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Les Proies

Titre original : The Beguiled
  • 1971
  • Tous publics
  • 1h 45min
NOTE IMDb
7,2/10
20 k
MA NOTE
Les Proies (1971)
Regarder Official Trailer
Lire trailer2:32
1 Video
99+ photos
Period DramaPsychological DramaDramaThrillerWar

Emprisonné dans un pensionnat de filles confédérées, un soldat de l'Union blessé se fraye un chemin dans le coeur de chacune des femmes seules, les amenant à se retourner l'une contre l'autr... Tout lireEmprisonné dans un pensionnat de filles confédérées, un soldat de l'Union blessé se fraye un chemin dans le coeur de chacune des femmes seules, les amenant à se retourner l'une contre l'autre et, éventuellement, contre lui.Emprisonné dans un pensionnat de filles confédérées, un soldat de l'Union blessé se fraye un chemin dans le coeur de chacune des femmes seules, les amenant à se retourner l'une contre l'autre et, éventuellement, contre lui.

  • Réalisation
    • Don Siegel
  • Scénario
    • Albert Maltz
    • Irene Kamp
    • Thomas Cullinan
  • Casting principal
    • Clint Eastwood
    • Geraldine Page
    • Elizabeth Hartman
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    20 k
    MA NOTE
    • Réalisation
      • Don Siegel
    • Scénario
      • Albert Maltz
      • Irene Kamp
      • Thomas Cullinan
    • Casting principal
      • Clint Eastwood
      • Geraldine Page
      • Elizabeth Hartman
    • 120avis d'utilisateurs
    • 79avis des critiques
    • 66Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Official Trailer
    Trailer 2:32
    Official Trailer

    Photos155

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 147
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    Rôles principaux20

    Modifier
    Clint Eastwood
    Clint Eastwood
    • John McBurney
    Geraldine Page
    Geraldine Page
    • Martha
    Elizabeth Hartman
    Elizabeth Hartman
    • Edwina
    Jo Ann Harris
    Jo Ann Harris
    • Carol
    Darleen Carr
    Darleen Carr
    • Doris
    Mae Mercer
    Mae Mercer
    • Hallie
    Pamelyn Ferdin
    Pamelyn Ferdin
    • Amy
    Melody Thomas Scott
    Melody Thomas Scott
    • Abigail
    • (as Melody Thomas)
    Peggy Drier
    • Lizzie
    Patricia Mattick
    Patricia Mattick
    • Janie
    • (as Pattye Mattick)
    Charlie Briggs
    • 1st Confederate Captain
    • (as Charles Briggs)
    George Dunn
    George Dunn
    • Sam Jefferson
    Charles G. Martin
    Charles G. Martin
    • 2nd Confederate Captain
    • (as Charles Martin)
    Matt Clark
    Matt Clark
    • Scrogins
    Patrick Culliton
    Patrick Culliton
    • Miles Farnswoth
    Buddy Van Horn
    Buddy Van Horn
    • Soldier
    • (as Wayne 'Buddy' Van Horn)
    Randy Brown
    • Confederate Sergeant
    • (non crédité)
    Victor Izay
    Victor Izay
    • Wagon Driver
    • (non crédité)
    • Réalisation
      • Don Siegel
    • Scénario
      • Albert Maltz
      • Irene Kamp
      • Thomas Cullinan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs120

    7,220.3K
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    Avis à la une

    Paul-250

    A Study in Suppressed Sexuality

    This powerful drama centering around the effect which the arrival of a wounded civil war soldier has on a house full of women is probably Don Siegel's finest achievement, and is yet another example of Eastwood's willingness to break new ground and tackle new genres. It is also, perhaps, the finest acting performance of his career. His presence in the house releases not only deeply repressed sexual urges in the women who are helping him to recover from his wounds, but a sexually competitive frenzy which becomes ever more dangerous and frightening.
    9TOMASBBloodhound

    Had to have been scandalous for its time.

    During the brief period between Clint Eastwood's string of spaghetti westerns and his Dirty Harry films, he and director Don Siegel teamed up to make this unusual picture. Eastwood plays an injured Union Army corporal during the Civil War who is taken in by a southern school for girls until he recovers from his wounds. It has been a while since the young women (most of which seem to be teenagers) have had a man on the premises, so they are reluctant to turn him in to the local rebel soldiers. The resulting situations are often humorous, shocking, erotic, or even downright grotesque as Eastwood slowly regains his strength and begins to brood over the establishment.

