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La maîtresse noire

Titre original : Slaves
  • 1969
  • Tous publics
  • 1h 50min
NOTE IMDb
4,9/10
226
MA NOTE
La maîtresse noire (1969)
Drame

Ajouter une intrigue dans votre langueA Kentucky slave fights for his freedom from cruel overseer whose mistress eventually joins Davis and the other slaves in their revolt.A Kentucky slave fights for his freedom from cruel overseer whose mistress eventually joins Davis and the other slaves in their revolt.A Kentucky slave fights for his freedom from cruel overseer whose mistress eventually joins Davis and the other slaves in their revolt.

  • Réalisation
    • Herbert J. Biberman
  • Scénario
    • Herbert J. Biberman
    • John O. Killens
    • Alida Sherman
  • Casting principal
    • Stephen Boyd
    • Dionne Warwick
    • Ossie Davis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,9/10
    226
    MA NOTE
    • Réalisation
      • Herbert J. Biberman
    • Scénario
      • Herbert J. Biberman
      • John O. Killens
      • Alida Sherman
    • Casting principal
      • Stephen Boyd
      • Dionne Warwick
      • Ossie Davis
    • 16avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Photos10

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    Rôles principaux23

    Modifier
    Stephen Boyd
    Stephen Boyd
    • MacKay
    Dionne Warwick
    Dionne Warwick
    • Cassy
    Ossie Davis
    Ossie Davis
    • Luke
    Marilyn Clark
    Marilyn Clark
    • Mrs. Bennett
    Gale Sondergaard
    Gale Sondergaard
    • New Orleans lady
    Shepperd Strudwick
    Shepperd Strudwick
    • Mr. Stillwell
    Nancy Coleman
    Nancy Coleman
    • Mrs. Stillwell
    Julius Harris
    Julius Harris
    • Shadrach
    David Huddleston
    David Huddleston
    • Holland
    Eva Jessye
    • Julie
    Robert Kya-Hill
    Robert Kya-Hill
    • Jericho
    Barbara Ann Teer
    • Esther
    James Heath
    • Luther
    Aldine King
    • Emmeline
    Slim Landrum
    Gwendolyn Belle
    Buddy Flowers
    James Burford
    • Réalisation
      • Herbert J. Biberman
    • Scénario
      • Herbert J. Biberman
      • John O. Killens
      • Alida Sherman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs16

    4,9226
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    Avis à la une

    raysond

    The Movie Slaves: An Important Subject that featured Dionne Warwick in here first ever theatrical role

    Released theatrically on July 2, 1969,the film wasn't seen elsewhere within its general release until either August of 1969 or 1970,the film "Slaves!" was something to remember for those who went to see this in the theatres when it was released. I was too young to see it then,but I do recall seeing it again when I was in college during a screening of the film in February during Black History Month. "Slaves!" was produced through an independent film company called Continental films,which was by the way the same low-budget film studio that was known for movies with intense subject matter,among them "Black Like Me",and "Nothing But A Man" that were released five years earlier.

    "Slaves!" was one of those revisionist dramas set in the Old South that became somewhat of a inept melodrama within itself dealing the horrors of slavery,rebellion and so forth. This was an revisionist melodrama set on a plantation during slavery. The story deals with a Kentucky slave(Ossie Davis),standing up for his rights and for others on the plantation when he is unjustly sold to a bad and tyrannical overseer(Stephen Boyd) whose mistreatment and cruel intentions towards him and the others slaves drives him to foment a slave uprising against his master. Director Herbert J. Biberman depends largely upon heavy dialogue rather than visuals to convey the historical reality of the terrible injustices of slavery. While it is an important subject about the cruel and terrible punishment and the unjustly conditions of human beings,but it is done very poorly and it shows. "Slaves!" upon its release in 1969 came out during the time of civil unrest in America with the violent in the streets of America's largest cities,and the demonstrations that occurred within our neighborhoods not to mention people were still angry and bitter and reeling over the assassinations of Dr. Martin Luther King,Jr. and Bobby Kennedy the previous year....not to mention the escalating chaos of the Vietnam War.

    "Slaves!" also marked the theatrical debut of R&B songstress Dionne Warwick in her first feature role as "Cassy" one of the slaves that assists Ossie Davis in his revolt against the sadistic and tyrannical master. Warwick's performance here is not to standard,and it shows. It is laughable at times and sometimes outlandish. However,this was Dionne Warwick's first and only attempt at doing theatrical films. But the real disappointment comes from Stephen Boyd who is so over the top here its downright funny. Stephen Boyd went from starring opposite Charlton Heston in "Ben-Hur" to the lowest downpoint in his career as the sadistic overseer. The rest of the cast includes Gale Sondergaard, David Huddleston,Julius Harris,Marilyn Clark,and Nancy Coleman. I do remember this movie,upon its release had a strong "M" rating for several scenes of full frontal nudity,scenes of graphic violence and one intense scene of a rape(that included Ms. Warwick and Mr. Boyd). Had a good subject matter,but within it all,:"Slaves!" was just downright horrible. Running Time: 110 minutes
    4muchfan1

    Premise is great, Movie is bad.

