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Un cri dans l'ombre

Titre original : House of Cards
  • 1968
  • Tous publics
  • 1h 45min
NOTE IMDb
6,1/10
836
MA NOTE
Un cri dans l'ombre (1968)
In 1960s Paris, an American boxer stumbles upon an international fascist conspiracy that aims to create a new world order.
Lire trailer2:08
1 Video
10 photos
CriminalitéDrameMystèreThriller

Dans le Paris des années 1960, un boxeur américain découvre une conspiration fasciste internationale qui vise à créer un nouvel ordre mondial.Dans le Paris des années 1960, un boxeur américain découvre une conspiration fasciste internationale qui vise à créer un nouvel ordre mondial.Dans le Paris des années 1960, un boxeur américain découvre une conspiration fasciste internationale qui vise à créer un nouvel ordre mondial.

  • Réalisation
    • John Guillermin
  • Scénario
    • Irving Ravetch
    • Harriet Frank Jr.
    • Stanley Ellin
  • Casting principal
    • George Peppard
    • Inger Stevens
    • Orson Welles
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    836
    MA NOTE
    • Réalisation
      • John Guillermin
    • Scénario
      • Irving Ravetch
      • Harriet Frank Jr.
      • Stanley Ellin
    • Casting principal
      • George Peppard
      • Inger Stevens
      • Orson Welles
    • 25avis d'utilisateurs
    • 13avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:08
    Trailer

    Photos10

    Voir l'affiche
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    Rôles principaux28

    Modifier
    George Peppard
    George Peppard
    • Reno
    Inger Stevens
    Inger Stevens
    • Anne
    Orson Welles
    Orson Welles
    • Leschenhaut
    Keith Michell
    Keith Michell
    • Morillon
    Ralph Michael
    Ralph Michael
    • Claude de Gonde
    Maxine Audley
    Maxine Audley
    • Matilde Vosier
    William Job
    • Bourdon
    Peter Bayliss
    Peter Bayliss
    • Edmond Vosier
    Patience Collier
    Patience Collier
    • Gabrielle
    Barnaby Shaw
    • Paul
    Ave Ninchi
    Ave Ninchi
    • Signora Braggi
    Renzo Palmer
    Renzo Palmer
    • Monk
    Francesco Mulè
    • Trevi Policeman
    • (as Francesco Mule)
    Rosemary Dexter
    Rosemary Dexter
    • Daniela
    Raoul Delfosse
    • Louis Le Buc
    Perrette Pradier
    Perrette Pradier
    • Jeanne-Marie
    Geneviève Cluny
    • Veronique
    • (as Genevieve Cluny)
    James Mishler
    • Jesse Hardee
    • Réalisation
      • John Guillermin
    • Scénario
      • Irving Ravetch
      • Harriet Frank Jr.
      • Stanley Ellin
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs25

    6,1836
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    Avis à la une

    10nicvis

    My Favourite Childhood Film

    While living in South Africa my dad and I watched many classic films together, and those are special memories. We managed to record "House of Cards" using our very first VCR (in 1983) and I spent many evenings re-watching it until my brother recorded something over it... I was devastated and have been hoping to find it ever since.

    Twenty years later I am still a fan and I give it 10/10 because that's my childhood-based feeling for it. No other film I've seen has stayed with me as intensely.

    It's difficult to say exactly why I love this film because the memories are so old. My feelings include: excitement, curiosity, urgency, pleasure, amusement, fun, the motivation to see it may times and the crush I have had since on George Peppard! The images are a little mixed: I remember a boat on a lake, a car racing along a winding road and many desperate escapes. Also images of Paris and the Seine. Orson Welles is totally creepy. My visits to Italy have been influenced by scenes from the film - even visiting the Colosseum in Rome.

    Hopefully my memories aren't too tainted by all the films I've seen since, if I come across this one again I'm keeping it far away from my brother.
    8ducdebrabant

    Nifty, and they NEVER show it on TV

    I went to see this at age 15 because I enjoyed the Stanley Ellin book it's based on. The movie is imitation Hitchcock of a very high order. (The climax in the Colosseum is pure Hitchcock.) Peppard is supposed to be a washed up boxer, and he has just the beat-up, world-weary sexiness the part needs. Inger Stevens is very glamorous as the lady of the house with her problems and secrets. The Paris setting is very well used, and that's important because the movie has a unique premise. The villains are pied noir terrorists left over from the Algerian revolution, displaced from their colonial home, reactionary, and deeply opposed to the French government of that appeaser DeGaulle. It gives a certain reality to the mysterious goings on. I thought the film did full justice to the novel, except that they unavoidably dispensed with the novel's use of Tarot cards to organize the chapters thematically. The music is great too. There's a title song in French that I'd love to have a recording of. It's sad to see Stevens looking so lovely and giving such a good performance so close to her tragic real-life suicide. She was special, and there's great chemistry between her and Peppard.
    6fubared1

