Un cri dans l'ombre

In the sixties, spy stories were galore on screens, more or less 007 like oriented, with cool heroes, or more disenchanted ones. There are also some Hitchcock movies elements in this movie. It begins very slowly then becomes more interesting, but not the John Guillermin's best. With the same Georpe Peppard, I preferd PJ, also from Universal Studios, or still with Peppard, of course the awesome BLUE MAX, for me the Guillermin's ever best, with TARZAN'S GREATEST ADVENTURE. The director was not that inspired on this movie, that's my opinion. It's only entertainment and on this point, he succeeded. Mostly set in France, it evokes the war in Algeria, OAS clandestine organization - more or less involved with fascists oriented groups...And Orson Welles is impressive, smashing walnuts with his fingers - fists.....

From the first bit of footage you will know you are settling in to see a winner. Pierre Barouh's title song is enchanting and beguiling and the singer's voice sounds like an angel. George's acting in HOC rivals his performance in Breakfast at Tiffany's and The Blue Max. It's hard to believe his agent steered him to The A Team when he had proven he had real talent. Inger Stevens, who looks as fetching as you'll ever see her, was also at the top of her game in this movie.

The direction felt like Hitch was behind the camera, it's that good. One of my very favorite actors, Orson Welles, also works his magic. If you like Orson, you will certainly enjoy another of his potentially lesser know performances in Long Hot Summer.

What I will never understand is the production company, Universal Pictures, never released this on tape, laserdisc or DVD (if you have some influence with Universal, call in a favor to fix this). Talk about your missed opportunities! A loss for movie lovers the world over. Your only chance to see this is to obtain the CD-V version.

I went to see this at age 15 because I enjoyed the Stanley Ellin book it's based on. The movie is imitation Hitchcock of a very high order. (The climax in the Colosseum is pure Hitchcock.) Peppard is supposed to be a washed up boxer, and he has just the beat-up, world-weary sexiness the part needs. Inger Stevens is very glamorous as the lady of the house with her problems and secrets. The Paris setting is very well used, and that's important because the movie has a unique premise. The villains are pied noir terrorists left over from the Algerian revolution, displaced from their colonial home, reactionary, and deeply opposed to the French government of that appeaser DeGaulle. It gives a certain reality to the mysterious goings on. I thought the film did full justice to the novel, except that they unavoidably dispensed with the novel's use of Tarot cards to organize the chapters thematically. The music is great too. There's a title song in French that I'd love to have a recording of. It's sad to see Stevens looking so lovely and giving such a good performance so close to her tragic real-life suicide. She was special, and there's great chemistry between her and Peppard.

I saw this movie with my dad when it first came out at the now long-gone Cinema Theater on Miami Beach.

What I recall most about it was the rare beauty of Inger Stevens. What a beautiful, lovely, sexy, talented actress. It is really a sad state of affairs that her personal demons ended her life so young. I recall hearing about her death on the t.v. news and how I cried a few tears; even though I was a young child of 9.

The movie is fast-paced, exciting, well-acted, and the Paris of the 1960s is in all it's glory.

Unless this movie comes out on DVD, it will be lost to the ages. Most likely it's about forgotten, except for those lucky enough to have seen it. I even have the original movie poster of this film hanging on the wall of my apartment.

While living in South Africa my dad and I watched many classic films together, and those are special memories. We managed to record "House of Cards" using our very first VCR (in 1983) and I spent many evenings re-watching it until my brother recorded something over it... I was devastated and have been hoping to find it ever since.

Twenty years later I am still a fan and I give it 10/10 because that's my childhood-based feeling for it. No other film I've seen has stayed with me as intensely.

It's difficult to say exactly why I love this film because the memories are so old. My feelings include: excitement, curiosity, urgency, pleasure, amusement, fun, the motivation to see it may times and the crush I have had since on George Peppard! The images are a little mixed: I remember a boat on a lake, a car racing along a winding road and many desperate escapes. Also images of Paris and the Seine. Orson Welles is totally creepy. My visits to Italy have been influenced by scenes from the film - even visiting the Colosseum in Rome.

Hopefully my memories aren't too tainted by all the films I've seen since, if I come across this one again I'm keeping it far away from my brother.