaces grit and Vahé Katcha's dialogue is infinitely more prosaic.

Verneuil and Jean-Paul Belmondo had made their first film together in 1962 and nine years later they are on their fourth. It is essentially a comic book treatment which enables its star to do what his legion of fans adore which is to perform well choreographed, daredevil stunts and beat people up whilst keeping his tongue firmly in his cheek. We also have an obligatory girlie show and a car chase that goes on and on and on.......

The most interesting feature here is the dynamic between Belmondo as the thief and Omar Sharif as the crooked cop. Sharif invests a nasty piece of work with his immense charm and his French is impeccable.

Although technically proficient, this mucho macho nonsense is now very much a period piece which has not dated well and reminds us that Verneuil was the most American of French directors. American cinema basically fulfills the need to be distracted and here Verneuil has delivered two hours of total distraction.