Ajouter une intrigue dans votre langueA gangly, awkward, would-be revolutionary loses his virginity to the vivacious hippie girlfriend of his two flatmates, and becomes hell-bent on sabotaging her wedding to one of them.A gangly, awkward, would-be revolutionary loses his virginity to the vivacious hippie girlfriend of his two flatmates, and becomes hell-bent on sabotaging her wedding to one of them.A gangly, awkward, would-be revolutionary loses his virginity to the vivacious hippie girlfriend of his two flatmates, and becomes hell-bent on sabotaging her wedding to one of them.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires au total
Sean Myers
- Tony
- (as Sean McEvan)
Nanette Goode
- Farmer's Wife
- (as Nannette Good)
Avis à la une
It is good fun and its quirkiness is endearing. Some of the comedy is hilarious. While some of the jokes are inside Aussie stuff, it should appeal to a wider audience.
I saw it 30 years ago and it is still stuck in my brain.
I saw it 30 years ago and it is still stuck in my brain.
This is an interesting comedy produced during the resurgence of the Australian film industry in the early 70's. Although the film maybe hard to understand to those from other nations due to local slang and references, the film which by todays standards may seem a little corney, is a genuine comedy about a the very tall Stork who is a communist, a dreamer and a virgin who spends his time worrying about catching every type of illness imaginable. The storyline is fair and the acting acceptable. A good way to waste a hour and a half if you don't take it too seriously.
In 1971 I was 13... probably didn't see the movie for about another 5 or so years...but when I saw it....It made so much sense. & it was an excellent cinema experience.... OK...the story... boy chucks job.. boy meets other guys' sheila..boy hangs about.... until sheila and he goes hammer and tongs...a bit of a triangle ensues.... The sheila has this emotional compass theory which is rather cute...
To my mind....Stork is the best movie ever made in Australia... And that Bruce Spence never won an Oscar for his stand up performance?.... .... ... Who knows why?...There must've been a conspiracy.... The film to my thinking was an absolute standout. Watch it and enjoy. Jackie Weaver :) is miles better than Sigourney in her undies... Any day.
To my mind....Stork is the best movie ever made in Australia... And that Bruce Spence never won an Oscar for his stand up performance?.... .... ... Who knows why?...There must've been a conspiracy.... The film to my thinking was an absolute standout. Watch it and enjoy. Jackie Weaver :) is miles better than Sigourney in her undies... Any day.
1971's "Stork" is a curiosity; some would say it is embarrassingly dated, yet it is still entertaining either despite this or because of it, depending on your point of view.
The set up is a fairly typical "fish out of water" story in which "Stork", the aptly nicknamed six-foot-seven titular bean pole, quits his job and crash lands in a friend's fashionable pad, where three men share the one beautiful girl, whom the credits tell us is named Anna but is only ever referred to by the other characters as "moll".
It is a bit disheartening to see future Oscar winner Jacki Weaver constantly denigrated as such, but she doesn't seem to mind. She is beautiful, talented, sexy. She lights up the screen. Without her the movie would be hard to trudge through, the company of the other characters not something you'd actively seek.
Aside from Weaver there are some amusing lines. The movie uses the trick of regular dream sequences in which the ungainly, excitable Stork imagines himself in a variety of different roles, such as arctic explorer looking to "strangle a darkie" (did I mention the movie is embarrassing to modern viewers?), AFL footballer, and modern artist whose technique is to throw up on the canvas.
The movie is a trifle nauseating along with the awkwardness it causes but it is at least entertaining from beginning to end.
The set up is a fairly typical "fish out of water" story in which "Stork", the aptly nicknamed six-foot-seven titular bean pole, quits his job and crash lands in a friend's fashionable pad, where three men share the one beautiful girl, whom the credits tell us is named Anna but is only ever referred to by the other characters as "moll".
It is a bit disheartening to see future Oscar winner Jacki Weaver constantly denigrated as such, but she doesn't seem to mind. She is beautiful, talented, sexy. She lights up the screen. Without her the movie would be hard to trudge through, the company of the other characters not something you'd actively seek.
Aside from Weaver there are some amusing lines. The movie uses the trick of regular dream sequences in which the ungainly, excitable Stork imagines himself in a variety of different roles, such as arctic explorer looking to "strangle a darkie" (did I mention the movie is embarrassing to modern viewers?), AFL footballer, and modern artist whose technique is to throw up on the canvas.
The movie is a trifle nauseating along with the awkwardness it causes but it is at least entertaining from beginning to end.
Le saviez-vous
- AnecdotesThis movie's title 'Stork' was a shortened version of this film's source stage play title 'The Coming of Stork'.
- ConnexionsFeatured in Australian Movies to the World (1983)
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Détails
Box-office
- Budget
- 80 000 $AU (estimé)
- Durée1 heure 25 minutes
- Mixage
- Rapport de forme
- 1.37 : 1
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