    Not Bad

    This is one of those films I have fond memories of from my childhood. I remember I used to tune it in every time it appeared on TV. Yes, now being an old fart and having finally seen it again after it's long absence, I was somewhat disappointed, but not entirely. There are still some wonderful things about it. Primarily the score by Frances Lai, the beautiful photography and scenery (it made me want to go to Paris for a long time), Orson Welles as the villain, but mostly the wonderful Inger Stevens as the female protagonist. What hasn't survived the test of time are the silly plot and George Peppard. I used to like him in his TV show (Banacek, NOT the A-Team), but then I heard an interview with Pat Neal which told about what a bastard he was in real life, and I can't find myself liking any of his performances now, even though I may like the movie. Anyway, I do still enjoy the movie, and am glad I was finally able to find it again.
    dbdumonteil

    Shuffle them!

    Inspired by the events linked to the Algeria war.The fascist organization recalls Ordre Nouveau (which was not fiction) and the O.A.S. whose purpose was to give Algeria back to the FRench ,particularly to the Pieds-Noirs who had to leave the country after the Evian agreement (June 1962).

    John Guillermin 's thriller remains very vague politically.Some characters appear or disappear without any real purpose .Some appear completely nude (Perrette Pradier) probably to please the viewer.The screenplay looks like a parboiled cross between "the jackal" (Zinnemann,1972)and "the man who knew too much" (essentially the color version 1956).

    That said ,if you are not too demanding ,it's passable entertainment.George Peppard is a convincing hero with a Bondesque sense of humor (sixties Bond of course)and Inger Stevens who prematurely died two years after is attractive.Orson Wells has a very very small part and as the film is unworthy of his talent,he seems eager to collect his money and run away from this muddled story.

    There's a song in French during the cast and credits which is heard again at the end.This bland song has nothing to do with the story ,not Francis Lai's best.

    Guillermin's most salutary quality is his sense of space he would display again in "towering inferno" and in "death on the Nile".Here he uses the banks of the Seine to good effect .Ditto for the banks of the lake and the fountain in Rome ,or the arena.
    SceneByScene

    Just a bit too slow . . . It needed a bit of 'zip' in the pacing

    There is little wrong with this movie. But then there's something just not right . . .

    Then as the film rolls on the flaw becomes clear: the movie is paced a tad too slow.

    It's well acted, well written and beautifully filmed. The incidental music works, the minor characters are played well, and the storyline is quite believable. If it had been a bit more sassy in pace & energy then the film would have worked better.

    George Peppard has a laid-back attitude to his character. Which would have worked excellently had the pace of the film been more upbeat: we would have sensed a man fighting his surroundings, yin against yang. That would have fit in nicely with the story. But as each - pace & protagonist - were so leisurely, this stance took the film almost to a frustratingly downbeat attitude. I believe relaxed was more Peppard's own style in life re his profession, as I gather he refuted being a star - despite the studios loving his being a 6 foot tall blonde hunk of a man. Instead he preferred to do things his own way. (So he missed his calling then: as he seems truly an actor suited to the '60s & '70s, rather than a box office screen idol of the decade he started acting, the '50s.)

    The best points are when the writer surprises us ((no spoilers here!)). At these points the film really starts to take off at last . . . Only to then lose that all-important tempo. Disappointing. As the rest of the film seems to offer little in unexpected moments, or any real excitement. And as the movie is meant to be a suspense story, with all the associated moments in a thriller of unforeseen turns, such 'zip' is what is lacking.

    Had it been less maudlin in feel, I could have rated it higher. Sadly, as a thriller it doesn't offer much in the way of thrills! Insipid it is, inspiring it (sadly) is not.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Oddly, the film leaves out the detail which explains the title - the all-important list of names which Reno gets hold of is, in the novel, in code, which is broken via a knowledge of Tarot cards. In the film, it's just a list of names, so the brief moment where Gabrielle is seen laying out Tarot cards has no resonance for the later scenes.
    • Connexions
      Referenced in Scène de crime: Le tueur de Times Square: Murder on 42nd St. (2021)
    • Bandes originales
      House of Cards
      (Château de Cartes)

      Music by Francis Lai

      Lyrics by Pierre Barouh

      Performed by Danielle Licari

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    FAQ13

    • How long is House of Cards?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 décembre 1969 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
      • Italien
    • Aussi connu sous le nom de
      • House of Cards
    • Lieux de tournage
      • Cinecitta, Rome, Italie(Studio)
    • Sociétés de production
      • Universal Pictures
      • Westward Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 45min(105 min)
    • Rapport de forme
      • 2.35 : 1

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