    The basic storyline almost sounds like the makings of a porno film. We have a masculine male suddenly surrounded by young nubile women. Most of them are sexually attracted to him. And he is more than willing to spread the love amongst them. The material never really slips down to the level of "tasteless", however. Eastwood, Siegel, and cinematographer Bruce Surtees are such skilled filmmakers, that the film always retains its dignity.

    Eastwood's John McBurney is like no other character he has ever played. McBurney is an amoral, conniving, and lustful charlatan. He knows that most of the women, even the youngest want his bod, and he lets more than one of them have a shot at him. McBurney often uses flattery to butter the women up, then uses his rugged good looks to reel them in. He is like a drunken player at a cocktail party, often hitting on different women even in the same scene! Eventually, his lustful ways cause him great agony and loss in a way you must see for yourselves. This author would not dream of revealing the specific consequences of his actions, but there is little doubt he has them coming.

    Eastwood gives a typically great performance. He seems to be having a blast with the role until things turn really ugly, then he turns mean and ugly. Geraldine Page is a treat as the steely B*tch who runs the school. We know she wants McBurney as much as the other girls, but with her checkered past shown to us in flashbacks, we find out that isn't all she's after! Mae Mercer as a slave belonging to the school gives a great performance, too. She obviously knows McBurney is a skunk from the beginning, and she never lets his phony charm bring her guard down. This is a character you will want to know more about after the film is over. She seems to have a greater knowledge of the world than anyone else in the film.

    The Beguiled did poorly in its theatrical release. Nobody was quite sure what to make of it, and some of its content no doubt raised a few eyebrows in 1971. For example, in an early scene we see Eastwood romantically kiss a 12-yr-old girl. Is he just trying to keep her quiet when the rebel soldiers get close, or is he really enjoying it? Probably both! A fantasy sequence later on even shows Clint getting it on with not only Page, but her young assistant! Truly some interesting goings on in this one. It's a good thing Eastwood became the star he did, or this one might have been long forgotten.

    Highly recommended. 9 of 10 stars.

    The Hound.
    7shepardjessica-1

    Under-rated Civil War Gem!

    This Don Siegel/Clint Eastwood strange and hypnotic drama was left by the wayside in 1971 and what a pity. A fascinating character study with some great women for Squint to deal with. Geraldine Page was one of our supreme actresses and she's perfectly cast. Young Jo Ann Harris is a flirty minx, and Elizabeth Hartman (who died too young) is undeniably repressed.

    A 7 out of 10. Best performance = C. Eastwood. Released the same year as DIRTY HARRY, this did no business, beside getting some good reviews. Seek this out unless you're only into "Explosion" films. Very subtle and frightening, this piece will stick with you.
    7gottogorunning

    Great Actress Roles

    Another well done moral ambiguity pieces where the anti-hero makes it hard to decide who to root for.

    If nothing else "The Beguiled" silenced anyone who said there were no good parts for actresses in movies-at least in 1971. There were four excellent parts for actresses in this film and all were well cast and well executed.

    Pamelyn Ferdin did a fine job as Amy and would go on to play "Wanda June". This must have been the first time an adult male box office star shared an extended kiss with a twelve-year-old girl on camera, wonder if there was much controversy about this at the time. It was probably Polanski's favorite scene. Given the fate of Amy's turtle "Randolph", it is no surprise that Ferdin grew up to be a hardcore animal rights activist.

    Geraldine Page was likewise excellent, playing a complex character with just the right amount of restraint. It is interesting that she died just three days after Elizabeth Hartman committed suicide (throwing herself through a fifth floor window) as they had also worked together in "You're a Big Boy Now".

    Hartman (who looks like she could be Blair Brown's sister) was wonderful as Edwina and should have gotten an Oscar (no other performance was even close that year), but given what we now know about her you wonder just how much of her performance was a studied effort and how much just came from inside her. Edwina shows such raw pain it is difficult to watch. Like Marilyn Monroe's incredible performance in "The Misfits", the viewer is probably seeing a whole lot of her own demons in the character she is playing.

