Des agents alliés organisent un raid audacieux sur un château où les nazis retiennent prisonnier le général de brigade américain George Carnaby, mais ce n'est pas tout ce qui se passe vraime... Tout lireDes agents alliés organisent un raid audacieux sur un château où les nazis retiennent prisonnier le général de brigade américain George Carnaby, mais ce n'est pas tout ce qui se passe vraiment.Des agents alliés organisent un raid audacieux sur un château où les nazis retiennent prisonnier le général de brigade américain George Carnaby, mais ce n'est pas tout ce qui se passe vraiment.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
- German Soldier
- (non crédité)
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It is interesting to see Richard Burton in a role that demands little or no dialogue, especially considering this is a man who has rendered dialogue most exquisitely beautiful by the particular lilt of his voice. In this role he is frank and only speaks when necessary, therefore, seeing as how most of this film is action, he says very little. Some purists would fault Burton for taking a role that seems devoid of the usual acting challenges he appeared to enjoy attacking early in his career, but I disagree. This film is a departure from the normal Burton "oeuvre" and yet he does pull of the role of Major Smith convincingly. One does not expect this man to be either audacious nor flamboyant and Burton, whose very presence suggests a call for histrionics, executes this role quietly.
Now it is well known that Burton was not seeking a challenge by taking on this project, his primary concern was revamping his potency in the box-office by staring in a blockbuster. And he got it. But we cannot fault him for that because he possessed the facility as an actor to pull it off. Burton could be both a dramatic performer and a daring sex symbol. Besides, standing alongside a veritable "tough-guy" like Eastwood, Burton needed to be able to hold his end up because the movie going audience had already identified Eastwood as the quintessential tough guy. Had Burton not been up to the task, this film would not have been a success.
The script is entertaining and has a few notable twists in it, a testament to the skill of screenwriter and adventure novelist Alistair MacClain. Character development is not of particular importance in this story and yet one does come away with a palpable sense of Major Smith, a fact that I again acknowledge is the handywork of Burton, whose presence is auspicious regardless of his role. Overall, this film appears to be able to balance the rhythmic quietude of action while interjecting enough personal flair to make the film memorable and not another futile exercise in on-screen action and viewer instant gratification/escapism. This movie is one of the best in its genre and is worth a good viewing.
The snowy backdrop is perfectly captured. The action sequences (of which there are many) are brilliantly staged, especially the fight atop the cable car, and the bus chase at the end. Each character is well cast, with Burton, Eastwood, Ure and Hordern giving commanding performances. Best of all is the little-known Derren Nesbitt who oozes menace and charm as a nasty Nazi soldier.
I've seen this film countless times and it never tires me. It has so many twists and turns and well-execute sequences that it is gripping every time you watch it. There's really no other way to say it - you need to see this film and see it soon!
Even though it is still a war movie, this movie isn't as heavy and or serious as many other WW II movies made in the same period. It is kind of in the same style as "The Guns of Navarone" (Also written by Alistair MacLean.). It's more is adventurous and fun to watch than heavy or realistic. Director Brian G. Hutton later also made the other 'fun'/adventurous/WW II movie "Kelly's Heroes".
Another element that distinct this movie from other movies from the same genre is the story. The story by famous writer Alistair MacLean is just brilliant! It begins as an average WW II rescue-mission movie but as the movie progresses the story takes several twists, until at a certain point you don't even know who to thrust anymore. The ending is really action-movie-like spectacular and features a tense fight an a moving cable-car followed by the perhaps even better car chase, which really reminded of the chase were Indy and his father are escaping the Nazi's on the motorcycle, in "Indiana Jones and the Last Crusade" Even the music sounded kind of similar! I wouldn't be surprised if Spielberg and Williams were inspired by this movie. The same goes for many other movie directors and other persons in the movie business by the way. I see similarities between this movie with 'modern' work quite often, both in story and characters as well as the action, editing and many other elements from this movie. This really is an inspirational movie, that as an action movie, just like as for instance "North by Northwest", was far ahead of its time.
It was a bit strange to see Clint Eastwood in the sidekick role. The main character of the movie is played by the legendary Richard Burton. Both actors really push this movie to an higher level with their profession and expertise and both are very believable in their roles.
An entertaining, action packed adventurous war movie with a splendid story and two wonderful performances from the two main actors.
