Torso

I was surprised at how well this movie was made. The direction is first rate. I saw a restored and "uncut" Danish DVD. It looked great. Although I'm not sure about the "uncut" part, as the are still images with full frontal nudity which do not appear in the movie. But there are plenty of attractive topless females. There's also plenty of violence and gore. But the story is good, too. Females are stalked by a violent psychopathic killer. They seek refuge in an isolated mansion. The police is on the trail of the killer. They story is well-written and shows the characters as having some intelligence. The only thing missing is more character development of the females. One doesn't sympathize much with any of them because we don't get to know them all that well. There's also a good explanation given for the killers motives. Overall a surprisingly good achievement.

I'm not sure why some of the comments for this film were so unenthusiastic; I usually jump all over a slow horror film, though I don't believe this to be one at all. Anchor Bay's print is great, and the film is beautifully photographed. The scene in the muddy birch forest is alone worth the price of owning this. Sure, the standard giallo plot of a mad killer, driven to kill due to a childhood trauma is no surprise, but that's not really the point is it? This is also not a gorefest, but many great giallos are not. The very essence of giallo, as I understand it, is visual style (and extremely beautiful women) over plot substance, and that certainly defines this film, which sits comfortably in my Italian horror top 15, if not top 10.

A stylish Italian slasher movie, filled with beautiful women (most of whom appear topless at one point or another), atmospheric sets, and reasonably gruesome murders. If that's all you're looking for, you won't be disappointed, but the plot is certainly nothing exceptional.

Between 1971 and 1973 Sergio Martino directed a series of five astonishingly good horror-thrillers. In fact, it could convincingly be argued that in those years Martino was the premier Italian director in this genre. Torso is the final film in this sequence and while it may possibly be the least of the five it still remains an excellent entry in the giallo sub-genre. All five of his gialli had different angles that meant that they were not copies of each other. The Case of the Scorpion's Tail was a classic-style giallo that had a strong mystery element, The Strange Vice of Mrs Wardh added a significant layer of eroticism, Your Vice is a Locked Room and Only I Have the Key added intense melodrama into the mix along with the plot of Edgar Allan Poe's the Black Cat, All the Colors of the Dark combined the giallo with an occult horror story; what Torso did was move the genre closer to the slasher film. To do this the movie is stripped of much of the detective mystery strand that typified the genre in the early 70's and instead focuses on the sex, violence and tension. Maybe by 1973 the Italian public were growing tired of the plethora of mystery-driven gialli? I can't say but Torso certainly marginalises this and magnifies the salacious content.

The story revolves around a group of young college women who are terrorised by an unknown black-gloved killer. The girls themselves are, of course, gorgeous. Most of them seem to spend quite a lot of time lying around semi-naked as well. So from an erotic point of view this is a film that doesn't exactly mess about. In terms of its violence it's probably not as nasty as its reputation suggests although there is the famous hack-saw sequence that is admittedly quite grim albeit not especially graphic. There are several individual stalk and slash scenes, the best of which is a sequence in the woods. This part is very atmospheric, helped also by the effective music. Its scenes like this one and the saw idea that make this one feel like a precursor to the slasher films that would follow a few years later. But the best thing about Torso is its final third. In this part lead actress Suzy Kendall is trapped in a villa with the killer at work in the same house but unaware of her presence. This extended, deadly game of cat and mouse is really expertly handled by Martino and is one of the most suspenseful sequences in the giallo genre. It is ultimately what defines this film.

Torso is yet another excellent giallo from Sergio Martino. It comes highly recommended to fans of the genre. Just be aware that it's less concerned with plot mechanics and much more on suspense and vicarious thrills. Because the final third is so claustrophobic and intense it means that the wider mystery is almost forgotten about. But if this doesn't trouble you too much and you are happy with thrills that don't trouble your brain too much then this is a quality ride.

What more can I say? This is by far one of the best Slasher/Giallo's I've happened upon in years! Violent, atmospheric, stylish, moody and did I mention violent?

Yes violent is definitely the word, because this packs it on like hamburger joints pack in salad.... Tons! Slashings, stabbings, eye poking, strangulation, drowning, etc, etc, etc...

Don't listen to people whine about the only uncut version being Italian. I can assure you that once this bad boy starts playing, you won't care one bit!!!

"Bodies Bare Traces of Carnal Knowledge" gets a very BIG 10/10