Ben-Hur

"Ben-Hur" is the lavish and classic 1959 film by MGM that is based on an 1880 novel by Lew Wallace, "Ben-Hur: A Tale of the Christ." It is a remake of MGM's 1925 silent film that had the full title of the novel. The story is a fictional adventure set in the time of Christ. The religious aspect is toned down and subtly built into this adaptation of Wallace's story, beginning with an opening scene of the nativity.

The film plot centers around the family of Judah Ben-Hur during the time the Roman Empire occupied Israel. The main characters are Judah and Messala. The latter is a Roman soldier who grew up as a boyhood friend of Judah. The Ben-Hurs were a wealthy family with a trade business. Now, in adult times the two men become enemies - until Judah's interior conversion. That occurs after chance encounters with a mysterious man. He later learns that this is Jesus of Nazareth, whom Esther and some others think may be the promised Messiah.

The film has a great cast of the day. Charlton Heston gives an Oscar-winning performance as Judah Ben-Hur. And Hugh Griffith won best supporting actor for his role of Sheik Ilderim. All of the cast excel - Jack Hawkins as Quintus Arrius, Stephen Boyd as Messala, Martha Scott as Miriam, Sam Jaffe as Simonides, Frank Thring as Pontius Pilate, and more. In its day, this film was the most expensive movie ever made, at just over $15 million. But its box office was nearly 10 times that amount. "Ben-Hur" was the first film to win 11 Oscars at the Academy Awards. Only two more films have accomplished that since then. They are "Titanic" of 1997 and "The Lord of the Rings: The Return of the King" of 2003.

From the time MGM first announced it would remake the film in color, it took several years to get it done. It went through a number of planned casting changes, and screenplays and rewrites. If for nothing else, this movie likely always will be known for its spectacular chariot race. It took nearly a year just to plan the race, acquire the horses, build the chariots, and train and practice for the race.

At 18 acres, the race arena was the largest film set ever made to that time. It took 1,000 men a year to make the track in a rock quarry. That was done so it would look real -- like the historic circus that had been in Jerusalem. It took more than 40,000 tons of sand from the Mediterranean to cover the race track. Numerous other aspects made the chariot race so unique and unlikely ever to be repeated for real. Charlton Heston was an accomplished rider and horse handler already. But when he got to Rome he took daily three-hour lessons in chariot driving. He had special contact lenses to protect his eyes from injury by the dirt kicked up by the horses.

The chariot race is an historic feature of this film. It's not likely that modern moviemakers would ever again go to such lengths to have and film such a realistic race. Just look at the 2016 revised "Ben-Hur" film with its heavy use of CGI. The crash scenes in that chariot race are almost laughable.

This tremendous film was greatly condensed and adapted from a novel of more than 500 pages. And, the story of the book author himself, is fascinating. Lewis Wallace (1827-1905) was a man of many talents and careers. He was a soldier, a lawyer, a politician and a diplomat. His writing career overlapped all of these. Wallace served in the Mexican-American War and fought in the American Civil War. He commanded an Indiana regiment of the Union Army and took part in several battles. He later rose to the rank of Maj. General. He served nearly four years as governor of the New Mexico Territory (1878-1881). And he was U. S. minister to the Ottoman Empire from 1881 to 1885. After that he retired to continue his writing career which began with publication of his first book in 1873, "The Fair God."

Wallace wrote his adventure novel, "Ben-Hur: A Tale of the Christ," as a story of revenge and redemption. He worked on it for several years during his military postings. When it was published in 1880, the book made Wallace famous and wealthy. It was translated into seven languages and became popular around the world. It sold more than 400,000 copies in less than a decade. By 1900, it had become the best-selling American novel of the 19th century.

This is an epic film with a message that is subtly delivered in a most entertaining package. The actors all show the right amounts of various emotions throughout. The sets and settings, and filming and color are superb in all respects. Audiences should enjoy this film for generations to come.

There are movies, and then there are epics. Ben-Hur is one of the greatest Hollywood epics ever made. It won more Academy Awards than Gone With the Wind. Even Charlton Heston won an Academy Award for Best Actor, and he was never really that good an actor.