    Finally there is Jo Ann Harris who is stunningly perfect as the flirty Carol. For my money Harris was the sexiest actress of the 1970's, combining sensuality with intelligence and humor. She was the best reason to watch the "Most Wanted" television series and the only reason to watch "Wild Wild West Revisited". Hard to believe that someone who could bring all that to the screen never became a big star.
    7ma-cortes

    Outlandish and well made story set in Civil War South about a wounded soldier who arrives in a girls' school

    During the Civil War an injured corporal , Clint Eastwood , is taken by the women of a girls' school to recuperate himself . As the Southern school is run by a housekeeper , Geraldine Page , and there appears a teacher : Elizabeth Hartman and six students and an African-American servant . The soldier becomes the catalyst for twisted situations with incidents full of hatred and jealousy among its inhabitants . He arranges to seduce both , a pupil -Jo Ann Harris- and a teacher -Elizabeth Hartman , but things go wrong.

    Offbeat , rare and well paced psychological melodrama by the great team formed by Eastwood and Siegel , though disappointed the spectators faithful to his ordinary action films . Maybe the stranger , yet spellbinding combination of two genius -Clint and Donald- ever made , being based on the 1966 novel , "The Painted Devil" by Thomas P. Cullinan . The flick soon develops into a kind of full blood drama , smouldering with intrigue , suspense , tragic events and suppressed passions ; and all of them lead to an unpredictable and startling conclusion . Clint gives a nice acting as a squinty-eyed soldier who arrives in a seminary for young ladies and who soon reveals his opportunist nature . Excellent interpretation from Geraldine Page as zealous ruler , she is a fading Southern woman , brooding over the past , and Elizabeth Hartman as a naive South belle who falls for Eastwood .

    Atmospheric and attractive musical score by Lalo Schifrin , including song sung by Clint Eastwood himself . Colorful and evocative cinematography by Bruce Surtees . This daring change of pace for director Donald Siegel was compellingly and methodically made . Being an unusual Donald fare , but for patient audiences a rewarding , rich movie and Siegel's favorite of all his movies . However , being commercially a failure because Universal Studios released it with advertisements that suggested it was an action movie . Siegel directed good films of all kinds of genres as Invasion of body snatchers , Madigan , Charley Varrick , The Shootist , Ríot in cell Block 11 , Flaming star , Big steal , Black Windmill , Private hell , Rough cut , and a lot of movies starred by Eastwood as Escape from Alcatraz , Two mules for Sister Sarah , Coogan's bluff and Dirty Harry

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Clint Eastwood and Jo Ann Harris had an affair that continued well after they made the movie.
    • Gaffes
      When McBurney is playing cards, the deck has both the symbols (hearts, spades, etc.) and the number in the corner. Numbers were not printed on cards until 1864 and it was extremely rare to see a deck with them until 20-30 years after the war.
    • Citations

      Hallie: Miss Martha said I should shave you. But I ain't so sure.

      [examining his face]

      Hallie: I don't think the Lord want a man's face all smooth like a baby's bottom. That's why he gave him whiskers. Might be a sin to shave that group off.

      Cpl. John McBurney: [huskily] Then don't do it. Sinning oughta be saved for *much* more important things!

      Hallie: I better shave you! Miss Martha give me my orders. Not the Lord. And even without whiskers, you wouldn't look half bad - for a white man.

      [laughs]

    • Versions alternatives
      The leg amputation scene was edited by the censors for the film's original UK cinema release. Later releases were uncut and rated 15.
    • Connexions
      Featured in Moviedrome: The Beguiled (1991)
    • Bandes originales
      Dove She is a Pretty Bird
      (uncredited)

      Traditional

      Performed by Clint Eastwood

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    FAQ

    • How long is The Beguiled?
      Alimenté par Alexa
    • What does the title THE BEGUILED mean and how does it fit the movie?

    Détails

    Modifier
    • Date de sortie
      • 18 août 1971 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • El engaño
    • Lieux de tournage
      • Ashland-Belle Helene Plantation - State Highway 75, Geismer, Louisiane, États-Unis
    • Société de production
      • The Malpaso Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 100 000 $US
    • Montant brut mondial
      • 1 113 069 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 45 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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