Alice au pays des merveilles

I am one of those who loves the book, it is timeless and nostalgic. Out of all the film versions, the Disney film is my personal favourite of them all, because it is colourful and I loved watching it as a child. This 1972 film is an interesting if not quite as magical musical take on the classic, while uneven in pace and a little too short, and having one or two tacky costumes(ie. Doormouse) it is well worth seeing. It is also a shame that when it is shown on television, the adverts make the film lose its narrative flow and there are times when the quality of the picture is somewhat grainy. There is much to enjoy though. The sets are wondrous and very colourful, the cinematography is lovely and the film is fairly faithful to the book. The script has its amusing moments, and the songs and score are sweet and memorable. As Alice, Fiona Fullerton does a credible job making a character who could have easily been bland quite innocent and sings tunefully. Though I do think she is overshadowed by her co-stars, Michael Horden's melancholic Mock Turtle, Peter Sellers's hilarious March Hare, Robert Helpmann's(who was absolutely terrifying in Chitty Chitty Bang Bang) eccentric Mad Hatter, Ralph Richardson's knowing Caterpillar, Spike Milligan's fun Gryphon, Flora Robson's shrill Queen of Hearts and Michael Crawford's interesting White Rabbit are the definite highlights. In terms of favourite scenes, definitely the tea party sequence, it was fun. Overall, flawed yet interesting. 7/10 Bethany Cox

This adaptation of Lewis Carroll's weird and wonderful book tries hard to do justice to its source, but doesn't quite get there. The music by John Barry is saccharine and unmemorable for the most part; although things do pick up when the Mock Turtle and Gryphon (Michael Hordern and Spike Milligan, inspired casting!) lead Alice in a mad dance.

Young Fiona Fullerton looks the part and sings well - she'd go on to front a number of musicals - but the other characters just stop on the wrong side of odd and scary, making them not frightening in the least. The White Rabbit (Michael Crawford) dashes around, the Mad Hatter, March Hare, and Dormouse have their odd tea party (Robert Helpmann, Peter Sellers, and Dudley Moore in another highlight of the film), the Duchess's baby turns into a pig (the Duchess is played by Peter Bull, who turned in a number of grotesque female roles in cinema), and the Queen of Hearts orders everyone's heads off (a waste of Flora Robson's talents).

The film needed a bit of imagination to take off (for another interpretation of the creatures, see the 1980s film 'Dreamchild', with horrific creations from Jim Henson's workshop); as it is, it passes the time but has little fizz.

i first saw this version of carroll's tale as a child on thanksgiving day, and i did not forget how much i enjoyed it. i caught it years later as a teenager on cable, taped it, and did not grow tired of watching it repeatedly. i think that this movie adaption is the best and most faithful to the book that i have seen. the pace is brisk, the songs are lively, the overall musical score is very nice (especially "the me i never knew"), the acting is acceptable, the costume design and sets work well (with the exception of using a painting of the palace that was supposed to be a shot of the real thing in one scene), and it is quite funny in some parts. overall, it was nicely done, and remains a film i can continue to watch repeatedly as an adult.

This is perhaps the most faithful version of Alice in Wonderland. The dialogue is practically verbatim and the visuals are made to resemble the original illustrations drawn by John Tenniel. Composer John Barry provides the story with a collection of beautifully enchanting songs, many of which are straight out of the book.

The cast is more like a convention of every popular British performer known at that time, including a pre-Phantom Michael Crawford as the White Rabbit, Peter Sellers as a hilariously insane March Hare, Dudley Moore as the Dormouse, Robert Helpmann as the Mad Hatter (aka the Child Catcher for moviegoers, aka Royal Ballet for ballet-goers), and humorist Spike Milligan as the Gryphon. Fiona Fullerton plays a delightfully impressionable Alice, despite the fact that she is much older than the Alice of the book.

This movie is perfect for children and adults who want to see a literal translation of the book, made back in the days when moviemakers truly cared about entertaining audiences (and it's fun to wonder how they made Alice grow and shrink when they didn't have the aid of computer effects)!

For those who love the Lewis Carroll book, this film version is one to see. Of the many film adaptations of this classic, this 1972 production stays the most faithful to the book. Events happen in the same way, in the same order, and much of the dialog is taken from the book, verbatim. And this really works, as writer Lewis Carroll had a unique way of playing with, and twisting the English language in delightful ways. Fiona Fullerton portrays well, a different kind of Alice here. This Alice is well into her teens, a fact which I thought would sabotage the production; The Alice from Carroll's book was a young child, around 7 or 8 years old. But the gorgeous Fiona Fullerton plays the part with a perfect measure of wonder and innocence, instead of just being an older person foolishly trying to act like a small child. The film has a haunting, dreamlike quality, a certain surreal atmosphere aided by composer John Barry's pretty background score, which is sad and wistful, and dramatic. There are musical sequences in this film, some work better than others to be sure, as this is far from a perfect film. But the songs seem to get better as the film goes along. The thing that really impressed me is the art design, and costume design. The film makers brilliantly designed much of the costumes and landscapes based on those wonderful lithographs that have always accompanied the book. As children, we tend to look to the illustrations to help us get a better idea of how things and people look as we read along. It is quite amazing to see such images come to life, after existing in the imagination for so long. Not all costumes work, as again, this is an uneven production. However certain characters, the King and Queen of hearts, and the Duchess, the cook, the Frog Footman, and of course, Alice herself, dressed in the gorgeous blue dress with white apron;amazing. For instance, watch the scenes with the living cards in the rose garden, and tell me that wasn't how you pictured it while reading the book all those years ago. It is apparent here that the film makers cared a great deal about the material. Perhaps a few scenes fall a little flat, but the good outweighs the bad here, most definitely. Standout scenes, besides the croquet game in the garden, the crazy dance with Alice and the Griffith and the Tortoise, and Peter Seller's funny turn as the March Hare, whose face was mostly covered by his costume, forcing him to utilize his bulging eyes in a sometime s hilarious fashion. Dudley Moore appeared to be drunk as the sleepy dormouse, which I found hilarious as well. The scene where Alice wanders through the dark forest and comes across the bizarre Tweedle Dee & Tweedle Dum is strange, even a bit scary, especially when the raven comes and the forest turns still darker. Even though Tweedle Dee And Tweedle Dumm are actually from "Through the Looking Glass", this scene fits well into this tale, and is one of the most effective sequences of them all. But my favorite scene has to be where Alice enters the house of the Duchess, where she is bouncing a baby savagely on her knee while the furious cook makes her pepper soup, stopping only to hurl dishes at everyone around her. Absolutely hysterical! Also worthy of mention is the special effects found here. Alice must continually change size, and this looks amazingly real, especially considering that this was made in 1972, long before CGI effects. The unfortunate thing with this title is that there has yet to be an official DVD release. The only available editions on DVD are of extremely bad quality. I am grateful to have any version of this film, but the DVD features colors that are so washed out that at times, the film seems to be black & white. This is a shame, as color is so important here, with sets that are real eye candy. For an idea of what the film looks like, imagine the "Wizard of Oz". The look of "Alice" is very similar to that one. I imagine a restored version with the vibrant colors brought back would be absolutely eye popping to behold. This must have a cult following, and I believe a proper DVD release would be appreciated by many. Recommended for fans of strange cinema!