This story of a man who came from a rich family and was friends with a powerful Roman commander, has survived the ravages of time. Ben-Hur loses his best friend, his status, and his freedom, as he becomes a slave on a Roman fleet vessel. In passing, we also see the suffering of Christ on his way to Calvary. The film has several thrilling scenes, including the naval battle and the chariot race. In the beginning of the film, Heston challenges Messala to a race, but Messala refuses.

Ben-Hur then says 'What's the matter, are you Chicken Messala?" Actually, this never happened in the film, but it was an opportunity for a bad joke. Be sure you include this one in your want to see list.

In the ears and minds of any movie lover, the word "Ben-Hur" resonates like the quintessential Hollywood classic oozing respectability in every inch of celluloid but the same respect we owe to an old relic. In our cynical modern world, who would enjoy a pompous-looking big-budget swords-and-sandals religious epic when you have Tarantino and Appatow?

I saw "Ben-Hur" for the first time in fourth grade, it was part of our history course and being an Asterix buff, I loved watching real-life legionaries, galley slavery not to mention the chariot race, the film also enlightened me on Christianity and on Judaism (when my only religious reference was monotheism number three) and scared the hell out of me with leper. It worked on a cinematic level as much as educational, I guess even in its TV-sized crappy 80's VHS look, we kids enjoyed "Ben-Hur" especially the rivalry between Judah (Charlton Heston) and Messala (Stephen Boyd).

I never watched "Ben-Hur" after that but nor did I have any doubt over its status as a colossal masterpiece. Watching it again a few years ago and then a few days ago, I was surprised by how engraved in my memory "Ben-Hur" was, and how the moments that stood out were still having the same effect. When Ben-Hur and Messala meet after many years, I'm always anticipating that first breech in the fortress of their friendship when the young Roman tribune will have one word too many about Ben-Hur's people, taking for granted their friendship and Judah's nobility as marks of submission. The second encounter is even more thrilling because it's like watching a shaking edifice waiting to collapse.

It was a nice call from the director Wyler to mark the feud between the two ex-friends at the second encounter, hence putting more gravitas around their relationship, that screenwriter Gore Vidal tried to impregnate with homoerotic subtext. The story is known by movie buffs, Vidal wanted to make the interactions look as the two rivals were former lovers, the subtext works even more when you look at Stephen Boyd's "enamored" eyes toward Charlton Heston. But 'Chuck' never knew the trick and was annoyed about it, I guess I prefer the way their hatred epitomize the conflict between Romans and Jews sealing as one of the most memorable rivalries in history of cinema, with the most heart-pounding climactic face-to-face (or should I say wheel-to-wheel).

I had positive feelings about "Gladiator" but "Ben-Hur" is the masterpiece that dwarfs any contemporary masterpiece, a sweeping revenge story that doesn't rely at all on fake CGI and special effects. It took William Wyler's expertise built up in three decades of experience to make "Ben-Hur" equal the reference of the time that was Cecil B. De Mille's 1925 version. As a matter of fact, "Ben-Hur" has been blockbuster material from the start, ever since Lewis Wallace's best-seller of the late century, it was played on theaters and not with modest budgets. A revenge story, with galley combats, a chariot race and an oblique take on the greatest story ever told, with a hero going from idealism to anger, from revenge to love, all wrapped up in a subtle religious conversion, "Ben-Hur" was an instant classic Hollywood couldn't ignore.

If 1925 had the race and the thrills, the 1959 one had a bigger scope, bigger budget, the colors, the talking and all the determination of a big studio like MGM to prove a 50's audience that TV wasn't yet the pinnacle of spectacular entertainmnet. When I hear my Dad talking about going to the movies, like "Ben-Hur", "Spartacus", "Guns of Navarone" or "Taras Boulba" you would think he went there, inside the screen. And right now, I can't imagine the eyes of people staring at the screen during the chariot race, there comes a moment where you stop watching the moment as a plot element, but as a real race, and it never, never suspends your disbelief, it's like at any new viewing, Messalah can finally win.

