Alice au pays des merveilles

For a lot of people on this site, this is either one of thew best Disney movies or one of the worst. There is about 40 animated Disney movies and my personal favourite will always be the mad world of Wonderland. I don't actually know why but to me this is what i always thought about as a child, a mad world where simply nothing made sense. It goes like dynamite at only seventy two minutes and in that they have an array of entertaining characters and fourteen entertaining songs. To me it is the genius of Disney creating an entertaining look at a child's world. I think it is because of the Jungle Book that this is not as popular as some of the Disney Classics but you can't help but smile when you watch the Queen of hearts and the Mad Hatter being their own creative self's in the wonder of this amazingly clever gem

When I was six, I had my tonsils out. The anaesthetist used ether and I hallucinated. My mother had bought me two comic books. One was Krazy Kat and the other the Disney "Alice in Wonderland." If you wanted something to set you up for delirium try those on for size. When I finally saw the movie, I was reminded of those subconscious images. This is an excellent animated film. I love its hard edge and portrayal of Lewis Carol's characters. It also features some wonderful songs. The Queen of Hearts is maniacal and the Mad Hatter diabolical. All the images of random craziness are in here, brought to life with artistic skill, making them unforgettable images.

For material that does not lend itself very easily to cinema, this is a pretty good adaptation of "Alice in Wonderland" with some enjoyable characters and sequences. It succeeds, at least in a basic way, in capturing part of the manic but imaginative nature of Lewis Carroll's story.

Much of the language, poetry, and ideas that make the original story so captivating cannot really be conveyed very easily in a movie, and so it would be nearly impossible for any cinema version of Alice to be completely satisfying to those who love the book. Instead, this version simply tries to make the characters come to life, and to use the animation to recreate the feel, if not the depth, of Alice's experience.

The animation drives most of the movie, and at times it is pretty imaginative. Some of the voices work very well, too, with the likes of Ed Wynn and Sterling Holloway fitting the animated characters quite well.

Carroll's stories are so enchanting and creative that it is no surprise that there have been so many efforts through the years to capture the magic of the Alice stories on film. None of the cinema versions has yet come close to matching the books, yet the material itself has made most of them worth watching. In this one, the overall production has a definite Disney style to it, which makes it different from the original, but as a movie it works pretty well.

I have always liked this film, being a true blue Disney fan I consider it on of the great ones. I like the animation from the fifties. I have read the books and they frightened me more than this film, I know some of the reviewers feel the opposite. I feel that the Disney artists had a touch of what Wonderland is like and just had fun with this one. It is true there is no great feats here but when I have had a stressful day I like to put the brain in neutral and just enjoy the dazzling colors. The silliness is great and the cast brilliant. Alice was one of Mr. Disney's least favorite characters, he thought she was too cold. But when you are surrounded by a bunch of loonies that don't care for you I think you might be cold too. On a scale of 1 to 10 I would rate this an 8.

Alice one day while bored by the riverbank sees a white rabbit wearing a waistcoat and carrying a pocket watch. Out of curiosity Alice follows the rabbit down a rabbit eventually winding up in Wonderland a place of utter ridiculousness inhabited by characters who are stupid, crazy, or both.

Released in 1951, Alice In Wonderland adapted from the books Alice in Wonderland and Alice Through the Looking Glass by Lewis Caroll had been a long gestating project as far back to the day's of Disney's Laugh O Gram studios in the 20s where the works loosely inspired Disney's early Alice Comedies. Attempts had been made by Disney to adapt the story to feature length with a preliminary outlines produced prior to the release of Snow White that were ultimately scrapped due to mitigating circumstances. While adaptations of Alice in Wonderland have been made before and since the 1951 Disney film, few, if any, of them have been as well regarded with the Disney version being the most fully realized version of the literary nonsense of Lewis Caroll.

Much like the source material, the story in Alice in Wonderland is less a straightforward narrative and more an excuse to showcase surreal imagery counter balanced against the normality and grounding of Alice who serves as our straight man to nonsense and insanity of Wonderland and its crazed inhabitants. Kathryn Beaumont voices the titular Alice and serves as an effective audience proxy whose down to earth no-nonsense delivery and insatiable curiosity makes her both an effective story engine to move the journey along as well as give the audience a grounding agent to give meaning, purpose, and weight to the surreal encounters of her journey.

Artistically speaking this is Disney's animation at its most unrestrained. Much like Three Caballeros Alice in Wonderland never sits still always keeping itself moving forward to the next bizarre head scratching tangent animated with the intensity of a technicolor fever dream. Unlike Three Caballeros however, the movie wisely gives us a grounding element with Alice and gives breaks in between the more outlandish tangents so the movie never gets exhausting. The animation used to bring Wonderland to life is very striking as Wonderland itself is very dark with many scenes having pitch black or dark black drops that work in contrasting against the purposefully more colorful and energized inhabitants. Every character and encounter stands out be it the petty, jealous, bad tempered Red Queen, the giddy gleeful mania of Mad Hatter and March Hare, or the seeming omnipotent Chesire Cat who's as powerful as he is crazy. Every encounter Alice faces leaves an impression with even the smallest (quite literally in some cases) leaving an impact.

Alice in Wonderland is a classic example of Disney animation and nonsensical story telling perfectly combined into an unforgettable experience. While not Disney's first attempt at feature length narrative nonsense, it's without question the best example of it produced on this scale up to this point and makes welcome viewing for any animation enthusiast.