10/10
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How can it fail? It has spectacular scenery, great actors, lots of schoolboy WWII style action and even busty wenches in maid uniforms. This film is ingrained in the psyche, you cannot see a mountaintop castle without thinking of Schloss Adler and the cable-car scenes. If I'm trudging through the snow in the woods then I hear myself humming the theme from 'Where Eagles Dare'. If I or anyone from my generation picks up a radio, it's only a matter of time before someone starts sending "Broadsword calling Danny Boy" in an imitation of Richard Burton's plummy tones. It's a given.
I know it's not the most realistic movie ever made, but Richard Burton, Michael Horden, Clint Eastwood and the gang carry it off with great aplomb and we believe every line. The pacing is excellent, leaving similar offerings such as 'Guns of Navarone' feeling like funeral marches. And talk about atmosphere! This movie reeks atmosphere, from the settings in the beautiful mountains to the scenes inside the old caste hallways to the exterior shots of people rapelling down the sides of the viciously cold walls. It's a must see, 8 out of 10 compared to all films, and 10 out of 10 for 'men on a mission' movies.
"Navarone" has many virtues, but too much talk and high-mindedness slow down the story. Anthonys Quayle and Quinn are wonderful, but Gregory Peck comes off as more of an Oxford don than a world-renowned mountaineer and David Niven, playing surely the oldest corporal in the British forces,.proves an insufferable bore. "Eagles", on the other hand, dispenses with the moralizing claptrap and serves up non-stop action. Although it's running time is approximately the same as "Navarone's", it never seems as long and you never feel the characters are trying to make a point, except with their machine pistols.
Of course "Eagles" greatest strong points are Richard Burton and Clint Eastwood. By 1968 Burton had eschewed the serious parts for the big money and the critics crucified him for selling out. Well, in this case I'm glad he did since he's superb as team leader Major Smith. Burton projects an aura of invincible self-confidence. He's rather reserved much of the time, but you never doubt his engagement. This is a man who simply won't be defeated. Peck's stuffy, diffident performance in "Navarone" pales by comparison. And Eastwood, though hardly Burton's equal as an actor, is Dirty Harry in boot camp - his Schaffer will kill you sooner than look at you, and it doesn't hurt that he looks great too.
"Eagles" also has a better villain than anyone in "Navarone", superior scenery, and a far superior score. Ron Goodwin's theme has been etched in my mind for over 30 years, but I can't remember a note from "Navarone's."
Perhaps the greatest World War Two adventure film of all time. Less realistic than a James Bond movie, but outstanding escapist entertainment.
Le saviez-vous
- AnecdotesRichard Burton's last successful movie at the U.S. box office.
- GaffesAlthough several stylish call signs are used in the radio transmissions ("Broadsword", "Danny Boy", "Father McCree"), most of the other operatives and Colonel Turner, as well as the team's location, are referred to by name in open transmission.
- Citations
[Smith and Schaffer are observing the Castle of Eagles fortress, and a nearby military base]
Lt. Morris Schaffer: If I'm not mistaken, that's an army barracks over there.
Major John Smith: No mistake, Lieutenant. This the headquarters of the Wehrmacht Alpenkorps.
Lt. Morris Schaffer: Oh, swell. Do you have any other surprises I should know about?
Major John Smith: I thought you knew, Lieutenant. Why do you think we were chosen for his mission as if not to make social contact?
Lt. Morris Schaffer: You mean we're gonna go down there? Mingle with the German Army?
Major John Smith: Of course. Why do you think we're not dressed as German sailors?
Lt. Morris Schaffer: We'll be recognized as strangers.
Major John Smith: Training troops come and go all the time. What are six new faces among 600 new faces?
Lt. Morris Schaffer: Look, Major, this is primarily a British operation. I'm an American. I don't even know why the hell I'm here.
Major John Smith: Lieutenant, you're here because you're an American.
- Versions alternativesThe original release running 158 minutes had an Intermission and Entre'acte that have been skipped from many video releases (including the DVD release from Warner), resulting in a 155 minute version. This has induced a fade-out and fade-in of the music in the scenes preceding and following. The intermission was originally placed after Lt. Schaeffer sets the explosives in the interrogation room.
- ConnexionsEdited into The Loch Ness Horror (1982)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Donde las águilas se atreven
- Lieux de tournage
- Burg Hohenwerfen, Burgstraße 2, 5450 Werfen, Autriche(Schloss Adler, the mountaintop fortress)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 700 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 7 100 000 $US
- Montant brut mondial
- 7 100 435 $US
- Durée2 heures 38 minutes
- Rapport de forme
- 2.35 : 1