    This movie is really disappointing because it has such a great premise behind it with the idea taken from the Harriett Beecher Stowe story "Uncle Tom's Cabin", at least loosely taken from it. I really like Ossie Davis as an actor (R.I.P.) but the acting in this movie isn't very good at all in fact over all the quality of the movie is just bad like it was just quickly slapped together in a weekend or something. I blame the director mostly for the bad acting and poor quality of the movie over all, the script obviously wasn't very good but not quite terrible either. It is still an interesting movie and the music in it is great, I think it is almost worth watching just for the great soundtrack alone, and to see a younger Ossie Davis of course.
    4bbickley13-921-58664

    Dark

    It's a movie about slavery so on that note the movie already has a grim tone to it. Technically, no one once to see a movie about slavery with a happy tone to it.

    The late great Ozzie Davis plays a house slave brainwashed by the master who used the love of Jesus to do so. Ozzie eventually sees the light when his master, who promised he would never sell his slaves, sells him to a new master who sees his slaves as nothing but property, and as such makes the old slave how much slavery sucks.

    Donne Warwick plays another type of House slave that catches the masters attention, if you get my drift, and she somewhat caught in-between being better than the rest of the slaves, but at the same time no different than them.

    The movies best point is that is shows you the different types of mind sets slaves had back in the day. From slaves who want to be free to those who actually think things are find the way they are.

    It's no 12 years a slave, but it paints just as Grim of a tale without the happy ending.
    2kfaia

    Poor production values, great cast

    No film with this cast can be bad, and this one isn't. Terrifying in a Tarantino way, who admires it. Watch it and enjoy.
    jwpeel-1

    Listen to the music Forget the film.

    Nothing can be said about this being a great film. It isn't. The acting is amateurish and the story is pure melodrama that reeks of the staleness of another time in casting when broad caricature was passed off as great emoting. But the music is pure Bobby Scott, a jazz stylist with great command of a music form. Bobby was proud of his accomplishments as a songwriter and composer, and this one was no exception. He loved the fact that he got this one away from Burt Bacharach despite that it was done for that songwriter's golden goose, Dionne Warwick. So forget the hoky acting and plot. Listen to the sounds of the great Bobby Scott. (I should also mention that both the director/screenwriter Biberman and actress Gale Sondergard, were blacklisted talents so that at least makes this film noteworthy.) Okay so maybe it is historic in that it marks the acting debut of singer Dionne Warwick, but so what? She was no better than Gladys Knight as a thespian, and believe me, that is no compliment. Like I said. Watch the cinematography and listen to the music on the soundtrack and if you do anything else, don't say I didn't warn you.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was the final film directed by Herbert J. Biberman before his death on June 30, 1971 at the age of 71.
    • Citations

      MacKay: [in a room filled with African artifacts, he is addressing owners and attendant servants] We'd better all understand this darkie we own, gentlemen. He's the only self-reproducing machine in the world. Gotta know how to run it. I first met him in Africa, as a young man, when I ran a ship in the illegal slave-running trade, before I settled down here in the very legal, slave-driving, cotton trade.

      MacKay: [to the servants] Boys, attend to the gentlemen.

      MacKay: [he continues] I packed blacks into my ship until you couldn't walk the decks. Every morning we threw the dead and the rebellious overboard. They were not easy those voyages. But we could turn a profit if we got 40% of them here alive.

      MacKay: [he continues] My library is always at your disposal. Volumes on all the aspects of human slavery. But I can spell it for you in this one, magnificent sculpture or in one story which tells all one needs to know about the human being, in slavery or out. In the African trade, I met an old chief. I bought many of his people from him. Discussing handling slaves, he said "Captain, in the soul of a free man, a little slavery and a lot weigh the same. So they do in the soul of a slave. So when you chain him, just as well chain him firm." Brilliant man! He was as black as coal. He'd find your views, Mr. Bennett, romantic; dangerous.

      MacKay: [he continues] I know you all wonder why I keep these things in my house. They make you uncomfortable. Me too. That's why I keep them here. Ivory, stone, wood, bronze.

      MacKay: [to Luke] Don't gawk, boy. Get that tray filled. Boy! Did you hear me?

      Luke: Yes, Master.

      MacKay: Don't talk back to me. Replenish the tray.

      MacKay: [he continues] I just ordered a darkie out of this room. Do you know anything about him? From his facial characteristics, his people probably came from the Songhai tribe, the area around Timbuktu. Three hundred years ago, they had a university there where the most delicate operations were performed for cataracts of the eye. People came from all over the world to have their sight restored by these extraordinary, black surgeons. I believe origins can crop up even after ten generations - unless they get weeded out. What do we create? Surgeons? Sculptors? Or niggers?

    • Connexions
      Featured in Afro Promo (1997)
    • Bandes originales
      Slaves
      Music by Bobby Scott

      Lyrics by Bob Kessler

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    FAQ16

    • How long is Slaves?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 mai 1972 (Hongrie)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Esclaves
    • Lieux de tournage
      • Buena Vista Plantation, Shreveport, Louisiane, États-Unis
    • Sociétés de production
      • Slaves Company
      • Theatre Guild
      • Walter Reade Organization
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 50min(110 min)
    • Mixage
      • Mono

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