There are so many classic moments that filled the three-hour-and-half journey that you're never in a state of non-anticipation, when the new inquisitor's parade starts, you keep an eye on that loose roof tile, the one that started the whole chain of events. In the desert, you wait for the 'greatest cameo ever made', in the galleys, the big fight and Ben-Hur rescuing Arrius (Jack Hawkins) and it goes on and on. I must reckon after the chariot race, the film gets a tad too long, but only because you can't just sweep off such a rich epic with a five-minute resolution, and Charlton Heston, in his greatest role, contributed a lot to the everlasting appeal of the film, I don't think he gets the credit he deserved, he brings to his Judah Ben-Hur a dimension of emotional vulnerability that could have been laughable from a lesser actor.

Other cast members include Oscar-winning Hugh Griffin enjoying his role as Arab sheikh and Judah's mentor, Israeli actress Haya Harareet as Esther, Martha Scott and Cathy O'Donnell as Judah's mother and sister... the film is served by a solid cast, editing, directing, having swept off all the major Oscar by breaking the record of 11 wins, only to be matched in 1997 with "Titanic" and "The Return of the King" and oddly enough, these titles could somewhat apply to "Ben-Hur".

I haven't seen the 'original' and I'm in no hurry for the remake, but I don't get I'll be in a minority if I say that this is the ultimate version. I didn't see it many times in my life but it's always present in my memories as if it wasn't about the number of times you watch it but the intensity of each experience. And let's not forget the name of the director: William Wyler who outdid himself by making his masterpiece, which is saying a lot, given his previous streaks.

"Ben-Hur": A Christ Tale, a tale of vengeance, in fact a tale of all tales...

When I first saw 'Ben Hur' I was 8 years old and hadn't seen many films, since we were hardly ever allowed to watch television. Imagine what an impact this film had on me (my movie diet had so far consisted of Chaplin and Disney films - which, of course, is not at all a bad thing).

The experience was simply mesmerizing. Awe and wonder filled me as I watched this story of shocking betrayal, revenge and forgiveness unfold on screen - and by the time the heart-stopping chariot race was over, my fate as a future movie addict was sealed.

Despite its 212 minutes running time, this is storytelling at its finest that knows how to entertain; as we follow Judah Ben-Hur's dramatic journey from Jerusalem to Rome and back again, the film just never lets up and immerses you completely.

It's hard to imagine anything more cinematic, especially at the time: if ever there was an epic that was meant to be seen on the big screen in all its bombastic glory, it's Ben Hur. And even now, after I've seen the film many, many times, I feel like this story has a certain sense of greatness to it that is touching (and I don't mean that in a religious sense).

My verdict: this film was and is nothing like the many "sandal and sword" or bible films of that era; it is (at least to me) the ultimate film epic. With its touching story and fantastic action sequences - which I think hold up amazingly well - Ben Hur is among the milestones of its era and part of film history.

Pure cinema and a must see. 10 stars out of 10.

Favorite TV-Shows reviewed: imdb.com/list/ls075552387/

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We are by nature a cynical and critical group.

With the attention span of a bumblebee, moreso the current generation than the earlier ones, because of exposure to mobile devices and other modern disposable non-repairable tech.

It is probably for that reason that epics like this one have become forgotten over time. Even the late CH has become more a societal joke and less of an icon over time. Michael Moore made Heston's participation in the NRA a joke. (If Heston's concerns over where society is headed prove to be true, the final joke may be on Moore.) Back to the film. It is almost perfect. Then, as now. The script continually builds. Modern writers could learn from that. No matter what is presently on screen as you watch, the inevitability of the final climax beckons.

The acting is perfect.

The mixture of myth and drama is perfect.

True the Roman dialog did not benefit from the verbal tricks that Stephen McKnight used in Spartacus (bending the script to match the flow of actual Roman) but it is more than enough to entertain and entrance.

From the "accident" early in the film which starts the flow of events, to the chariot race WHICH HAS NEVER BEEN EQUALLED IN THE HISTORY OF FILM, to the reunion with lost family at the end, this is one of the most powerful and entertaining films of all time