Wes Block, papa et flic célibataire de la Nouvelle-Orléans, pourchasse un tueur-violeur en série. Lorsqu'il s'approche trop près de la cible, le chasseur se transforme soudain en gibier.Wes Block, papa et flic célibataire de la Nouvelle-Orléans, pourchasse un tueur-violeur en série. Lorsqu'il s'approche trop près de la cible, le chasseur se transforme soudain en gibier.Wes Block, papa et flic célibataire de la Nouvelle-Orléans, pourchasse un tueur-violeur en série. Lorsqu'il s'approche trop près de la cible, le chasseur se transforme soudain en gibier.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Penny Block
- (as Jennifer Beck)
Avis à la une
While not altogether successful - it lacks the style and tension to make it something truly special - it is, at the least, a fairly interesting character study, of a character who's not squeaky clean. We see Wes' happy home life - he's a single father to two girls, and owner of several dogs - contrasting with the less appealing aspects of his existence. Writer / director Richard Tuggle, who'd scripted the earlier Clint vehicle "Escape from Alcatraz", does his best to give us a film that attempts to take a look at the "dark within all of us". There's even a line to that effect, spoken by a minor character played by Janet MacLachlan.
We do see the psycho (character actor Marco St. John, "Friday the 13th: A New Beginning", "Thelma & Louise") in the act of stalking a woman right from the get go, so there's no mystery about what he looks like. That does put a crimp in the suspense.
Clint does well in this unconventional hero role, doing solid work as always. He co-stars with his real life daughter Alison, and Jennifer Beck, as his kids, the typically excellent Dan Hedaya as his partner, and Genevieve Bujold as a tough talking counsellor at a rape centre, who naturally places herself in harms' way by becoming involved with Wes.
Where the film is its strongest is in its depiction of N.O., capturing the night life in an American city known for its atmosphere.
Not a great film by any means, but worth a look for Clint fans.
Seven out of 10.
Here we get to know a guy who's extremely vulnerable, hurt, un-self confident, haunted and whose relationship with women remains ambiguous, based on control, kind of as if he was afraid of them, of what they could do to him, seeing them as a threat ... hence his resort to the services of prostitutes and his use of handcuffs on them.
As usual in Eastwood's movies, we wanna know what's underneath this front his characters put on ... -like in Pale Rider, Josey Wales, The Bridges of Madison County ... the silences, the puzzling, haunting, deep looks, that tell us far more about a character than any word would. "Less is more" is definitely a guideline of this movie. Most of the time, Eastwood's characters reveal themselves through their silences, and it's particularly true here.
I believe there's a line in Tightrope that sums up pretty accurately what Eastwood's movies are really about: "I'm not sure how close I wanna get ..." They're about very private men struggling with life.
This movie is simply one of his best.
This is a very dark (literally) film with a big film-noir look and feel. Neo-noir, I guess, is what they call post-1950 gritty crime films like these.
Eastwood's character in "Tightrope" is a complex one. On one hand, he's a wonderfully loving father of two sweet girls (one played by his actual daughter, and played well), and yet he is a weak man when it comes to prostitutes. But, whatever side he shows - light or dark - he's interesting, as always. So is the female star of this movie, Genevieve Bujold, a woman with a very intriguing face and just a trace of her French accent. Dan Heyada contributes strongly in a low- key performance.
Yes, this film is a bit too much on the seedy side for my normal tastes, definitely sordid, but very well done. It's a story that grabs you early and locks you in all the way.
Le saviez-vous
- AnecdotesDirector Richard Tuggle had a habit of not wearing any underwear in muggy New Orleans. One day, standing up on a camera truck, Clint Eastwood noticed that Tuggle's private parts were hanging out of his shorts. In front of everybody, he ordered Tuggle to go back to his trailer and put on some underwear, pronto.
- GaffesDespite shooting on location in New Orleans, not one person in this movie has a regional Louisiana, New Orleans, or Cajun accent.
- Citations
Uniformed Police Officer: Wes, Beryl Thibodeaux from the rape something or other wants to see you.
Wes Block: Where is she?
Uniformed Police Officer: In the reception room.
Wes Block: Tell her I'm out.
Uniformed Police Officer: I did. She said she'd wait.
Wes Block: Good. Tell her I'm out of town.
[Wes turns around and sees Beryl standing there, she who gives him a sarcastic grin]
Beryl Thibodeaux: Welcome back.
- Versions alternativesABC edited 16 minutes from this film for its 1987 network television premiere.
Meilleurs choix
- How long is Tightrope?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- En la cuerda floja
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 48 143 579 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 156 545 $US
- 19 août 1984
- Montant brut mondial
- 48 143 579 $US
- Durée
- 1h 54min(114 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1